
Now Playing
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).
April
A doggedly mysterious and haunting account of an investigation into the professionalism of a Georgian Ob-Gyn, Nina, accused of negligance, Dea Kulumbegashvili's film has been compared to the work of masters like Haneke, Glazer and Reygadas.
Desert of Namibia
A prizewinner at Cannes, Yôko Yamanaka's second film is an acerbic portrait of an arrogant, attractive, diffident, "difficult" 21-year-old woman, Kana (a mesmerizing Yuumi Kawai), who numbly drifts between boyfriends, leaving wreckage in her wake.
Getting Real: The Arc of American Screening Acting
Jun 11 – Aug 31
Getting Real charts the evolution of screen acting in American film from 1945-1980, diving into the psychological realism which took audiences somewhere deeper and more authentic than ever before.

Queering Cinema
May 15 – Jun 12
Curated by Fay Nass, Queering Cinema features five features and two short films which have extended the scope of queer cinema, exploring the themes of masculinity, loneliness, belonging and desire.
Close-Knit
A young girl, Tomo, unexpectedly finds herself living with her uncle and his transgender partner, a woman named Tetsu. The unconventional family arrangement serves as a backdrop for exploring the challenges and joys of living authentically.
Film Studies: 6 Takes on American Screen Acting
Every Other Wednesday | Jun 11–Aug 20
Move through the changing fashions and styles in screen acting in the wake of World War II under the influence of The Method, certainly, but also wider social and political currents.
Notorious
In the first of our new Film Studies series, Ingrid Bergman is pimped out by US agent Cary Grant to Nazi-sympathizer Claude Rains (ironically the most likeable character in the film). Hitchcock's classic is a prime example of classic Hollywood star power.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Who's Afraid of Virginia Woolf?
A young couple accept an invitation for a nightcap with history professor George (Richard Burton) and his wife Martha (Elizabeth Taylor). At first it's fun and games. But what passes for caustic wit soon degenerates into vicious mind games.
Nashville
With 26 actors getting more-or-less equal screen time and half of them singing their own tunes, Robert Altman's state-of-the-nation satire on bicentennial USA is a movie that repays multiple views.
Raging Bull
In the throes of a near-fatal drug problem Martin Scorsese made what he believed could be his last movie. Its subject: the Bronx Bull, Jake La Motta, a graceless but indomitable boxer who never quits beating himself up. De Niro has never dug deeper.
Pantheon: The Greatest Films of All Time
Pantheon, presented by MUBI, is a monthly series showcasing a selection of the “greatest movies of all time,” inspired by the mother of all film lists, the critics’ poll that has run once a decade in the UK’s Sight & Sound magazine since 1952.
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Individual tickets $23

Ali: Fear Eats the Soul
Jun 15
RW Fassbinder’s lop-sided love story (60 year old German widow and a Moroccan twenty years her junior) shines an unflattering light on social hypocrisies.
The Genius of Gena Rowlands
Apr 25 – Jun 3
Dedicated to one of the most inspiring and influential American actresses of the past half century, this series showcases the versatility and star power that was Gena Rowlands.

Another Woman
Jun 1 & 3
Gena Rowlands as philosophy teacher whose meticulously controlled life begins to unravel after she starts to eavesdrop on a psychotherapist’s sessions.

Night on Earth
Jun 1 & 3
Gena Rowlands takes a cab driven by Winona Ryder in this low-key charmer from Jim Jarmusch, one of five taxi rides around the globe, each ending with a sliver of insight and understanding.
VIFF Live
Live performances that push the boundaries of traditional film programming, intersecting cinema culture with music, comedy, podcasting, and performance in unique, cinema-infused live shows.
Alfred Hitchcock's The Lodger
When a stranger rents a room from model Daisy and her mum and dad, her policeman boyfriend becomes suspicious... Presented with an original live score by Chris Gestrin, the first signature Hitchcock movie is loosely based on the Jack The Ripper murders.
Chen Baker Play J-Pop
Jeffery's Chen Baker band is back (and bigger than ever) to present a set of city pop and jazzy J-pop by the likes of Miki Matsubara, Taeko Ohnuki, Lamp, before the screening of Masayuki Suô's hilarious underdog comedy Sumo Do, Sumo Don't (1992).
Jesse Zubot in Concert
Using a violin, viola and miscellaneous electronics, and incorporating multiple sounds and techniques that relate to his work as a film composer, Jesse Zubot promises a unique and thrilling concert, followed by a preview of the the new BC film Inedia.
Julian Borkowski: Blues for Brando
The Julian Borkowski Quintet pays tribute to the emergence of bebop, in many ways a parallel artistic innovation to Method acting. A set of bebop classics will be followed by a screening of Marlon Brando in The Wild One.
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