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Adrian is a Canadian Screen Music Award winner and 4-time CSA nominee known for concept-driven scores, including Last Call (recorded live in a single take), The Scarehouse (NBC Universal) and The Strings (Shudder). His inventive approach often uses unconventional sounds — like broken pianos and power saws — documented in The Music of Madness. His TV credits include Secret Nazi Ruins, Daily Planet and CFL broadcasts. He serves as Chair of the Screen Composers Guild of Canada.

Allyson Newman is an Emmy-nominated composer whose work includes The L Word: Generation Q (Showtime), Partner Track (Netflix), and First Day (Hulu). She’s received nominations from the SCL, HMMA, and ISFMF. In 2024, she was selected for the Spot the Composer program at Cannes. Recent scores include Diane Von Furstenberg: Women in Charge (Hulu) and Arrest the Midwife (SXSW 2025). Allyson is also co-president of the Alliance for Women Film Composers.

Amanda Cawley is an award-winning orchestral composer known for creating fantastical scores for film, television and games. In 2024, she won Canadian Screen Music Awards for Ostinato and Siegebreaker, and received the SOCAN Foundation’s Emerging Screen Composer Award. Her credits include 104 episodes of Fireman Sam and 20 of Ageless Gardens. Amanda’s melodic, narrative-driven style brings characters and worlds to life with carefully crafted instrumentation and soundscapes.

Burt Blackarach is a Grammy-winning engineer, DJ, producer, composer, and music supervisor, excelling in both roles on major productions. Based in Los Angeles, he’s worked on The Wonder Years (ABC) and Oscar-shortlisted Stamped From The Beginning (Netflix), earning multiple NAACP Image Award nominations. A longtime collaborator with Chuck D, he’s produced for Method Man, Andre 3000, and more, and performed with Prince, Jay-Z, and Nas — bridging worlds from turntables to television.

Monstercat, founded in 2011 in Waterloo, Canada, is one of electronic music’s leading independent labels, representing artists like Marshmello, Kaskade, DIESEL (Shaquille O’Neal), WHIPPED CREAM, and Sullivan King. With teams in Vancouver, Toronto, and Los Angeles, the label released over 350 tracks in 2024, partners with major games like Fortnite and Rocket League, and appears at top festivals worldwide. Monstercat proves that independent labels can shape and redefine the music industry.

Anthem Music Group, headquartered in Toronto, is a leading independent music company with a vast catalog and a blend of major-label resources and indie agility. As Publishing and Sync Creative lead in Canada, he supports writers like Chantal Kreviazuk and Steve Molella through A&R, sessions, and placements. Highlights include Stompin’ Tom Connors for Tim Horton’s Superbowl ads and Rush for Molson’s Canadian Pride campaign.

Eric David Johnson (aka DJ Bunny Ears) is a multi-award-winning music and branding specialist, producer, music supervisor, and DJ. With over two decades in advertising, he’s held executive roles at agencies like Wieden+Kennedy, DDB, and McCann. Now at UnitedMasters, he continues to lead music-driven creative. A member of The Recording Academy and longtime DJ, Eric also directs music videos, advises the ARChive of Contemporary Music, and speaks regularly at global industry events.

As Head of Music Supervision + Licensing at Vapor Music/Long Division, Heather’s work spans TV, film and advertising, including global Top 10 Netflix hit BET (adapted from manga Kakegurui), season 2 of Mistletoe Murders (Hallmark), Hell of a Summer (directed by Stranger Things’ Finn Wolfhard and Billy Bryk) and former MuchMusic VJ Sook-Yin Lee’s Paying For It.

Heather is a multi-Canadian Sync Award winner, and President of the Guild of Music Supervisors, Canada.

Since 2019, Heather has worked at the intersection of tech, gaming, and music, first as “Chief Everything Officer” at Ninety9Lives, a label for content-creator-safe music. In 2021, she joined A2IM’s board to bridge gaps between these industries while protecting creatives’ rights. Now at Sub Pop, she continues this work while championing artists on the iconic Seattle label. She also serves as Co-Chair of Women in Music’s Seattle Chapter.

Brothers Mychael and Jeff Danna are award-winning composers known for blending orchestral music with global traditions. Mychael won an Oscar and Golden Globe for Life of Pi, with other credits including Capote, Moneyball, and Where the Crawdads Sing. Jeff’s work includes The Boondock Saints, Silent Hill, and Resident Evil: Apocalypse. Together, they’ve scored The Breadwinner, The Addams Family films, and Pixar’s The Good Dinosaur and Onward, collaborating with directors like Ang Lee and Terry Gilliam.

As Head of Film, TV & Animation at PIRATE SOUND, Laura leads music teams across platforms. A seasoned Music Supervisor, Producer and Composer, she shaped the musical identity of Barney’s World and helmed music for four seasons of Thomas & Friends: All Engines Go! She’s known for her creative precision, talent for music-driven storytelling and ability to manage complex productions — all grounded in her self-taught, multi-instrumentalist roots and passion for collaboration.

At Riot Games, Mike focuses on designing and optimizing how music teams operate within its multifaceted music ecosystem — spanning publishing assets, composition, global esports anthems, virtual artists, and soundtracks. Previously, he spent over a decade at Psyonix and Epic Games, shaping the sound and partnerships behind Rocket League, and co-founded the Same Same But Different music festival, bridging AAA game development, live events, and creative leadership.

Paty Carrera has worked extensively in music supervision, consulting, and licensing for productions on Netflix, Amazon, Disney, and HBO. President of the Spanish Speaking Music Supervision Association (ASM), she safeguards the rights of artists and collaborates with producer Phil Vinall, managing artists like Beto Cuevas and Ely Guerra. She has led workshops, panels, and educational programs in countries including Colombia, Chile, Poland, Canada, Spain, and Mexico, staying attuned to industry innovations and trends.

Robert Kraft is an award-winning songwriter, composer and producer and former President of Music at 20th Century Fox, where he oversaw scores for Titanic, Moulin Rouge! and Slumdog Millionaire. He co-produced The Little Mermaid soundtrack, including “Under the Sea”, and founded Kraftbox Entertainment, which produced the top-charting SCORE: A Film Music Documentary. Current projects include Jazz Ambassadors with Quincy Jones and Ray Charles: Keep My Name Alive with Frank Marshall.

Ryan Clark is the founder of Brace Yourself Games and designer of award winning games such as Crypt of the NecroDancer, Cadence of Hyrule, and many more. A veteran indie game developer, Ryan has been making games professionally since 2004 and as a hobby since 1984. Ryan is also the co-founder of a charity in the education space, Claren Academy.

Tammy Glover is SVP of Production at Sony Pictures Television and former VP at Warner Bros. Discovery, overseeing physical production for TNT, tbs and TruTV. A former Television Academy Governor, she’s also an accomplished musician and composer. She toured globally with Sparks, appears in The Sparks Brothers documentary, and recently debuted her original musical Wendy, My Darling — starring Jon Cryer and Busy Philipps — at the Edinburgh Fringe Festival.