Based on Arthur C Clarke’s short story ’The Sentinel’, 2001: A Space Odyssey redefined the sci-fi genre. With its radical structure (a single cut elides 4 million years), scant dialogue and oblique narrative this was the first movie to emulate the philosophical seriousness of writers like Clarke and Philip K Dick, and the first to see that special effects could become an integral component in the art-form.
The film’s pacing is deeply unfashionable (except in the art-house) but seen on the big screen it still holds up as a spellbindingly immersive experience. Made at the height of excitement around the space age – just a year before the first Moon landing – the movie combines a typically cold Kubrickian rationalism with a genuine sense of awe, mystery, and (often overlooked), beauty.
2001 came in at #6 in the 2022 Sight & Sound poll of critics and academics, but topped the list voted by film directors.
Sunday’s screening in our PANTHEON series will feature free refreshments and a short introduction by an expert in the field.
Jul 16: Introduced by Steven Malcic, Lecturer, School of Communication, Simon Fraser University
Presented by
Stanley Kubrick
Keir Dullea, Gary Lockwood
UK/USA
1968
English
Book Tickets
Indigenous & Community Access
Credits
Producer
Stanley Kubrick
Screenwriter
Stanley Kubrick, Arthur C. Clarke
Cinematography
Geoffrey Unsworth
Editor
Ray Lovejoy
Also in This Series
The Night of the Hunter
One of the strangest and most beguiling movies you'll ever see, from a poetic, nightmarish novel by Davis Grubb, a fable about two children fleeing from a psychotic evangelical preacher (Robert Mitchum). Charles Laughton's only film as director.
The Battle of Algiers
French Colonel Mathieu hunts for Algerian resistance leader Ali la Pointe in Pontecorvo's classic, which draws the battle lines between colonialists and Arab insurrectionists in a pulsating, "fly-on-the-wall" documentary style.
