An autobiographical fantasy about a filmmaker mired in a creative impasse. Here, for the first time, Fellini dove into his dreams as a source of psychological self-analysis and baroque, extravagant imagery. It’s at this point that Fellini films become sui generis, or unmistakably “Felliniesque”, an adjective inspired by his exuberant, erotic, if often grotesque and surreal imagery.
Marcello Mastroianni plays Guido Anselmi, a director whose new project is collapsing around him, along with his life. One of the greatest films about film ever made, Federico Fellini’s 8½ (Otto e mezzo) turns one man’s artistic crisis into a grand epic of the cinema. An early working title for 8½ was The Beautiful Confusion, and Fellini’s masterpiece is exactly that: a shimmering dream, a circus, and a magic act.
In 2022 8½ dropped down to #31 in the Sight & Sound poll of Greatest Films (it was #10 in 2012), but other filmmakers rate it more highly – it was #6 in the Director’s poll.
Sunday’s screening in our PANTHEON series will feature free refreshments and a short introduction by an expert in the field.
Aug 20: Introduced by Harry Killas, Associate Professor, Film + Screen Arts, at Emily Carr University of Art + Design. Harry Killas is a Canadian director, writer and producer whose films include Is There a Picture and Greek to Me.
Arguably the film that most accurately captures the agonies of creativity and the circus that surrounds filmmaking, equal parts narcissistic, self-deprecating, bitter, nostalgic, warm, critical and funny. Dreams, nightmares, reality and memories coexist within the same time-frame; the viewer sees Guido’s world not as it is, but more ’realistically’ as he experiences it, inserting the film in a lineage that stretches from the Surrealists to David Lynch.
Mar Diestro-Dópido
Presented by
Federico Fellini
Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo, Rossella Falk, Barbara Steele
Italy
1963
In Italian with English subtitles
Book Tickets
Indigenous & Community Access
Credits
Producer
Angelo Rizzoli
Screenwriter
Federico Fellini, Tullio Pinelli, Ennio Flaiano, Brunello Rondi
Cinematography
Gianni Di Venanzo
Editor
Leo Catozzo
Original Music
Nino Rota
Also in This Series
Portrait of a Lady on Fire
Céline Sciamma's queer costume drama -- about a painter covertly studying a young noblewoman who refuses to sit for her portrait -- was voted 30th Greatest Film Ever Made in a 2022 poll, the highest ranking film of the past decade.
I Am Cuba
Infused with a palpable love for the country and a righteous anger at the injustices of the Batista era, I Am Cuba features some of the jaw-dropping camerawork ever filmed. A euphoric celebration of Cuba, the Revolution, and revolutionary cinema.
The Colour of Pomegranates + The House Is Black
This month's Pantheon screening is a double-bill, Sergei Parajanov's extraordinary evocation of the life and work of C18th Armenian poet Sayat Nova, and, The House is Black (22 min), the only film directed by the great Iranian poet Forugh Farrokhzad.
Fantasia
Walt Disney pushed the boundaries of animation and sound recording when he put together a movie concert: eight classical pieces by Bach, Beethoven, Stravinski et al, each animated in a different style. It's playful, sometimes cute, other times inspired.
Image: © Disney, 1940