For many of us, this is the best movie ever made about jazz — and it turns 40 years old this year. Real life sax legend Dexter Gordon is mesmerizing as American horn player, Dale Turner (a thinly veiled amalgam of Bud Powell and Lester Young) trying to shake his demons in 1959 Paris, with loving help from a local fan (Francois Cluzet) and his young daughter. Plagued by years of alcoholism and drug use, knowing the end is near; he plays every note of his memories and battles with dignity and wisdom, and then returns home to New York. The forlorn music includes early work of Monk and Bird, the standards of Gershwin and Porter. Gordon’s contribution aside, Herbie Hancock is on piano and others such as Freddie Hubbard, Bobby Hutcherson, Wayne Shorter, Ron Carter and Billy Higgins all figure, with Lonette McKee on vocals. Hancock also composed the film’s beautiful, Academy Award-winning score.
Director Bertrand Tavernier clearly loves and understands jazz, but he also understands the dynamic between the American artist and a young French acolyte. Before he became a filmmaker Tarvernier was a movie publicist in Paris in the 1960s and looked after such legendary Hollywood directors as John Ford and Howard Hawks.
Before the film, enjoy an hour long live set by Ardeshir and a stellar quartet.
Saxophonist Ardeshir Pourkeramati brings a deep reverence for the jazz tradition to his tribute to the legendary Dexter Gordon, channeling the spirit, sound, and storytelling that defined Gordon’s music. Grounded in hard bop and post-bop language, Ardeshir draws inspiration from Dexter’s big, vocalized tenor sound, blues-infused phrasing, and unmistakable sense of swing. Currently based in Vancouver, BC, he has performed across a wide range of jazz settings while remaining deeply connected to the lineage of the tenor saxophone tradition. Having completed a doctorate in jazz studies at USC’s Thornton School of Music, he has worked with notable Canadian jazz musicians including Brad Turner, Cory Weeds, Steve Kaldestad, John Lee, Jodi Proznick, and John Korsrud. Through this tribute performance, Ardeshir honors Dexter Gordon’s legacy with authenticity, warmth, and a personal voice rooted in the tradition.
Ardeshir Pourkeramati – Tenor Saxophone
Winston Matsushita – Piano
Jodi Proznick – Bass
Izaak Weatherwax – Drums
This movie teaches you everything about jazz that you really need to know… It is about a few months in a man’s life, and about his music. It has more jazz in it than any other fiction film ever made, and it is probably better jazz; it makes its best points with music, not words.
Roger Ebert, Chicago Sun-Times
Co-Presented with
Ardeshir Pourkeramati
Feb 21 at 8:00 pm
Feb 22 at 2:00 pm
VIFF Centre, VIFF Cinema
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
David Rayfiel, Bertrand Tavernier
Cinematography
Bruno de Keyzer
Editor
Armand Psenny
Original Music
Herbie Hancock
Production Design
Alexandre Trauner
Art Director
Pierre Duquesne
Also Playing
A Tribute to Lee Morgan: Feven Kidane Plays Lee Morgan
Feven Kidane pays tribute to the music and legacy of one of the greatest trumpeters in Jazz history, Lee Morgan. After Feven's set, enjoy Kasper Collin's dazzling film about this tragic icon, I Called Him Morgan.
The Voice of a Generation Lost
Inspired by the iconic photography of his father, Pulitzer Prize–winning photojournalist Jahangir Razmi, composer Ali Razmi blends Persian classical music, jazz and experimental sounds to reflect on memory, identity and the power of art to bear witness.
Erika Chow + Blue Giant
Revered pianist Hiromi Uehar composed the score for this electrifying jazz anime, about a young man who wants to be the next John Coltrane. Before the film, tenor sax Erika Chow will lead a quartet through selections from the soundtrack.
Image: ©2023 BLUE GIANT Movie project ©2013 Shinichi Ishizuka, Shogakukan
Salón México + Midnight Boogaloo Live!
To celebrate our Mexico Noir series we invited Midnight Boogaloo to get the party going with a mix of salsa, boogaloo and rock & roll. After their set enjoy the seminal dancehall melodrama Salón México, a classic from the Golden Age of Mexican Cinema.
Krystle dos Santos + Dawn Pemberton: Meet Me at Vi's + Union Street
Enjoy a sneak preview of Krystle dos Santos's upcoming musical celebration of the Hogan's Alley Black community in Strathcona, with songs performed by Krystle and Dawn Pemberton, followed by Jamila Pomeroy's documentary Union Street.
I Am the Blues + Robert Connely Farr Live
This VIFF Live event brings together Robert Connely Farr, performing an hour-long set of authentic Mississippi blues, followed by Daniel Cross's documentary I Am the Blues (106 min.) about the old time Delta Blues.
