North American Premiere
Suspenseful and provocative, Tarik Saleh’s film explores the tension between Islam and the Egyptian state. It’s the story of Adam (Tawfeek Barhom), a young man who has been awarded a scholarship to Al-Azhar, the school and mosque that sits at the centre of Islamic thought. Adam looks forward to a bright future, but there are powerful men with other plans. Soon, he finds himself a pawn in the struggle between State Security agents and radical religious leaders.
Boy from Heaven has the shrewd plotting of a thriller, with intrigue, betrayal, murder, and more. It’s also a fascinating exploration of religion and politics, and the uneasy relationship between the two. Saleh directs with brio and a sure sense of place, and his lead actor is superbly expressive: the wide-eyed Barhom radiates angst and repressed energy, claiming our sympathy from the first moments of the film.
Compelling… an intriguingly damning portrait of the corruption currently hitting Egypt on all levels.”—Jordan Mintzer, The Hollywood Reporter
Best Screenplay, Cannes 2022
Tawfeek Barhom, Fares Fares, Mohammad Bakri, Makram J. Khoury, Sherwan Haji, Mehdi Dehbi
Sweden/France/Finland
2022
In Arabic with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
The Exorcist
Thirteen-year-old Linda Blair is Regan, the movie star daughter who is possessed by a demon, and whose body becomes a spiritual battleground. It builds slowly, carefully, into a maelstrom of sheer unadulterated horror.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Producer
Kristina Åberg, Fredrik Zander
Screenwriter
Tarik Saleh
Cinematography
Pierre Aïm
Editor
Theis Schmidt
Production Design
Roger Rosenberg
Original Music
Krister Linder
Director
Tarik Saleh
Tarik Saleh was one of the top graffiti artists in Stockholm in the 1980s. He directed the documentaries Gitmo: The New Rules of War (2005) and Sacrificio: Who Betrayed Che Guevara (2001) together with Erik Gandini. His film debut Metropia (2009), a dystopian animation, premiered at the Venice Film Festival. He directed and wrote the screenplay for The Nile Hilton Incident (2017), which won the Grand Jury Prize at Sundance. He directed episodes of the HBO series Westworld (2018), the Showtime series Ray Donovan, and the action thriller, The Contractor (2022), starring Chris Pine, Ben Foster, and Kiefer Sutherland.
Filmography: Gitmo: The New Rules of War (2005); Metropia (2009); Tommy (2014); The Nile Hilton Incident (2017)