A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral part in this necessary fight.
Directed by Phyllis Nagy, Call Jane deftly balances light and dark in exploring the stories of desperate women who require abortions and the women who risk their lives for them. A timely and relevant film about reproductive justice in the year that Roe v. Wade was overturned, the film is accessible, passionate, and hugely entertaining.
We know the achievements and victories of the era Nagy depicts, and yet, because she and her fine cast bring the story to such vivid, immediate life, the final moments of Call Jane are powerful with unanticipated joy. They sting too, because we know where we are now, and the trajectory of the intervening years.”—Sheri Linden, The Hollywood Reporter
Elizabeth Banks, Sigourney Weaver, Kate Mara, Chris Messina, Wunmi Mosaku, Cory Michael Smith, Grace Edwards
USA
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
A. Rimbaud
Patrick Wang (The Bread Factory) presents the life of French poet Arthur Rimbaud in this staggeringly adventurous and deeply considered movie, a three-hour, one-man show quite unlike anything we have seen before. "Poetic, audacious and singular."
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
Credits
Producer
Robbie Brenner, David Wulf, Kevin McKeon
Screenwriter
Hayley Schore, Roshan Sethi
Cinematography
Greta Zozula
Editor
Peter McNulty
Production Design
Jona Tochet
Original Music
Isabella Summers
Director
Photo by K.L. Harrison
Phyllis Nagy
Phyllis Nagy earned Oscar and BAFTA nominations and won the NY Film Critics Circle award for her adaptation of Patricia Highsmith’s classic novel, The Price of Salt, which was released as the feature film Carol (2015), starring Cate Blanchett and Rooney Mara. Nagy garnered Emmy Award nominations for Outstanding Directing and Outstanding Writing for her work on the HBO film Mrs. Harris (2005), starring Annette Bening and Ben Kingsley, which also received SAG and Golden Globes nominations.
Filmography: Mrs. Harris (2005)