A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral part in this necessary fight.
Directed by Phyllis Nagy, Call Jane deftly balances light and dark in exploring the stories of desperate women who require abortions and the women who risk their lives for them. A timely and relevant film about reproductive justice in the year that Roe v. Wade was overturned, the film is accessible, passionate, and hugely entertaining.
We know the achievements and victories of the era Nagy depicts, and yet, because she and her fine cast bring the story to such vivid, immediate life, the final moments of Call Jane are powerful with unanticipated joy. They sting too, because we know where we are now, and the trajectory of the intervening years.”—Sheri Linden, The Hollywood Reporter
Elizabeth Banks, Sigourney Weaver, Kate Mara, Chris Messina, Wunmi Mosaku, Cory Michael Smith, Grace Edwards
USA
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
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The Seed of the Sacred Fig
A tense mystery and an act of radical protest, this film tells the story of an Iranian lawyer who’s lost his handgun and knows someone in his family took it. With every moment, his wife and daughters grow more afraid of him–yet none of them will confess…
Every Little Thing
If you thought Flow was an emotional rollercoaster, wait til you meet Cactus and Wasabi, baby hummingbirds fighting for their lives under the loving care of hummingbird-whisperer Terry Masear, an Angelino who makes it her mission to nurse injured birds.
Soundtrack to a Coup D’Etat
In January 1961, seven months after Congolese independence, Patrice Lumumba is assassinated. In excavating the history of this political murder, this essay-film traces the complex and unlikely intersections of American jazz and Cold War geopolitics.
To Kill a Mockingbird
Robert Mulligan's beloved film adaptation of Harper Lee's novel is the tale of a white lawyer, Atticus Finch, defending an innocent black man accused of rape in a small southern town in the 1930s. As selected by VIFF Premium member Margot Pratt.
Universal Language
In a wintery, Farsi-speaking city that’s equal measures Winnipeg and Tehran, storylines entangle and the concepts of space, time, and identity grow increasingly opaque. Inventive and absurd, Rankin's poetic fable reminds us that Winnipeg is a wonderland. Rated: G
Credits
Producer
Robbie Brenner, David Wulf, Kevin McKeon
Screenwriter
Hayley Schore, Roshan Sethi
Cinematography
Greta Zozula
Editor
Peter McNulty
Production Design
Jona Tochet
Original Music
Isabella Summers
Director
Photo by K.L. Harrison
Phyllis Nagy
Phyllis Nagy earned Oscar and BAFTA nominations and won the NY Film Critics Circle award for her adaptation of Patricia Highsmith’s classic novel, The Price of Salt, which was released as the feature film Carol (2015), starring Cate Blanchett and Rooney Mara. Nagy garnered Emmy Award nominations for Outstanding Directing and Outstanding Writing for her work on the HBO film Mrs. Harris (2005), starring Annette Bening and Ben Kingsley, which also received SAG and Golden Globes nominations.
Filmography: Mrs. Harris (2005)