A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral part in this necessary fight.
Directed by Phyllis Nagy, Call Jane deftly balances light and dark in exploring the stories of desperate women who require abortions and the women who risk their lives for them. A timely and relevant film about reproductive justice in the year that Roe v. Wade was overturned, the film is accessible, passionate, and hugely entertaining.
We know the achievements and victories of the era Nagy depicts, and yet, because she and her fine cast bring the story to such vivid, immediate life, the final moments of Call Jane are powerful with unanticipated joy. They sting too, because we know where we are now, and the trajectory of the intervening years.”—Sheri Linden, The Hollywood Reporter
Elizabeth Banks, Sigourney Weaver, Kate Mara, Chris Messina, Wunmi Mosaku, Cory Michael Smith, Grace Edwards
USA
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
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Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Producer
Robbie Brenner, David Wulf, Kevin McKeon
Screenwriter
Hayley Schore, Roshan Sethi
Cinematography
Greta Zozula
Editor
Peter McNulty
Production Design
Jona Tochet
Original Music
Isabella Summers
Director
Photo by K.L. Harrison
Phyllis Nagy
Phyllis Nagy earned Oscar and BAFTA nominations and won the NY Film Critics Circle award for her adaptation of Patricia Highsmith’s classic novel, The Price of Salt, which was released as the feature film Carol (2015), starring Cate Blanchett and Rooney Mara. Nagy garnered Emmy Award nominations for Outstanding Directing and Outstanding Writing for her work on the HBO film Mrs. Harris (2005), starring Annette Bening and Ben Kingsley, which also received SAG and Golden Globes nominations.
Filmography: Mrs. Harris (2005)