A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral part in this necessary fight.
Directed by Phyllis Nagy, Call Jane deftly balances light and dark in exploring the stories of desperate women who require abortions and the women who risk their lives for them. A timely and relevant film about reproductive justice in the year that Roe v. Wade was overturned, the film is accessible, passionate, and hugely entertaining.
We know the achievements and victories of the era Nagy depicts, and yet, because she and her fine cast bring the story to such vivid, immediate life, the final moments of Call Jane are powerful with unanticipated joy. They sting too, because we know where we are now, and the trajectory of the intervening years.”—Sheri Linden, The Hollywood Reporter
Elizabeth Banks, Sigourney Weaver, Kate Mara, Chris Messina, Wunmi Mosaku, Cory Michael Smith, Grace Edwards
USA
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Graduate
In The Graduate Benjamin (Dustin Hoffman, 30 playing 20 with masterly understatement) comes home from college and is surprised to be seduced by the wife of his father's business partner, Mrs Robinson (Anne Bancroft).
blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.
Credits
Producer
Robbie Brenner, David Wulf, Kevin McKeon
Screenwriter
Hayley Schore, Roshan Sethi
Cinematography
Greta Zozula
Editor
Peter McNulty
Production Design
Jona Tochet
Original Music
Isabella Summers
Director
Photo by K.L. Harrison
Phyllis Nagy
Phyllis Nagy earned Oscar and BAFTA nominations and won the NY Film Critics Circle award for her adaptation of Patricia Highsmith’s classic novel, The Price of Salt, which was released as the feature film Carol (2015), starring Cate Blanchett and Rooney Mara. Nagy garnered Emmy Award nominations for Outstanding Directing and Outstanding Writing for her work on the HBO film Mrs. Harris (2005), starring Annette Bening and Ben Kingsley, which also received SAG and Golden Globes nominations.
Filmography: Mrs. Harris (2005)