A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral part in this necessary fight.
Directed by Phyllis Nagy, Call Jane deftly balances light and dark in exploring the stories of desperate women who require abortions and the women who risk their lives for them. A timely and relevant film about reproductive justice in the year that Roe v. Wade was overturned, the film is accessible, passionate, and hugely entertaining.
We know the achievements and victories of the era Nagy depicts, and yet, because she and her fine cast bring the story to such vivid, immediate life, the final moments of Call Jane are powerful with unanticipated joy. They sting too, because we know where we are now, and the trajectory of the intervening years.”—Sheri Linden, The Hollywood Reporter
Elizabeth Banks, Sigourney Weaver, Kate Mara, Chris Messina, Wunmi Mosaku, Cory Michael Smith, Grace Edwards
USA
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Matrix
Can a computer hacker save the world? Maybe if you hack deep enough... One of the most influential movies of the past quarter-century. The Matrix didn't just change the way films looked and moved, it altered the way we perceived the world(s).
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
The Sixth Sense
"I see dead people." Does 10-year-old Cole (Haley Joel Osment) have the sixth sense, as he claims — or is this sensitive, unusual child responding to stress, as his mother (Toni Collette) would like to believe? Psychologist Bruce Willis finds out.
Office Space
This razor sharp comedy from Mike Judge (King of the Hill) captures the indignities of life as a wage slave with rare acumen and caustic wit. Evidently the impending millennial bug weighed heavily on people's minds back in 1999.
Credits
Producer
Robbie Brenner, David Wulf, Kevin McKeon
Screenwriter
Hayley Schore, Roshan Sethi
Cinematography
Greta Zozula
Editor
Peter McNulty
Production Design
Jona Tochet
Original Music
Isabella Summers
Director
Photo by K.L. Harrison
Phyllis Nagy
Phyllis Nagy earned Oscar and BAFTA nominations and won the NY Film Critics Circle award for her adaptation of Patricia Highsmith’s classic novel, The Price of Salt, which was released as the feature film Carol (2015), starring Cate Blanchett and Rooney Mara. Nagy garnered Emmy Award nominations for Outstanding Directing and Outstanding Writing for her work on the HBO film Mrs. Harris (2005), starring Annette Bening and Ben Kingsley, which also received SAG and Golden Globes nominations.
Filmography: Mrs. Harris (2005)