A privileged housewife in 1968 Chicago finds herself at odds with the patriarchal medical establishment when she requires a life-saving termination of pregnancy. Joy (Elizabeth Banks, in a charming and nuanced performance) encounters an underground organization called Jane Collective that provides safe abortions to women, and eventually becomes an integral part in this necessary fight.
Directed by Phyllis Nagy, Call Jane deftly balances light and dark in exploring the stories of desperate women who require abortions and the women who risk their lives for them. A timely and relevant film about reproductive justice in the year that Roe v. Wade was overturned, the film is accessible, passionate, and hugely entertaining.
We know the achievements and victories of the era Nagy depicts, and yet, because she and her fine cast bring the story to such vivid, immediate life, the final moments of Call Jane are powerful with unanticipated joy. They sting too, because we know where we are now, and the trajectory of the intervening years.”—Sheri Linden, The Hollywood Reporter
Elizabeth Banks, Sigourney Weaver, Kate Mara, Chris Messina, Wunmi Mosaku, Cory Michael Smith, Grace Edwards
USA
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
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Chicken For Linda!
Husband and wife duo Chiara Malta and Sébastien Laudenbach (The Girl Without Hands) evoke the freewheeling farcical slapstick spirit of Jacques Tati and the palette of Henri Matisse in this sparkling animated gem for all ages.
The Zone of Interest
Glazer's award-winning film follows Hedwig Höss (Sandra Hüller), mother of five, and wife to Rudolph. They live in an idyllic villa with a the bucolic garden, literally a stone's throw from Rudolph's place of work -- he's Camp Commandant at Auschwitz.
Before I Change My Mind
Trevor Anderson's coming of age movie -- set in Edmonton, 1987 -- slyly subverts expectations, embracing complexity and contradiction in its nuanced take on fledgling identities, while delivering laugh-out-loud moments and big emotional showdowns.
Do Not Expect Too Much From the End of the World
Radu Jude takes two days in the life of a stressed Romanian p.a. and gives us an urgent, pissed off, sourly funny polemic on the state of late capitalism. Exploitation, discrimination and hypocrisy are his targets; dialectics are his dynamite.
With Love and a Major Organ
Anabel has a heart problem: it's just too big for this world. Kim Albright's acclaimed debut strikes a lo-(sci-)fi surrealist vibe reminiscent of Eternal Sunshine of the Spotless Mind. It's whimsical, unpredictable, and it hits close to home.
Credits
Producer
Robbie Brenner, David Wulf, Kevin McKeon
Screenwriter
Hayley Schore, Roshan Sethi
Cinematography
Greta Zozula
Editor
Peter McNulty
Production Design
Jona Tochet
Original Music
Isabella Summers
Director
Photo by K.L. Harrison
Phyllis Nagy
Phyllis Nagy earned Oscar and BAFTA nominations and won the NY Film Critics Circle award for her adaptation of Patricia Highsmith’s classic novel, The Price of Salt, which was released as the feature film Carol (2015), starring Cate Blanchett and Rooney Mara. Nagy garnered Emmy Award nominations for Outstanding Directing and Outstanding Writing for her work on the HBO film Mrs. Harris (2005), starring Annette Bening and Ben Kingsley, which also received SAG and Golden Globes nominations.
Filmography: Mrs. Harris (2005)