Movie theatres usually discourage talking but our latest series is designed to encourage it — before and after (not during) the show. Aimed at film lovers 55+ (but open to all), Talking Pictures offers audience-friendly festival films, refreshments, and an open invitation to chat about our shared experience of the movie. Tickets are just $10. Bring a buddy and get two tickets for $16!
In the slums of Beirut, hardened 12-year-old Zain (Zain Al Rafeea, amazing) sues his parents for “bringing him into the world.” Beginning with that shocking scene, director Nadine Labaki (Caramel) then flashes back to show the poverty and turmoil that have been a constant in Zain’s life and which have led him to this drastic juncture. Either ignored by his parents or forced by them to engage in a drug-smuggling scheme, Zain finally reaches the breaking point when his parents essentially sell off his beloved 11-year-old sister as a child bride to a sleazy local merchant. Zain takes off. With nowhere to go, he is forced to live on the street until illegal Ethiopian refugee Rahil (Yordanos Shiferaw), and toddler Yonas (played by one-year-old Boluwatife Treasure Bankole) take him in. His new job as babysitter seems ideal — until Rahil fails to return one day. As Zain and Yonas fend for themselves (you will be asking yourself how the director elicited such an amazing performance from the toddler), Labaki crafts a deeply empathetic melodrama that is as moving as anything you’ll see this year.
Labaki’s sensational new film… turns the plight of this lad… into a social-realist blockbuster — fired by furious compassion and teeming with sorrow, yet strewn with diamond-shards of beauty, wit and hope… Shot over six months on location in Beirut, Capernaum has the same powers and limitations of postwar neorealist films like De Sica’s Bicycle Thieves and Rossellini’s Germany, Year Zero… The result is a film that already feels like a landmark.
Robbie Collin, Daily Telegraph
It’s a fairy tale and an opera, a potboiler and a news bulletin, a howl of protest and an anthem of resistance.
AO Scott, New York Times
An absolute heartbreaker.
Peter Howell, Toronto Star
Prepare to be blown away.
Emily Yoshida, Vulture
Nadine Labaki
Zain Al Rafeea, Yordanos Shiferaw, Boluwatife Treasure Bankole, Kawthar Al Haddad, Nadine Labaki
Lebanon
2018
In Arabic and Amharic with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Akram Safa
Producer
Michel Merkt
Co-Producer
Pierre Sarraf
Screenwriter
Nadine Labaki, Jihad Hojeilly, Michelle Keserwany
Cinematography
Christopher Aoun
Editor
Konstantin Bock, Laure Gardette
Original Music
Khaled Mouzanar
Also Playing
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
