Canadian Premiere
The Rocket—actually a rather placid paddle steamer—has been ferrying rich and poor through the wide, slow, shallow rivers of Bangladesh for the best part of a century. Kamar Ahmad Simon’s kinetic and artfully chaotic film is a travelogue with staged elements. In this hybrid fiction blended with reality, actors impersonate student journalists who record an interview with a couple of government politicians (also actors); a YouTuber vlogs his journey with manufactured rapture (cinephiles may think of Geraldine Chaplin’s BBC reporter in Altman’s Nashville); and a deck passenger angrily confronts the steward blocking his access to toilets reserved for the cabin class. If Kamar has laced this two-day odyssey with sociopolitical commentary, you could be forgiven for taking everything at face value: the movie has the electrical charge of observational documentary, the camera drifts across faces, personalities, landscapes, jokes, squabbles, songs, and then moves on. It’s a snapshot of an entire country, so vivid you can smell it.
Delightful… Simon documents the journey with both geographical and sociopolitical fascination, drinking in the scenery while wryly observing the tangle of classes, castes and character types on deck. The loose, entertaining result is equal parts leisurely travelogue, observational social study and droll real-life comedy of errors.”—Guy Lodge, Variety
Harrell Award for the best film in Camden International Film Festival (CIFF) 2022
Media Partner
Kazi Md. Mohsin, Abdullah Al-Mamun, Ariful Islam, Tuhin Kanti Das, Surjo Polas, Noor-I-Naznin, Oniruddho Ratan
Bangladesh/France/Norway
2021
In Bengali with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Joan Crawford in... Letty Lynton
This would be your first chance to see one of Joan Crawford's prime pre-Code films since 1936, a salacious melodrama about a socialite (Joan Crawford) accused of poisoning her ex lover.
American Doctor
One of the most powerful documentaries of the year, this puts us smack in the open wound that is Gaza, filtered through the eyes of three American surgeons (of Palestinian, Jewish and Zoroastrian backgrounds) compelled to do their utmost to alleviate harm.
Jack Johnson: Surfilmusic
This new documentary chronicles Jack Johnson's evolution from surfer to filmmaker to world-renowned musician. The film traces how Jack's early years making surf films with close friends became a foundation for a much broader creative life.
Late Fame
Based on a novella by Arthur Schnitzler (Eyes Wide Shut) this is a sly, poignant comedy about vanity and art from director Kent Jones, starring Willem Dafoe as a mailman belatedly acclaimed for a book of poetry he wrote in his youth.
Franz
Veteran Polish filmmaker Agnieszka Holland takes the bull by the horns to craft a Kafka biopic that's Kafkaesque and then some, artfully layering scenes from Kafka's life and works along with ironic present-day footage for a truly surreal counterpoint.
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Credits
Producer
Sara Afreen
Screenwriter
Kamar Ahmad Simon
Cinematography
Kamar Ahmad Simon
Editor
Saikat Sekhareswar Ray
Original Music
Saikat Sekhareswar Ray
Director
Photo by Saiful Islam Soikat
Kamar Ahmad Simon
Kamar Ahmad Simon’s debut Are You Listening! (2012) won the Grand Prix in Cinéma du Réel in Paris and the Golden Conch at the Mumbai International Film Festival. His script for Day After… was awarded at Locarno Film Festival’s Open Doors Hub and won the Arte International Open Doors Prize in 2016. The Museum of the Moving Image in New York and the Royal Anthropological Institute of Great Britain and Ireland have screened his work. Kamar has been a jury member in the Sydney Film Festival.
Filmography: Are You Listening! (2012); Neel Mukut (2021)