
At the beginning of the twentieth century a labourer on the lam (Richard Gere) hops a train to Texas and signs up for the wheat harvest, along with his lover Abby (Brooke Adams) and his kid sister (Linda Manz). He tells the farmer (Sam Shepard) Abby is his sister, and when the boss takes an interest, he encourages Abby this could be to their advantage.
This is an unlikely masterpiece: a melodrama pared back to the bone and filtered through the hazy consciousness of a child, Days of Heaven would seem fundamentally miscast and under-written. Richard Gere’s method-ism is too modern for a pre-WWI labourer (even in the wordless opening in foundry he seems out of place); Sam Shepard is arguably too young and virile to play the farmer. Does it make sense that Abby and Bill should have pretended to be siblings all the while? The production was riven with difficulties, the director maddeningly inarticulate, the original DP (Haskell Wexler) left halfway through, and Malick unpicked and overwrote his movie during a twelve month editing process. The Linda Manz voice over amounts to about 15 minutes culled from over 60 hours of recordings. And yet we’re left with pure poetry, at once the most evocative and resonant portrait of an agrarian way of life in the early twentieth century, and a pastoral that shades into Old Testament myth. It’s one of the most beautiful films you will see, and Morricone’s lyrical score is one of his loveliest.
One of the most beautiful films ever made. Malick’s purpose is not to tell a story of melodrama, but one of loss. His tone is elegiac. He evokes the loneliness and beauty of the limitless Texas prairie…This is a movie made by a man who knew how something felt, and found a way to evoke it in us. That feeling is how a child feels when it lives precariously, and then is delivered into security and joy, and then has it all taken away again—and blinks away the tears and says it doesn’t hurt.
Roger Ebert
Cinema as an intense pictorial experience… Despite its beauty and pastoral evocation of an accommodating environment, Days of Heaven is filled with struggle, destruction, and ruminations on the vagaries of the human condition.
1001 Movies
Terrence Malick
Richard Gere, Linda Manz, Brooke Adams, Sam Shepard
USA
1978
English
Best Director, Cannes 1979; Best Cinematography, Academy Awards 1979
Indigenous & Community Access
Credits
Executive Producer
Jacob Brackman
Producer
Bert Schneider, Harold Schneider
Screenwriter
Terrence Malick
Cinematography
Néstor Almendros
Editor
Billy Weber
Art Director
Jack Fisk
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