North American Premiere
Simon Panay’s film takes us into the world of Opio, a boy of 13 who works at a gold mine in Burkina Faso. As you might imagine, it’s a harsh existence, with an oppressively narrow range of options. Even the most basic education costs money, and Opio’s family has precious little of that. The boy decides on a training program for welders, but to earn enough for tuition, he must take his current occupation one step further, moving from peripheral tasks to the dangerous work of going down into the pits.
Shot in eye-catching widescreen, If You Are a Man practically makes a character of its environment: the parched, rugged terrain and the glaring sun almost set the terms of Opio’s struggle. His lot is hard, dangerous work in pursuit of things that are practically taken for granted by most Westerners—an injustice that lends Panay’s film a heightened suspense and a special poignancy.
Supported by
Media Partner
France/Burkina Faso
2022
In Lyélé, Mooré and French with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.
Credits
Producer
Xavier Castano, Christie Molia
Screenwriter
Simon Panay
Cinematography
Simon Panay
Editor
Thomas Marchand, Simon Panay
Original Music
Philippe Fivet
Director
Simon Panay
Simon Panay has directed four short documentaries in West Africa. He received the ARP Young Talent of the Year Award in 2014 and the Documentary Grant from the Jean-Luc Lagardère Foundation in 2018. His short film Nobody Dies Here (2016), shot in an illegal mine in Benin, has been screened in 71 countries and has won 133 festival awards.