Once a prominent action filmmaker, Leonor spends her senior years with the ghost of her dead son and the pestering, very alive presence of her younger son. In her cramped apartment, she distracts herself from overdue electricity bills by daydreaming about her movies, until a freak accident causes her to fall into a coma. In this liminal state, Leonor magically finds herself in the production of one of her own long-forgotten, unfinished screenplays, blurring the lines between reality and dream, life and death. Colourful, exuberant, packed with thrills and B-movie nostalgia, writer-director Martika Ramirez Escobar’s debut feature is an homage to the power of stories, the enduring force of grief, and a tender love letter to filmmaking itself. 2022 winner of the Special Jury Prize for Innovative Spirit at Sundance.
Packed with self-reflexive humor and a deep reverence for the art of filmmaking, Leonor Will Never Die establishes writer/director Martika Ramirez Escobar as an artist with a singular voice and bright future in halls of weird cinema.”—Marya E. Gates, RogerEbert.com
Amplify Voices Award, TIFF 2022 & World Cinema Dramatic Special Jury Award: Innovative Spirit, Sundance 2022
Media Partner
Media Partner
Community Partner
Sheila Francisco, Bong Cabrera, Rocky Salumbides, Anthony Falcon
Philippines
2022
In Filipino and English with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Credits
Executive Producer
Aurora Oreta, Martika Ramirez Escobar, Quark Henares
Producer
Monster Jimenez, Mario Cornejo
Screenwriter
Martika Ramirez Escobar
Cinematography
Carlos Mauricio
Editor
Lawrence S. Ang
Production Design
Eero Yves S. Francisco
Original Music
Alyana Cabral and Pan De Coco
Director
Martika Ramirez Escobar
Martika Ramirez Escobar was born in Manila in 1992. Her love for the bizarre is best reflected through her films and photography. After graduating with honours from the University of the Philippines, her thesis film Pusong Bato (2014) competed at the Busan International Film Festival and won Best Film at the Cinemalaya Independent Film Festival. Her short film Quadrilaterals (2017) premiered at the DMZ International Documentary Film Festival. She is currently working as a freelance director-cinematographer for various production houses in Manila.