When SHAW Cable purchased Winnipeg’s local cable station VPW, rumor circulated that they had destroyed the public access television archives and were systematically dismantling the public access services. Shortly thereafter, artist Daniel Barrow began researching, compiling and archiving a history of independently produced television in Winnipeg, Manitoba.
In the late 70s and throughout the 80s, Winnipeg experienced a golden age of public access television. Anyone with a creative dream, concept or politic would be endowed with airtime and professional production services. Winnipeg Babysitter traces unique vignettes from a brief synapse in broadcasting history when Winnipeg cable companies were mandated to provide public access as a condition of their license. Because the archives were destroyed, programs could only be found in the VHS collections of the original producers, television collectors, fans and enthusiasts. Winnipeg Babysitter is an archival project that restores a previously lost history.
Daniel Barrow performs an overhead projected commentary, tracing the histories of public access television in Manitoba, and describing the various biographies of each television producer and personality.
About the Ironworks Series
VIFF Live is giving four Resident Artists the opportunity to immerse themselves in the 2023 Festival and perform at The Ironworks.
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Guest
Daniel Barrow
Artist, Curator, Archivist
Winnipeg-born, Montreal-based artist Daniel Barrow uses obsolete technologies to present written, pictorial and cinematic narratives centering on the practices of drawing and collecting. Since 1993, they have created and adapted comic book narratives to “manual” forms of animation by projecting, layering and manipulating drawings on overhead projectors. Daniel Barrow has exhibited widely in Canada and abroad. He has performed at The Walker Art Center (Minneapolis), PS1 Contemporary Art Center (New York), The Museum of Contemporary Art (Los Angeles), The International Film Festival Rotterdam, The Portland Institute for Contemporary Art TBA Festival, and the British Film Institute (London). Barrow is the winner of the 2010 Sobey Art Award.
Missing VIFF? Check out what's playing at the VIFF Centre
The Graduate
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blur: To the End
Now in their late 50s, Britpopsters blur (of Song 2 fame) do a celebratory lap of Great Britain culminating in their first ever Wembley Stadium show in this appealing observational doc. A companion piece to the concert film Live at Wembley Stadium.
Midnight Cowboy
Jon Voight and Dustin Hoffman are street hustlers on different ends of the innocence / experience spectrum who establish something more than a business partnership in the seedy world of late 60s New York City in John Schlesinger's New Hollywood classic.
Sinners
This year's unexpected box office sleeper is that rare beast, a genre movie full of bold invention and surprise. We are in Mississippi in the early 1930s, and the opening of a new blues joint on the edge of town is the signal for all hell to break out.
The Headless Woman
The pictures tell the story -- and you better not blink -- when Veronica (the superb Maria Onetto) hits something on the road home. But what? She is too traumatized, or panic-stricken, to go back and look, and her fears are too terrible to acknowledge.