
With affordable housing in short supply, young adults are increasingly struggling to find a place to call home. Halima Elkhatabi’s droll documentary invites us to view 15 apartments in Montreal, where a diverse assortment of potential roommates interview each other to determine their compatibility. The ensuing conversations (many of them involving Gen Z) constitute an intricate and often humorous dance of self-disclosures and boundary-testing: would their potential new roomie mind their lengthy showers? How about table-saw noise? Or the need to store 100 unsorted Lego sets?
Authentic connections emerge as the film’s subjects gush about passions ranging from voguing to stand-up comedy to film, poetry, and Lebanese music, unveiling a rich tapestry of cultural interests. Heartfelt discussions soon unfold on the topics of white privilege, patriarchy, neurodiversity, sexuality, and mental health. It’s a disarming film about how we unveil our true selves to those strangers who may, or may not, turn out to be our closest friends.
Halima Elkhatabi
Canada
2024
In French and English with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Executive Producer
Nathalie Cloutier
Producer
Nathalie Cloutier
Screenwriter
Halima Elkhatabi
Cinematography
Josué Bertolino
Editor
Yousra Benziane
Original Music
Timo Vossenkaul
Also Playing
The Second Mother
Humane, humorous and critically astute, this firm festival favourite from 2015 features a wonderful performance from Regina Casé as a nanny and housekeeper in São Paolo who begins to reevaluate her life when she's reunited with her teen daughter.
Red River
Mutiny on the Bounty out on the range. Cattle driver Tom Dunson (John Wayne) is a pioneer, a self-made man who sees no reason to trust anyone but himself. In just his second film, Method man Montgomery Clift is Dunson's adopted son Matt Garth.
All About Eve
Arguably the best backstage melodrama of them all, this story of a young actress on the make seems to have been dipped in acid before the cameras rolled. Bette Davis is the uncomfortably peaking diva Margo Channing and it's her finest role.