North American Premiere
Waleed (Amer Hlehel), a cynical 40-year-old Palestinian Arab living in Haifa, struggles with chronic depression and writer’s block. Two years in therapy have felt like a waste of his wife’s money, and tensions in his marriage are on the rise. His half-hearted attempts at finding a quiet reprieve in novel writing are frustrated by the arrival of his cocky new neighbour Jalal (Ashraf Farah), a handyman and low-level criminal who likes blasting pop music at top volume.
Waleed’s initial annoyance with him soon morphs into fascination when he learns that Jalal is deeply indebted to some dangerous men. He starts tagging along for Jalal’s shake-downs, ostensibly as research for his crime novel. Their complicated new friendship takes a darker and more dangerous turn when Waleed’s ulterior motives come to light. Compelling and psychologically nuanced, Maha Haj’s dramatic black comedy casts a wry and affecting look at class struggle, masculine pride, and mental illness.
Best Screenplay, Cannes (Un Certain Regard) 2022
Community Partner
Amer Hlehel, Ashraf Farah, Anat Hadid, Samir Elias, Cynthia Saleem, Shaden Kanboura
Palestine/Germany/France/Cyprus/Qatar
2022
In Arabic with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Köln 75
The true story behind the greatest solo concert in jazz history, this is Keith Jarrett's legendary 1975 Köln Concert — as organized by 18-year-old rebel music promoter Vera Brandes. Fun, inventive and feminist, it's the Bend It Like Beckham of jazz films.
Nollywood: Filmbusiness African Style
If you've wondered how one of the world's highest-producing film industries sustains itself, this documentary breaks down the inner workings of Nigeria's most lucrative creative economy, the second largest film industry in the world according to UNESCO.
Frankenstein
Frankenstein and Guillermo del Toro might have been made for each other. The movie does not disappoint, a ripping yarn of grand adventure, spectacle, hubris, passion and XXL body parts, a tale of the fantastic that rings the imagination. Screening in 35mm.
Train Dreams
A lovely, ruminative movie set in the Pacific Northwest in the first half of the last century. Robert (Joel Edgerton) is a lumberjack, a taciturn man who comes to appreciate the life slipping between his fingers.
Credits
Producer
Baher Aghbariya, Thanassis Karathanos, Martin Hampel, Juliette Lepoutre, Pierre Menahem, Marios Piperides, Janine Teerling
Screenwriter
Maha Haj
Cinematography
Antoine Héberlé
Editor
Véronique Lange
Production Design
Andreas Antoniou
Original Music
Munder Odeh
Director
Maha Haj
Maha Haj graduated from the Hebrew University of Jerusalem in English and Arabic literature. She wrote and directed the short film Oranges (2009) and the documentary Behind These Walls (2010). In 2015, she shot her first feature film Personal Affairs, which was selected for the 2016 Cannes Film Festival’s Un Certain Regard category. The film also won the Haifa Film Festival’s Best Feature Award in 2016 and the International Mediterranean Film Festival Montpellier of Mediterranean Cinema (Cinémed) Critics’ Award, among others.
Filmography: Behind These Walls (2010); Personal Affairs (2016)