
North American Premiere
Waleed (Amer Hlehel), a cynical 40-year-old Palestinian Arab living in Haifa, struggles with chronic depression and writer’s block. Two years in therapy have felt like a waste of his wife’s money, and tensions in his marriage are on the rise. His half-hearted attempts at finding a quiet reprieve in novel writing are frustrated by the arrival of his cocky new neighbour Jalal (Ashraf Farah), a handyman and low-level criminal who likes blasting pop music at top volume.
Waleed’s initial annoyance with him soon morphs into fascination when he learns that Jalal is deeply indebted to some dangerous men. He starts tagging along for Jalal’s shake-downs, ostensibly as research for his crime novel. Their complicated new friendship takes a darker and more dangerous turn when Waleed’s ulterior motives come to light. Compelling and psychologically nuanced, Maha Haj’s dramatic black comedy casts a wry and affecting look at class struggle, masculine pride, and mental illness.
Best Screenplay, Cannes (Un Certain Regard) 2022
Community Partner
Amer Hlehel, Ashraf Farah, Anat Hadid, Samir Elias, Cynthia Saleem, Shaden Kanboura
Palestine/Germany/France/Cyprus/Qatar
2022
In Arabic with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
Shall We Dance?
Masayuki Suô's delightful and charming 1996 film was a box office smash and won 14 Japanese Academy Awards including Best Film. It's the story of a married salaryman who falls in love with... dance.
Drop Dead City
New York, 1975. The city is minutes away from bankruptcy and President Gerald Ford wants no part of it. Sanitation workers are on strike and cops are telling tourists it's not safe to visit. The town is going up in flames and they can't pay the firemen.
Inedia
Liz Cairns makes a mesmerizing feature debut that sees a young woman suffering from mysterious food allergies join a remote island community practicing alternative healing methods. She soon realizes that not everything is as it seems.
The Fugitive Kind
Sidney Lumet's movie brings together two of the greatest actors of the period, Brando and Anna Magnani, reason enough to check out this underrated poetical drama about a handsome musician who washes up in a small southern town.
Credits
Producer
Baher Aghbariya, Thanassis Karathanos, Martin Hampel, Juliette Lepoutre, Pierre Menahem, Marios Piperides, Janine Teerling
Screenwriter
Maha Haj
Cinematography
Antoine Héberlé
Editor
Véronique Lange
Production Design
Andreas Antoniou
Original Music
Munder Odeh
Director

Maha Haj
Maha Haj graduated from the Hebrew University of Jerusalem in English and Arabic literature. She wrote and directed the short film Oranges (2009) and the documentary Behind These Walls (2010). In 2015, she shot her first feature film Personal Affairs, which was selected for the 2016 Cannes Film Festival’s Un Certain Regard category. The film also won the Haifa Film Festival’s Best Feature Award in 2016 and the International Mediterranean Film Festival Montpellier of Mediterranean Cinema (Cinémed) Critics’ Award, among others.
Filmography: Behind These Walls (2010); Personal Affairs (2016)