North American Premiere
Waleed (Amer Hlehel), a cynical 40-year-old Palestinian Arab living in Haifa, struggles with chronic depression and writer’s block. Two years in therapy have felt like a waste of his wife’s money, and tensions in his marriage are on the rise. His half-hearted attempts at finding a quiet reprieve in novel writing are frustrated by the arrival of his cocky new neighbour Jalal (Ashraf Farah), a handyman and low-level criminal who likes blasting pop music at top volume.
Waleed’s initial annoyance with him soon morphs into fascination when he learns that Jalal is deeply indebted to some dangerous men. He starts tagging along for Jalal’s shake-downs, ostensibly as research for his crime novel. Their complicated new friendship takes a darker and more dangerous turn when Waleed’s ulterior motives come to light. Compelling and psychologically nuanced, Maha Haj’s dramatic black comedy casts a wry and affecting look at class struggle, masculine pride, and mental illness.
Best Screenplay, Cannes (Un Certain Regard) 2022
Community Partner
Amer Hlehel, Ashraf Farah, Anat Hadid, Samir Elias, Cynthia Saleem, Shaden Kanboura
Palestine/Germany/France/Cyprus/Qatar
2022
In Arabic with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Executioner
Regularly cited as the greatest Spanish film ever made, Berlanga's masterpiece is a pitch black comedy about an undertaker lined up by the state executioner to marry his beautiful daughter -- but he'll also have to inherit the old man's job.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...
The Flamenco Guitar of Yerai Cortés + Por Derecho (For the Right) Live
Winner of the Goya Award for Best Documentary, this is an exquisite and surprisingly intimate portrait of the brilliant young guitarist Yerai Cortés, preceded by an hour of passionate flamenco music, song and dance performed by Flamenco Rosario.
Credits
Producer
Baher Aghbariya, Thanassis Karathanos, Martin Hampel, Juliette Lepoutre, Pierre Menahem, Marios Piperides, Janine Teerling
Screenwriter
Maha Haj
Cinematography
Antoine Héberlé
Editor
Véronique Lange
Production Design
Andreas Antoniou
Original Music
Munder Odeh
Director
Maha Haj
Maha Haj graduated from the Hebrew University of Jerusalem in English and Arabic literature. She wrote and directed the short film Oranges (2009) and the documentary Behind These Walls (2010). In 2015, she shot her first feature film Personal Affairs, which was selected for the 2016 Cannes Film Festival’s Un Certain Regard category. The film also won the Haifa Film Festival’s Best Feature Award in 2016 and the International Mediterranean Film Festival Montpellier of Mediterranean Cinema (Cinémed) Critics’ Award, among others.
Filmography: Behind These Walls (2010); Personal Affairs (2016)
