North American Premiere
Felice (Pierfrancesco Favino) returns to Naples and for the first time in 40 years. His mother is ailing, nearly blind, and he’s dismayed by how she’s living. But he’s also struck powerfully by memories of his adolescence, memories which mix warmth, joy, regret, and shame. As the days turn to weeks, this flood of memories glues him to the city. He’s not proud of who he used to be back then, but he knows there is unfinished business here; that he must reconnect with his best friend from those days, Oreste, now a feared crime boss in a squalid part of town, and make peace between them.
Director Mario Mortine (The King of Laughter; Leopardi) is himself a Neopolitan, and the city is a fascinating character in this film, alternately attractive and ugly, seductive and sinister. Favino, one of Italy’s best actors (he was Bellocchio’s The Traitor, though you may also recognize him from Hollywood movies like Rush and Angels and Demons) artfully conveys Felice’s dangerous compulsion in a carefully layered performance. Martone begins the movie with a quotation from the poet and filmmaker Pier Paolo Pasolini and one senses he would approve.
Presented by
Pierfrancesco Favino, Francesco Di Leva, Tommaso Ragno, Aurora Quattrocchi, Sofia Essaidi
Italy/France
2022
In Italian with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
Credits
Executive Producer
Gennaro Fasolino, Chiara Grassi
Producer
Luciano Stella, Roberto Sessa, Maria Carolina Terzi, Carlo Stella
Screenwriter
Mario Martone, Ippolita di Majo
Cinematography
Paolo Carnera
Editor
Jacopo Quadri
Art Director
Carmine Guarino
Director
Mario Martone
Mario Martone is a director of theatre, cinema, and opera. He created the Falso Movimento theatrical company in the 1980s and then founded Teatri Uniti with Toni Servillo, through which he created his first independent films. In 1999, he created Teatro India in Rome. In 2018, the Museo Madre in Naples dedicated a large personal exhibition to him. During the pandemic, he adapted Barbiere di Siviglia and La Traviata for television. He recently came back in front of a live audience with the staging of Goliarda Sapienza’s Il filo di mezzogiorno.
Filmography: We Believed (2010); Leopardi (2014); Capri-Revolution (2018); The King of Laughter (2021)