North American Premiere
Felice (Pierfrancesco Favino) returns to Naples and for the first time in 40 years. His mother is ailing, nearly blind, and he’s dismayed by how she’s living. But he’s also struck powerfully by memories of his adolescence, memories which mix warmth, joy, regret, and shame. As the days turn to weeks, this flood of memories glues him to the city. He’s not proud of who he used to be back then, but he knows there is unfinished business here; that he must reconnect with his best friend from those days, Oreste, now a feared crime boss in a squalid part of town, and make peace between them.
Director Mario Mortine (The King of Laughter; Leopardi) is himself a Neopolitan, and the city is a fascinating character in this film, alternately attractive and ugly, seductive and sinister. Favino, one of Italy’s best actors (he was Bellocchio’s The Traitor, though you may also recognize him from Hollywood movies like Rush and Angels and Demons) artfully conveys Felice’s dangerous compulsion in a carefully layered performance. Martone begins the movie with a quotation from the poet and filmmaker Pier Paolo Pasolini and one senses he would approve.
Presented by
Pierfrancesco Favino, Francesco Di Leva, Tommaso Ragno, Aurora Quattrocchi, Sofia Essaidi
Italy/France
2022
In Italian with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Best Boy
Sibling rivalry is the name of the game in Jesse Noah Klein's pitch black comedy. Eli, Lawrence and Phillip (who's a woman) reunite after the passing of their father and, in accordance with his last wishes, compete for the prized title of "Best Boy".
The End of the Internet + Installation & Talk
Forget the cloud. "The net" is a far more accurate metaphor for the www. Filmmaker Dylan Reibling meets the hacktavists around the world fighting for the independent flow of information free from censorship and exploitation.
Lucid
Art student Mia is struggling with a make-or-break assignment, a self-portrait. It's only when grandma lets slip that her mom used to hypnotize her as a child to blank out the bad bits that she realizes the severity of the challenge...
Two Pianos
Once promising concert pianist Mathias (François Civil) returns to his native Lyon after a long absence. He's here to pay homage to his mentor, Elena (Charlotte Rampling). But a chance encounter with an old flame sends him spiraling.
The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.
Credits
Executive Producer
Gennaro Fasolino, Chiara Grassi
Producer
Luciano Stella, Roberto Sessa, Maria Carolina Terzi, Carlo Stella
Screenwriter
Mario Martone, Ippolita di Majo
Cinematography
Paolo Carnera
Editor
Jacopo Quadri
Art Director
Carmine Guarino
Director
Mario Martone
Mario Martone is a director of theatre, cinema, and opera. He created the Falso Movimento theatrical company in the 1980s and then founded Teatri Uniti with Toni Servillo, through which he created his first independent films. In 1999, he created Teatro India in Rome. In 2018, the Museo Madre in Naples dedicated a large personal exhibition to him. During the pandemic, he adapted Barbiere di Siviglia and La Traviata for television. He recently came back in front of a live audience with the staging of Goliarda Sapienza’s Il filo di mezzogiorno.
Filmography: We Believed (2010); Leopardi (2014); Capri-Revolution (2018); The King of Laughter (2021)