
Rwanda, 1973. Veronica and Virginia are inseparable friends in an elite Catholic boarding school, Our Lady of the Nile. As Tutsis, they’re part of a small minority in a predominantly Hutu environment. Months before graduation, the students’ lives are rocked by the venomous atmosphere that clouds the country. What comes first, sisterhood or politics?
Adapted from the prize-winnning, semi-autobiographical novel by Scholastique Mukasonga, this was the third feature by Afghan director Atiq Rahmani (Earth and Ashes; The Patience Stone).
Screening in our African Cinema Now series curated by the Akojo Collective.
Rahimi’s film is a heart-breaking look at the corruption of innocence: breathtaking cinematography and a sprightly jazz-infused score bring out how sweet that innocence was, so it’s all the more devastating to see it cruelly snatched away.
Orla Smith, Seventh Row
A beautiful and disturbing work of cinema.
Soraya Nadia McDonald, Andscape
Frightening… strangely captivating, this is an unusual history lesson shot with verve and laced with violence.
Lisa Nesselson, Screen Daily
Community Partner
UBC Africa Awareness Initiative
Atiq Rahimi
Amanda Santa Mugabekazi, Albina Sydney Kirenga, Malaika Uwamahoro, Clariella Bizimana, Belinda Rubango Simbi, Pascal Greggory
France/Belgium/Rawanda
2019
In French and Kinyarwanda with English subtitles
Book Tickets
Wednesday April 23
Friday April 25
Sunday April 27
Indigenous & Community Access
Credits
Screenwriter
Atiq Rahimi, Ramata Sy
Cinematography
Thierry Arbogast
Editor
Hervé de Luze
Also Playing
On Becoming a Guinea Fowl
After finding her uncle's dead body on the roadside by a brothel, Shula grapples with her Zambian family's sanctification of a monstrous man. This darkly comedic absurdist drama was a prize winner at Cannes for director Rungano Nyoni (I Am Not a Witch).
The Way, My Way
All manner of pilgrims flock to France and Spain to walk the 800 km Camino de Santiago. One such is Bill, a stroppy sexagenarian Australian filmmaker who's determined to do the Camino with minimal prep, a dickey leg, and no firm idea why.
The Stand
This rousing doc explores a 1985 dispute over logging in the Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.
Resident Orca
Captured in Puget Sound in 1970, killer whale Lolita spent the next half century in a cramped tank in Seaquarium, Miami. The film follows a coalition of Lummi elders, animal lovers and philanthropists on a rescue mission to return her to the ocean.