Rwanda, 1973. Veronica and Virginia are inseparable friends in an elite Catholic boarding school, Our Lady of the Nile. As Tutsis, they’re part of a small minority in a predominantly Hutu environment. Months before graduation, the students’ lives are rocked by the venomous atmosphere that clouds the country. What comes first, sisterhood or politics?
Adapted from the prize-winnning, semi-autobiographical novel by Scholastique Mukasonga, this was the third feature by Afghan director Atiq Rahmani (Earth and Ashes; The Patience Stone).
Screening in our African Cinema Now! series curated by the Akojo Collective.
Rahimi’s film is a heart-breaking look at the corruption of innocence: breathtaking cinematography and a sprightly jazz-infused score bring out how sweet that innocence was, so it’s all the more devastating to see it cruelly snatched away.
Orla Smith, Seventh Row
A beautiful and disturbing work of cinema.
Soraya Nadia McDonald, Andscape
Frightening… strangely captivating, this is an unusual history lesson shot with verve and laced with violence.
Lisa Nesselson, Screen Daily
Community Partner
UBC Africa Awareness Initiative
Atiq Rahimi
Amanda Santa Mugabekazi, Albina Sydney Kirenga, Malaika Uwamahoro, Clariella Bizimana, Belinda Rubango Simbi, Pascal Greggory
France/Belgium/Rawanda
2019
In French and Kinyarwanda with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Atiq Rahimi, Ramata Sy
Cinematography
Thierry Arbogast
Editor
Hervé de Luze
Also Playing
Best Boy
Sibling rivalry is the name of the game in Jesse Noah Klein's pitch black comedy. Eli, Lawrence and Phillip (who's a woman) reunite after the passing of their father and, in accordance with his last wishes, compete for the prized title of "Best Boy".
The End of the Internet + Installation & Talk
Forget the cloud. "The net" is a far more accurate metaphor for the www. Filmmaker Dylan Reibling meets the hacktavists around the world fighting for the independent flow of information free from censorship and exploitation.
Lucid
Art student Mia is struggling with a make-or-break assignment, a self-portrait. It's only when grandma lets slip that her mom used to hypnotize her as a child to blank out the bad bits that she realizes the severity of the challenge...