Rwanda, 1973. Veronica and Virginia are inseparable friends in an elite Catholic boarding school, Our Lady of the Nile. As Tutsis, they’re part of a small minority in a predominantly Hutu environment. Months before graduation, the students’ lives are rocked by the venomous atmosphere that clouds the country. What comes first, sisterhood or politics?
Adapted from the prize-winnning, semi-autobiographical novel by Scholastique Mukasonga, this was the third feature by Afghan director Atiq Rahmani (Earth and Ashes; The Patience Stone).
Screening in our African Cinema Now! series curated by the Akojo Collective.
Rahimi’s film is a heart-breaking look at the corruption of innocence: breathtaking cinematography and a sprightly jazz-infused score bring out how sweet that innocence was, so it’s all the more devastating to see it cruelly snatched away.
Orla Smith, Seventh Row
A beautiful and disturbing work of cinema.
Soraya Nadia McDonald, Andscape
Frightening… strangely captivating, this is an unusual history lesson shot with verve and laced with violence.
Lisa Nesselson, Screen Daily
Community Partner
UBC Africa Awareness Initiative
Atiq Rahimi
Amanda Santa Mugabekazi, Albina Sydney Kirenga, Malaika Uwamahoro, Clariella Bizimana, Belinda Rubango Simbi, Pascal Greggory
France/Belgium/Rawanda
2019
In French and Kinyarwanda with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits
Screenwriter
Atiq Rahimi, Ramata Sy
Cinematography
Thierry Arbogast
Editor
Hervé de Luze
Also Playing
How to Divorce During the War
Screenwriter Vytus is left reeling when on successive days his wife demands a divorce and Russia invades Ukraine. Blazevicius' masterful feature emerges as an engrossing satire about virtue signaling, nationalism, good intentions, and survival modes.
Kindergarten
In this charming Quebecois documentary, we are invited to look closely at the interactions of children between the ages of 1 and 5, a period in which they are just beginning to learn about social interactions. And yet how much they resemble ourselves!
Chronovisor
A device so sensitive it can pick up emanations from history, the Chronovisor caused a ripple in scientific circles in the latter half of the 20th century, although most dismissed it as a hoax. But why would anyone want to suppress a hoax?