What's On
The Search
Shot in exquisite long takes, this brilliant film is a road movie wrapped around three love stories. A director and crew are looking for local cast to star in their film version of the classic Tibetan opera Prince Drime Kundun.
The Silent Holy Stones
In Pema Tseden's first feature, a very young Tibetan lama living in a monastery in Qinghai discovers the delights of binge-watching a Chinese TV serial, just one aspect of the contradictions he will have to navigate in a culture steeped in tradition.
Snow Leopard
The last film Pema Tseden finished before his death at age 53 is an enthralling, semi-mystical fable about the deep spiritual connection between a young Tibetan priest and a snow leopard responsible for killing livestock belonging to the priest's brother.
Bicycle Thieves
De Sica's film about a labourer desperate to track down the bike that has been stolen from him is a landmark in film history, the movie that cemented the impact of Italian neo-realism on world cinema.
First Steps: Pema Tseden Short Films
Pema Tseden was the first Tibetan director to graduate from the Beijing Film Academy. The Silent Manistone (2002) and his graduation film, The Grassland (2004) are fascinating sketches for later works.
Opening Night
Gena Rowlands plays aging stage actress Myrtle Gordon in this self-reflexive ghost story by John Cassavetes.
Hedwig and the Angry Inch
Released in 2001, John Cameron Mitchell's flamboyant rock musical about a gender-queer punk rock singer from East Berlin pushed the boundaries of queer cinema. It's both heartbreaking and empowering. Screening with the short The Human Voice.
The True Story of Tamara De Lempicka & The Art of Survival
If Art Deco had a face, it was surely Tamara De Lempicka, giving us the side-eye at the wheel of a green Bugati in her famous self-portrait. Rubio's invaluable doc teases out the truths behind the myths, shedding light on De Lempicka's still underrated art.
Image: © 2024 TAMARA DE LEMPICKA ESTATE, LLC ADAGP, PARIS ARS, NY
Desert of Namibia
A prizewinner at Cannes, Yôko Yamanaka's second film is an acerbic portrait of an arrogant, attractive, diffident, "difficult" 21-year-old woman, Kana (a mesmerizing Yuumi Kawai), who numbly drifts between boyfriends, leaving wreckage in her wake.