What's On
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring
Ashes and Diamonds
Wajda's first three films all derived from his experience in the Polish underground during WWII. Set in 1945, Ashes and Diamonds is his first masterpiece, and one of the essential films about wartime.
Yellow Letters
Derya and Aziz, a theatre couple based in Ankara, are celebrating the premiere of their latest play when they find themselves targeted by state investigations. Their lives change practically overnight, they find their political convictions put to the test.
Image: © EllaKnorz ifProductions Alamode Film
Raise the Red Lantern
Among the greatest of Chinese films, Raise the Red Lantern is an unforgettable critique of sexual subjugation. Gong Li is the young, beautiful fourth concubine to a powerful landowner, living in fiercely luxuriant competition with her three predecessors.
The Musical
In this wickedly mean spirited black comedy, middle school drama teacher Doug decides to write and direct a musical designed to get himself fired, and maybe the school closed down...
A Generation
Wajda's first film is set in Warsaw, 1942 and concerns a young man much like himself, living in squalor and doing his best to disrupt the German Occupation, eventually falling in with a Communist-leaning Resistance cell.
Strangers on a Train
Sociopath Charles Bruno (Robert Walker) strikes up a conversation with star tennis player Guy Haynes (Farley Granger) and makes him a gentleman's proposition: Bruno will kill Guy's unloved wife, on the understanding that he will return the favour.
Loving Vincent
Winner of the VIFF Audience Award, Best International Feature in 2017, Dorota Kobiela and Hugh Welchman's remarkable animated work — billed as "the world's first fully painted feature" — brings to life the paintings of Vincent van Gogh (and vice versa).
Innocent Sorcerers
The closest Wajda got to a new wave film (and in fact it was shot before Godard's Breathless) this is an edgy romance about a womanizing jazz musician who hooks up with a liberated young woman over the course of an evening. Scripted by Jerzy Skolimowski.
