Canadian Premiere
In 1870s Arizona, a pair of drifters (Kiowa Gordon and John Way) are on a quest to find a legendary musician (Howe Gelb) when they team up with an Indigenous woman (Lily Gladstone) intent on reclaiming her land. Sounds like the setup to a classic Western, right? Instead, it’s but the springboard for a deep dive into a multiverse in which a dozen different mediums—including 16mm, paper cutouts, rotoscoping, hand-drawn animation, oil paints, 8k video, collage, and digital animation—are employed to distinguish between the disparate realities navigated by an ensemble of rogues.
Cerebral, psychedelic, and just plain silly in turns, physics scholar-turned-filmmaker Geoff Marslett’s staggeringly ambitious Quantum Cowboys is overwhelming in the most exhilarating way possible: a deliriously entertaining maelstrom of metaphysical ruminations, gunplay, musical interludes (Neko Case and John Doe stop by to croon tunes), and folksy wisdom (“Planning just insults the future.”). Playing out like a peyote-fueled fever dream, it serves notice that there are still new filmmaking frontiers to be explored.
Best Original Music Award, Annecy 2022
Media Partner
Kiowa Gordon, Lily Gladstone, John Way, David Arquette, Frank Mosley, Gary Farmer
USA
2022
In English and Spanish with English subtitles
At The Cinematheque
At The Rio
Book Tickets
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Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
La Grazia
A contemplative, mournful but richly imagined movie about a retiring Italian President (Toni Servillo from The Great Beauty) facing two thorny ethical decisions that may define his legacy.
Image: © Andrea Pirrello
The Blue Star
In crisis, a popular singer quits Spain to backpack in Argentina. There he comes under the spell of a veteran musician, who teaches him the art of chacareras, zambas and vidalas. It's a journey of musical kinship and spiritual reawakening.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
Credits
Executive Producer
David Arquette, Lily Gladstone, Kiowa Gordon
Producer
William Way, Melodie Sisk, Geoff Marslett
Screenwriter
Geoff Marslett
Cinematography
Jon Firestone, Adam J. Minnick
ANIM
Geoff Marslett
Editor
Matt Latham, Ian Holden, Tom Wilson
Original Music
Howe Gelb, The Colorist Orchestra, Maciej Zielinski, XIXA, Neko Case, John Doe
Director
Geoff Marslett
Geoff Marslett is a Texas-born animator, director, writer, producer, and actor. His work often revolves around the romance of connection and the way exploring your universe changes you and the place you explore. He grew up a cowboy with an interest in physics, and has worked in both construction and science before becoming a filmmaker. He adores feral cats and still genuinely loves making things. He splits his time between teaching at the University of Colorado and making his own films.
Filmography: Six in Austin: Out of Bounds (2002); Mars (2010); Loves Her Gun (2012)