Canadian Premiere
Mitra Farahani, an Iranian director educated in both Tehran and Paris, has a mission: to introduce Iranian filmmaker and author Ebrahim Golestan to pioneer of the French New Wave, Jean-Luc Godard. Rather than a chat over espresso, the two men write letters back and forth like philosophic pen pals, full of poetic contemplations, cryptic riddles, and mutual reverence. Golestan, well into his nineties, wanders around his living space and rambles on as if a child, fascinated by his surroundings and the great unknown. Godard, with whom Farahani has worked with in the past, looms over the scene as a shadow, unseen until he appears wearing a simple fedora and cardigan as if he were a regular old man who didn’t revolutionize an entire art form by the age of 30.
The pair relay their inner philosophies to an intrigued Farahani, who in turn offers such inquiries as, “What use is being a poet in a time of distress?” Determined to harness their creativity and live as they did in their youth, they too are motivated by curiosity but are routinely interrupted by the mundane: a ringing phone, a vacuum, a particularly loud sneeze, all indicating the challenge of living as an artist in the modern world.
Special Jury Award (Encounter), Berlin 2022
Community Partner
Ebrahim Golestan, Jean-Luc Godard
France/Switzerland/Iran/Lebanon
2022
In Farsi, English, French, Italian, and German with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Lion King
With its beautifully drawn East African setting, its humour, pathos, and engaging characters, as well as its stirring songs, The Lion King stands as the pinnacle of traditional Disney family entertainment.
Image: © Disney, 1994
Casino
Revisiting the wise guy milieu for the third (but not the final) time, Scorsese tells the story of Ace Rothstein and Nicky Santoro (Robert De Niro and Joe Pesci), two New York hoodlums who become major players in the history of Las Vegas.
Mary Oliver: Saved by the Beauty of the World
Sasha Waters' documentary takes us through the life of America's best-selling late twentieth century poet, a private woman who shared her innermost thoughts and made them indispensable.
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Credits
Executive Producer
Jean-Paul Battaggia
Producer
Mitra Farahani
Editor
Yannick Kergoat, Mitra Farahani, Fabrice Aragno
Director
Mitra Farahani
Born in Tehran, Mitra Farahani is a visual artist, filmmaker, and film producer working between Rome and Paris. She pursues a dual practice, working between the still and moving image. Farahani has made several films, some of which were selected at the Berlin International Film Festival.
Filmography: Tabous / Zohre & Manouchehr (2004); Behjat Sadr: Time Suspended (2006); Fifi Howls From Happiness (2013)
