Canadian Premiere
Mitra Farahani, an Iranian director educated in both Tehran and Paris, has a mission: to introduce Iranian filmmaker and author Ebrahim Golestan to pioneer of the French New Wave, Jean-Luc Godard. Rather than a chat over espresso, the two men write letters back and forth like philosophic pen pals, full of poetic contemplations, cryptic riddles, and mutual reverence. Golestan, well into his nineties, wanders around his living space and rambles on as if a child, fascinated by his surroundings and the great unknown. Godard, with whom Farahani has worked with in the past, looms over the scene as a shadow, unseen until he appears wearing a simple fedora and cardigan as if he were a regular old man who didn’t revolutionize an entire art form by the age of 30.
The pair relay their inner philosophies to an intrigued Farahani, who in turn offers such inquiries as, “What use is being a poet in a time of distress?” Determined to harness their creativity and live as they did in their youth, they too are motivated by curiosity but are routinely interrupted by the mundane: a ringing phone, a vacuum, a particularly loud sneeze, all indicating the challenge of living as an artist in the modern world.
Special Jury Award (Encounter), Berlin 2022
Community Partner
Ebrahim Golestan, Jean-Luc Godard
France/Switzerland/Iran/Lebanon
2022
In Farsi, English, French, Italian, and German with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.
Credits
Executive Producer
Jean-Paul Battaggia
Producer
Mitra Farahani
Editor
Yannick Kergoat, Mitra Farahani, Fabrice Aragno
Director
Mitra Farahani
Born in Tehran, Mitra Farahani is a visual artist, filmmaker, and film producer working between Rome and Paris. She pursues a dual practice, working between the still and moving image. Farahani has made several films, some of which were selected at the Berlin International Film Festival.
Filmography: Tabous / Zohre & Manouchehr (2004); Behjat Sadr: Time Suspended (2006); Fifi Howls From Happiness (2013)
