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The English Patient film image; man and woman staring intimately at one another in a street market

The English Patient

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“The only reason to adapt a book set in the past is because it reverberates with the world we are in,” said writer-director Anthony Minghella, who made three such films, beginning with this rich, ambitious and romantic take on Michael Ondaatje’s dense, poetic WWII novel. With its complex patterning of flashbacks and relationships, this represented a considerable challenge, but Minghella handled it with aplomb. The film went on to sweep nine Oscars, including Best Picture and Best Director.

During WWII, a Canadian nurse (Juliette Binoche) decides to stay in an abandoned, bombed out monastery to care for a dying, terribly burned patient (Ralph Fiennes). At first he remembers little of what brought him here, but as time passes he is swept up in painful memories of a pre-war love affair in Egypt. Minghella’s free adaptation is a moving, evocative love story played out in tiny fragments against an epic backdrop of war and history.

This screening is in our latest Film Studies series on literary Adaptations, led by Patricia Gruben, who will give a 15-minute introduction.

Patricia Gruben is a filmmaker and former associate professor of film at Simon Fraser University, as well as founder and long-time director of Praxis Centre for Screenwriters (now the Screenwriters Lab at the Whistler Film Festival.) Her films have been screened at TIFF, VIFF, Sundance and the New York Film Festival, and her writing on film has appeared in international academic and popular journals. Her latest film was Heart of Gold.

A gorgeous film that is one of the rare movies, to me, that improved upon its source material.

Roger Ebert

A stunning feat of literary adaptation as well as a purely cinematic triumph.

Janet Maslin, New York Times

Director

Anthony Minghella

Cast

Ralph Fiennes, Juliette Binoche, Kristin Scott Thomas, Colin Firth, Willem Dafoe, Lothaire Bluteau

Credits
Country of Origin

USA/UK

Year

1997

Language

English

Awards

9 Academy Awards, including Best Picture

19+
162 min

Book Tickets

Saturday February 21

10:30 am
Guests/Q&As Hearing Assistance
VIFF Centre - VIFF Cinema
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Credits

Screenwriter

Anthony Minghella

Cinematography

John Seale

Editor

Walter Murch

Original Music

Gabriel Yared

Production Design

Stuart Craig

Art Director

Aurelio Crugnola

Also in This Series

Film Studies: Adaptations looks at five acclaimed literary texts and the very different challenges they posed to filmmakers.

The English Patient

Dir. Anthony Minghella
162 min

In the first of a new Film Studies series exploring literary adaptations, director Anthony Minghella tackles Michael Ondatje's challenging, poetic WWII novel about an enigmatic, badly burnt patient with a tragic past. Introduced by Patricia Gruben.

VIFF Centre - VIFF Cinema

Nomadland

Dir. Chloe Zhao
108 min

Hamnet director Chloe Zhao picked up one of three Academy Awards (along with Best Picture and Best Actress) in 2021 for this unconventional, compassionate adaptation of Jessica Bruder's nonfiction book, Nomadland: Surviving America in the Twenty-First Century.

VIFF Centre - VIFF Cinema

The American Friend

Dir. Wim Wenders
126 min

Wim Wenders' take on Patricia Highsmith's Ripley's Game is the real deal, an authentic mittel-European neo-noir, with Dennis Hopper as the original American psycho, Tom Ripley. This Film Studies screening is introduced by Patricia Gruben.

VIFF Centre - VIFF Cinema

Nickel Boys

Dir. RaMell Ross
140 min

To tell the story of two friends serving time at a brutal racist Florida reform school, director RaMell Ross puts us inside their heads. It's a radical masterstroke in a powerful film, nominated for Best Picture.

VIFF Centre - VIFF Cinema

Adaptation

Dir. Spike Jonze
115 min

In the final instalment of this year's Film Studies on Adaptation, we look at the 2006 film Adaptation — by Spike Jonze and screenwriter Charlie Kaufman (played by Nicolas Cage in the movie.) Introduced by Patricia Gruben.

VIFF Centre - VIFF Cinema