With its 16mm cinematography lending it an uncanny air, Miryam Charles’ haunting nonfiction work examines the mysterious circumstances surrounding her teenage cousin’s death, while speculating on the life that this young woman might’ve led had she survived. “My story is both tragic and hopeful,” incants cousin Tessa (brought to life by Schelby Jean-Baptiste). Through the graces of Charles’ direction, her tale is also equal measures puzzle and poetry. Transporting us between New England, Haiti, and Montreal, This House allows a speculative future incarnation of Tessa to commune with her bereaved mother (Florence Blain Mbaye) and retrace her family’s immigration odyssey.
“I refuse reality and try to understand it through art,” professes Charles in her director’s statement for her first feature-length work. While abstraction and experimental techniques are undeniably key to this enigmatic piece, there’s also a sense of anguish that serves as its emotional core. It’s a lyrical yet potent reminder of violence’s capacity to rupture reality and shake the foundations of family.
Silvestre Award for Best Feature Film, IndieLisboa 2022
Q&A Oct 1 & Oct 5
Presented by
Media Partner
Schelby Jean-Baptiste, Florence Blain Mbaye, Eve Duranceau, Matthew Rankin, Yardly Kavanagh
Canada
2022
In French and Haitian Creole with English subtitles
Self Harm
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Tree of Life
The Tree of Life follows Jack as he reflects on his 1950s Texas childhood and the death of his younger brother. Deeply spiritual and poetic, Malick’s film moves through grief, memory, time, and space. And there are dinosaurs.
Sometimes, I Imagine Them All at a Party
Fourteen years ago, Daniela Magnani Hüller survived an attempted femicide by a schoolmate. Now a filmmaker, she revisits the events surrounding that fateful incident, creating a moving collage of interviews, personal recollections, and archival material.
Image: © Bildersturm
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring
The Story of Documentary Film – The 2000s
The Story of Documentary Film – The 2000s enters a decade shaped by 9/11, war, fear, and politics. Through films such as The Cove and Grizzly Man, these chapters trace the documentary medium's encounter with modernity as it begins to unravel.
Image: © Iraq in Fragments, 2006, dir. James Longley, USA, Daylight Factory Typecast-Pictures
Credits
Producer
Félix Dufour-Laperrière
Screenwriter
Miryam Charles
Cinematography
Isabelle Stachtchenko, Miryam Charles
Editor
Xi Feng
Production Design
Georges Michael FanfanAnnick Marion
Original Music
Romain Camiolo
Director
Miryam Charles
Miryam Charles is a Haitian-born director, producer, and cinematographer living in Montreal. She has produced several short and feature films, and directed several short films. Her films have been presented at various festivals in Quebec and internationally. This House, her feature film combining documentary and fiction elements, had its world premiere at the Berlinale this winter and won the Silvestre Award at the IndieLisboa.
Filmography: Mosaic (2017)