World Premiere
For too long, the past has been the exclusive domain of the white colonial power structure. The good news is, we are in the midst of a paradigm shift in consciousness when it comes to appreciating history from multiple viewpoints. In this zippy NFB documentary, Hayley Gray and Elad Tzadok survey the inspiring work of a handful of community archives across British Columbia. It’s an important and timely reminder that the model of a centralized repository of records and artifacts is highly problematic—indeed, the official version of our history as presented by the Royal Museum of BC, for example, has consciously or not served to propagate a white supremacist narrative.
In contrast, Gray and Tzadok talk to curators and archivists from groups traditionally marginalized or excluded communities: Indigenous, Queer, Trans, the Chinese Canadian Museum, the Tahltan Nation, the South Asian Legacy Project, and others. Along the way, we learn the secret, neglected, and untold histories of this place we only think we know.
Q&A Sept 30 & Oct 2
Media Partner
Canada
2022
English
Gender or Sexual Discrimination
Open to youth!
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Credits
Producer
Teri Snelgrove
Screenwriter
Hayley Gray, Elad Tzadok
Cinematography
Kaayla Whachell
Editor
Aynsley Baldwin, Elad Tzadok
Original Music
Edo Van Breemen, Johannes Winkler
Directors
Photo by Kristine Cofsky
Hayley Gray
Hayley Gray is a Vancouver-based director, writer, and producer. A graduate of Dalhousie University and Vancouver Film School, she has written and directed documentary, narrative, and commercial work. Gray’s films have screened at festivals around the world and aired on Telus Optik, the Knowledge Network, CBC, and Air Canada.
Photo by Collin Morrison
Elad Tzadok
Elad Tzadok is an award-winning director, producer, and editor with a background in development and marketing. Born and raised in Israel, Tzadok moved to Vancouver, where he graduated from the Film Production Program at UBC and co-founded Scopitone Films. He has produced, directed, and edited music videos, commercials, narrative films, and documentaries.