World Premiere
For too long, the past has been the exclusive domain of the white colonial power structure. The good news is, we are in the midst of a paradigm shift in consciousness when it comes to appreciating history from multiple viewpoints. In this zippy NFB documentary, Hayley Gray and Elad Tzadok survey the inspiring work of a handful of community archives across British Columbia. It’s an important and timely reminder that the model of a centralized repository of records and artifacts is highly problematic—indeed, the official version of our history as presented by the Royal Museum of BC, for example, has consciously or not served to propagate a white supremacist narrative.
In contrast, Gray and Tzadok talk to curators and archivists from groups traditionally marginalized or excluded communities: Indigenous, Queer, Trans, the Chinese Canadian Museum, the Tahltan Nation, the South Asian Legacy Project, and others. Along the way, we learn the secret, neglected, and untold histories of this place we only think we know.
Q&A Sept 30 & Oct 2
Media Partner
Canada
2022
English
Gender or Sexual Discrimination
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.
Credits
Producer
Teri Snelgrove
Screenwriter
Hayley Gray, Elad Tzadok
Cinematography
Kaayla Whachell
Editor
Aynsley Baldwin, Elad Tzadok
Original Music
Edo Van Breemen, Johannes Winkler
Directors
Photo by Kristine Cofsky
Hayley Gray
Hayley Gray is a Vancouver-based director, writer, and producer. A graduate of Dalhousie University and Vancouver Film School, she has written and directed documentary, narrative, and commercial work. Gray’s films have screened at festivals around the world and aired on Telus Optik, the Knowledge Network, CBC, and Air Canada.
Photo by Collin Morrison
Elad Tzadok
Elad Tzadok is an award-winning director, producer, and editor with a background in development and marketing. Born and raised in Israel, Tzadok moved to Vancouver, where he graduated from the Film Production Program at UBC and co-founded Scopitone Films. He has produced, directed, and edited music videos, commercials, narrative films, and documentaries.