World Premiere
For too long, the past has been the exclusive domain of the white colonial power structure. The good news is, we are in the midst of a paradigm shift in consciousness when it comes to appreciating history from multiple viewpoints. In this zippy NFB documentary, Hayley Gray and Elad Tzadok survey the inspiring work of a handful of community archives across British Columbia. It’s an important and timely reminder that the model of a centralized repository of records and artifacts is highly problematic—indeed, the official version of our history as presented by the Royal Museum of BC, for example, has consciously or not served to propagate a white supremacist narrative.
In contrast, Gray and Tzadok talk to curators and archivists from groups traditionally marginalized or excluded communities: Indigenous, Queer, Trans, the Chinese Canadian Museum, the Tahltan Nation, the South Asian Legacy Project, and others. Along the way, we learn the secret, neglected, and untold histories of this place we only think we know.
Q&A Sept 30 & Oct 2
Media Partner
Canada
2022
English
Gender or Sexual Discrimination
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
East of Eden
Salinas, 1917. Cal Trask's forlorn attempts to win the affection of his self-righteous father (Raymond Massey) represented James Dean's first leading role in the cinema, and his emotionally raw performance ennobled misunderstood youth everywhere.
Jesse Zubot in Concert
Using a violin, viola and miscellaneous electronics, and incorporating multiple sounds and techniques that relate to his work as a film composer, Jesse Zubot promises a unique and thrilling concert, followed by a preview of the the new BC film Inedia.
Rebel Without a Cause
Kids turned bad in the 1950s -- and their newly comfortable middle-class parents couldn't understand why. Ray points the finger right back at them: "You're tearing me apart!" rails Jim Stark (James Dean), speaking for his generation.
Super Happy Forever
This beguiling film depicts a man’s return to the Japanese seaside town where he met his now-deceased wife five years earlier. He tries to relive the past, and in the film's final section -- a flashback to 2018 -- the audience is afforded that privilege.
A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Giant
This was the Yellowstone of its time: a big, sweeping modern Western built around an imposing ranch and family dynamics -- except Giant is much more subversive. James Dean strikes it rich as Jett Rink, much to the disgust of his former boss, Rock Hudson.
Credits
Producer
Teri Snelgrove
Screenwriter
Hayley Gray, Elad Tzadok
Cinematography
Kaayla Whachell
Editor
Aynsley Baldwin, Elad Tzadok
Original Music
Edo Van Breemen, Johannes Winkler
Directors
Photo by Kristine Cofsky
Hayley Gray
Hayley Gray is a Vancouver-based director, writer, and producer. A graduate of Dalhousie University and Vancouver Film School, she has written and directed documentary, narrative, and commercial work. Gray’s films have screened at festivals around the world and aired on Telus Optik, the Knowledge Network, CBC, and Air Canada.
Photo by Collin Morrison
Elad Tzadok
Elad Tzadok is an award-winning director, producer, and editor with a background in development and marketing. Born and raised in Israel, Tzadok moved to Vancouver, where he graduated from the Film Production Program at UBC and co-founded Scopitone Films. He has produced, directed, and edited music videos, commercials, narrative films, and documentaries.