For too long, the past has been the exclusive domain of the white colonial power structure. The good news is, we are in the midst of a paradigm shift in consciousness when it comes to appreciating history from multiple viewpoints. In this zippy NFB documentary, Hayley Gray and Elad Tzadok survey the inspiring work of a handful of community archives across British Columbia. It’s an important and timely reminder that the model of a centralized repository of records and artifacts is highly problematic—indeed, the official version of our history as presented by the Royal Museum of BC, for example, has consciously or not served to propagate a white supremacist narrative.
In contrast, Gray and Tzadok talk to curators and archivists from groups traditionally marginalized or excluded communities: Indigenous, Queer, Trans, the Chinese Canadian Museum, the Tahltan Nation, the South Asian Legacy Project, and others. Along the way, we learn the secret, neglected, and untold histories of this place we only think we know.
Q&A Sept 30 & Oct 2
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Bradley Cooper's second film as director is a symphonic portrait of the composer/conductor Leonard Bernstein, with Cooper in the title role and Carey Mulligan as his wife, actress Felicia Montealegre. One of the films of the year.
In this poignant collaborative project, a trio of Indigenous west coast changemakers from the Nlaka'pamux, shíshálh and the Secwépemc Nations are learning and documenting the traditional cultural teachings and legacies of their Elders.
Witnessing the brutal treatment of migrant workers while working at a corn plant in the Richelieu Valley in Quebec, French-to-Spanish translator Ariane (Ariane Castellanos) is forced to decide between risking her job and sticking up for the labourers.
Outcast teen hockey goalie Heather has it rough: she's a closeted lesbian with an alcoholic mum and something far worse than the usual menstrual cycle. This full-blooded creature feature weds the classic werewolf mythos with its own sapphic sensibility.
Arthur Erickson's Dyde House
Nestled among the aspen parkland of Alberta, a hidden masterpiece by one of Canada's most celebrated architects has been found. Arthur Erickson’s Dyde House tells the story of an undiscovered piece of history and the architects fighting for its future.
Ansi meets Holappa, and these two lonely souls feel they are meant for each other, but Fate may have other ideas... Aki Kaurismäki crafts a poignant and pertinent comedy which picked up the Jury Prize at Cannes.
Hayley Gray, Elad Tzadok
Aynsley Baldwin, Elad Tzadok
Edo Van Breemen, Johannes Winkler
Photo by Kristine Cofsky
Hayley Gray is a Vancouver-based director, writer, and producer. A graduate of Dalhousie University and Vancouver Film School, she has written and directed documentary, narrative, and commercial work. Gray’s films have screened at festivals around the world and aired on Telus Optik, the Knowledge Network, CBC, and Air Canada.
Photo by Collin Morrison
Elad Tzadok is an award-winning director, producer, and editor with a background in development and marketing. Born and raised in Israel, Tzadok moved to Vancouver, where he graduated from the Film Production Program at UBC and co-founded Scopitone Films. He has produced, directed, and edited music videos, commercials, narrative films, and documentaries.