Set against the spectacular high sierra of the Bolivian Andes, this strikingly shot first feature from photographer Alejandro Loayza Grisi is the tale of an old man—a Quechua llama farmer—staring death in the face and refusing to blink. Drought shrouds the dirt-poor terrain, the nearest village is on course to become a ghost town as one family after another abandons it for the city, and wife Sisa has to walk further and further to bring back water, but Virginio refuses to budge from the mud hut which is the only house he’s ever known or needed. (In the Quechua language, “utama” means “home”.) The return of their grandson Clever—with his modern ideas—challenges Virginio’s authority, but the filmmaker’s own sympathies seem evenly balanced.
Loayza Grisi gives us an authentic snapshot of a remote corner of the world, and a different way of thinking about mortality. Stellar work by cinematographer Barbara Alvarez (The Headless Woman) and the dignified performances from real-life couple José Calcina and Luisa Quispe (both non-professional actors) ensure Utama lingers in the mind.
World Cinema Grand Jury Prize: Dramatic, Sundance 2022
Community Partner
José Calcina, Luisa Quispe, Santos Choque
Bolivia/Uruguay/France
2022
In Quechua and Spanish with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Skeleton of Mrs Morales
In this delightful black comedy, an avuncular taxidermist (our old amigo Arturo de Córdova) is beloved by many but not his wife (Amparo Rivelles), a religious fanatic who can't bear to be touched. One day she pushes him too far...
The Eyes of Ghana
In his debut feature doc Ben Proudfoot unearths the story — and the images — of Chris Hesse, personal cameraman to Ghana's revolutionary leader, Kwame Nkrumah, who was deposed in a coup in 1966. This is a fascinating history reclaimed from the archives.
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
Credits
Executive Producer
Marcos Loayza
Producer
Santiago Loayza Grisi, Federico Moreira
Cinematography
Barbara Alvarez
Editor
Fernando Epstein
Original Music
Cergio Prudencio
Art Director
Valeria Wilde
Director
Photo by Michael Dunn
Alejandro Loayza Grisi
Alejandro Loayza Grisi is a Bolivian filmmaker who began his artistic career in still photography and entered the world of cinema through cinematography. As a director of photography, he has worked on the documentary series Planeta Bolivia (2016) and on the short films, Polvo (2017), Dochera (2018), and Aicha (2019). He ventures into scriptwriting and directing with his first feature film, Utama.