World Premiere
In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.
The resulting back home includes candid interviews, lyrical visuals, evocative motifs, and segments in which filmstock has been hand-processed in seawater, plants, soil, and Josh’s ashes. Eloquently edited, the film establishes a meditative pace that allows a viewer space to reflect upon what’s being imparted and draw parallels to their own experiences. And, as it builds to a quietly staggering close, Platzer’s film instills in a viewer a desire to connect with those they hold dear.
Q&A Sept 30 & Oct 2
Presented by
Media Partner
Nisha Platzer, Swan, Sara Kendall, Sam Bligh, Zac Bligh, Rebecca Bligh
Canada/Cuba
2022
English
Self Harm, Flashing strobe lights
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Image: © Eddy Cinema, Beside Productions, Regular Production, France 3 Cinema, Auvergne-Rhône-Alpes Cinéma, RTBF
Credits
Executive Producer
John Bolton
Producer
Joella Cabalu, Nisha Platzer
Screenwriter
Nisha Platzer, Jenn Strom
Cinematography
Suzanne Friesen, Flávio Rebouças
Editor
Jenn Strom, Milena Salazar
Production Design
Alexander Nolan
Original Music
Todd Macdonald – Norvaiza
Director
Photo by Erika Lind
Nisha Platzer
Nisha Platzer (she/her) is a queer artist and filmmaker from Vancouver, Canada. Her last short film, Vaivén (2020) won the Best Film Award at aluCine Latin Film & Media Arts Festival and competed at Raindance Film Festival, Festival du Nouveau Cinéma, International Documentary Film Festival of Buenos Aires (FIDBA), and Ji.hlava International Documentary Film Festival. Platzer studied at the Escuela Internacional de Cine y Televisión (EICTV) in Cuba. She teaches handmade film workshops and is a member of Iris Film Collective. back home, her first feature documentary, was recently presented at the Canadian Docs-in-Progress Showcase at Cannes Docs.