World Premiere
In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.
The resulting back home includes candid interviews, lyrical visuals, evocative motifs, and segments in which filmstock has been hand-processed in seawater, plants, soil, and Josh’s ashes. Eloquently edited, the film establishes a meditative pace that allows a viewer space to reflect upon what’s being imparted and draw parallels to their own experiences. And, as it builds to a quietly staggering close, Platzer’s film instills in a viewer a desire to connect with those they hold dear.
Q&A Sept 30 & Oct 2
Presented by
Media Partner
Nisha Platzer, Swan, Sara Kendall, Sam Bligh, Zac Bligh, Rebecca Bligh
Canada/Cuba
2022
English
Self Harm, Flashing strobe lights
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Kneeling Goddess
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The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Two Prosecutors
In the midst of Stalin’s purges, a naïve prosecutor sets out to investigate a prisoner’s innocence, unaware of the labyrinthine bureaucracy awaiting him. A Kafkaesque procedural thriller about the pursuit of justice in the face of corruption.
Image: © SBS Productions
Crepúsculo
A brain surgeon (Arturo de Córdova) begins to doubt his own sanity when the woman he's in love with (Gloria Marin) marries his brother — and he starts fantasizing about murder.
Victims of Sin
This movie is a hot scramble of piety and passion, sentimentality and sleaze. Ninón Sevilla plays Violeta, a rumba sensation who oversteps when she rescues a newborn from the trash. This gets her fired and wins the enmity of the pimp who fathered the kid.
Credits
Executive Producer
John Bolton
Producer
Joella Cabalu, Nisha Platzer
Screenwriter
Nisha Platzer, Jenn Strom
Cinematography
Suzanne Friesen, Flávio Rebouças
Editor
Jenn Strom, Milena Salazar
Production Design
Alexander Nolan
Original Music
Todd Macdonald – Norvaiza
Director
Photo by Erika Lind
Nisha Platzer
Nisha Platzer (she/her) is a queer artist and filmmaker from Vancouver, Canada. Her last short film, Vaivén (2020) won the Best Film Award at aluCine Latin Film & Media Arts Festival and competed at Raindance Film Festival, Festival du Nouveau Cinéma, International Documentary Film Festival of Buenos Aires (FIDBA), and Ji.hlava International Documentary Film Festival. Platzer studied at the Escuela Internacional de Cine y Televisión (EICTV) in Cuba. She teaches handmade film workshops and is a member of Iris Film Collective. back home, her first feature documentary, was recently presented at the Canadian Docs-in-Progress Showcase at Cannes Docs.