World Premiere
In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.
The resulting back home includes candid interviews, lyrical visuals, evocative motifs, and segments in which filmstock has been hand-processed in seawater, plants, soil, and Josh’s ashes. Eloquently edited, the film establishes a meditative pace that allows a viewer space to reflect upon what’s being imparted and draw parallels to their own experiences. And, as it builds to a quietly staggering close, Platzer’s film instills in a viewer a desire to connect with those they hold dear.
Q&A Sept 30 & Oct 2
Presented by
Media Partner
Nisha Platzer, Swan, Sara Kendall, Sam Bligh, Zac Bligh, Rebecca Bligh
Canada/Cuba
2022
English
Self Harm, Flashing strobe lights
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.
The Python Hunt
Strange but true: the Florida Everglades are overrun with unwanted visitors. Not tourists, but invasive Burmese pythons decimating the local critters. The state's solution: an annual contest: $10 000 to whomever bags the most snakes in ten days.
Holy Days
After his mom passes, Brian (Elijah Tamati) is comforted by Sisters Agnes, Luke and Mary Clare (Judy Davis, Miriam Margolyes and Jacki Weaver, respectively). The quirky quartet hit the road to save their convent from being sold to a property developer.
Mārama
Set in North Yorkshire, 1859, this creepy gothic horror plays like The Piano in reverse: a young Maori woman takes up a position as a governess to a wealthy whaler's child, but finds colonial skeletons in his closets.
Credits
Executive Producer
John Bolton
Producer
Joella Cabalu, Nisha Platzer
Screenwriter
Nisha Platzer, Jenn Strom
Cinematography
Suzanne Friesen, Flávio Rebouças
Editor
Jenn Strom, Milena Salazar
Production Design
Alexander Nolan
Original Music
Todd Macdonald – Norvaiza
Director
Photo by Erika Lind
Nisha Platzer
Nisha Platzer (she/her) is a queer artist and filmmaker from Vancouver, Canada. Her last short film, Vaivén (2020) won the Best Film Award at aluCine Latin Film & Media Arts Festival and competed at Raindance Film Festival, Festival du Nouveau Cinéma, International Documentary Film Festival of Buenos Aires (FIDBA), and Ji.hlava International Documentary Film Festival. Platzer studied at the Escuela Internacional de Cine y Televisión (EICTV) in Cuba. She teaches handmade film workshops and is a member of Iris Film Collective. back home, her first feature documentary, was recently presented at the Canadian Docs-in-Progress Showcase at Cannes Docs.