Patrick Dorneval, Dany Boudreault
Canada
2022
In French with English subtitles
Sexually suggestive scene
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
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Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Rose of Nevada
This disconcerting film from the director of Bait and Enys Men feels like a message from another era: two men sign on to a Cornish fishing trawler, but when they return to port they are welcomed into the community 30 years before they left...
To Die For
Buck Henry (The Graduate) wrote this acidic black comedy about a ruthless weather girl on the make (Nicole Kidman in her breakout role). A young Joaquin Phoenix is the dim teen she seduces on her way to achieving stardom.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
Credits
Producer
Nellie Carrier
Screenwriter
Gabrielle Demers
Cinematography
Chloé Ellegé
Editor
Mathieu Bouchard Malo, Charlie Boisvert
Original Music
Alexis Elina
Art Director
Valérie-Jeanne Mathieu
Director
Gabrielle Demers
Gabrielle Demers is a Montreal-based filmmaker. Her short film Iris (2017) was selected by several film festivals, including Slamdance. Her next film, The Pornographer (2018), was screened at the Rhode Island International Film Festival. She is currently working on the film adaptation of the novel Querelle de Roberval, written by Kevin Lambert.


