VIFF 2022 Opening Film
In these troubled and lopsided times, we need our storytellers to help us understand our inheritance, be it pain or privilege, and to lay the intellectual and emotional groundwork not only for reconciliation, but for reparation and restoration. Vancouver-born Dene/Métis writer-director Marie Clements (whose previous films The Road Forward and Red Snow have been part of VIFF’s year-round and festival programming) squares up to the challenge with this bold, necessarily harrowing tale of oppression and resilience which spans the greater part of the 20th century.
Aline Spears (played at different ages by Grace Dove, Summer Testawich, and Carla Rae) is a happy, gifted child, until she and her siblings are removed to a residential school. The scars of that experience will run deep through the remainder of their days, though it will not be the only time that official government policy will act as an instrument of abuse and trauma. Despite this, Aline enlists in WWII, where, ironically, her fluency in Cree becomes a national asset. The reward for her service is yet more anguish and struggle.
This is a tough film, but it has epic ambition, deep-rooted conviction, anger, and urgency. Clements is not afraid to make provocative and important connections, and she marshals an outstanding cast of Indigenous actors with care and compassion.
This program contains scenes that may distress some viewers, especially those who have experienced harm, abuse, violence, and/or intergenerational trauma due to colonial practices.
Support is available 24 hours a day for anyone affected by their experience at residential schools and for those who may be triggered by content dealing with residential schools, child abuse, emotional trauma, and racism. The national Indian Residential Schools Crisis Line is available at 1-866-925-4419.
Note: The Opening Gala screening will take place Thursday, September 29, 6 pm at the Centre for Performing Arts.
Q&A Sept 29 & Oct 4
Presented by
Media Partner
Grace Dove, Phillip Forest Lewitski, Alyssa Wapanatâhk, Michelle Thrush, Gail Maurice, Carla Rae
Canada
2022
In English, Cree, ʔayʔajuθəm, and Italian with English subtitles
Residential Schools, Sexual Violence, Child Abuse, Racial Discrimination, Coarse Language
Open to youth!
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Goldman Case
In 1976, Jewish radical Pierre Goldman was facing the death penalty, accused of committing a double murder during an armed robbery. Goldman admitted to a string of similar robberies, but denied murder. Instead, he put the cops on trial.
His Three Daughters
Three sisters -- Carrie Coon, Elizabeth Olson, and Natasha Lyonne -- congregate to attend the final few days of their father's life. They bring with them years of barely-repressed jealousy and resentment, as well as wildly different personalities.
Filtration: Three Colours: Blue
Directly filtering the image that comes into a lens allows cinematographers to vastly alter how a scene looks and feels. We'll analyze the radical ways Kieslowski's closet collaborator, Slawomir Idziak, editorializes in such films as Three Colours: Blue.
Green Border
In her seventies Agnieszka Holland has made a ferocious, emotionally charged film about the brutal treatment of refugees arriving over the Polish land border from Belarus. This is a vehement denunciation of resurgent fascism and utterly compelling cinema.
Lyd
Lyd is the Arab name for 5000-year-old town that is now the Israeli city of Lod. Made by a Palestinian and a Jewish American, this creative non-fiction film excavates the history of this place leading to a detailed examination of the events of 1948.
Amadeus
In which the celebrated court composer Salieri welcomes a much ballyhooed young prodigy to Vienna. To his dismay, Wolfgang Amadeus Mozart is an impudent, callow upstart. Worse, he's a genius. Winner of 8 Academy Awards, including Best Picture.
Credits
Executive Producer
Marie Clements, Sam Grana, Aaron Gilbert, Steven Thibault, Noah Segal
Producer
Marie Clements, Trish Dolman, Christine Haebler
Screenwriter
Marie Clements
Cinematography
Vince Arvidson
Editor
Maxime Lahaie
Production Design
James Philpott
Original Music
Jesse Zubot, Wayne Lavallee
Director
Marie Clements
A writer, director, and producer whose career has spanned film, TV, radio, and live performance, Marie Clements is a Dene/Métis filmmaker and the founder of Marie Clements Media, a production company specializing in the creation and production of media works that ignite an Indigenous and intercultural reality. Her dramatic feature debut Red Snow (2019) received numerous awards including Most Popular Canadian Feature at VIFF and Best Director at the American Indian Film Festival. Clements’ 2017 documentary The Road Forward opened the DOXA Documentary Film Festival, received multiple awards, and has screened at more than 300 venues in North America.
Filmography: The Road Forward (2017); Red Snow (2019)