World Premiere
Through feminist solidarities on unceded Coast Salish land, the contributions of Latinx women reveal an intergenerational network of media art genealogies.
Supported by
Media Partner
Community Broadcast Partner
Community Partner
Canada
2022
In English and Spanish with English subtitles
Violence
Featured in:
VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
Missing VIFF? Check Out What's Playing at the VIFF Centre
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
You Had to Be There
In a strange quirk of fate, the legendary Toronto '72 production of the musical comedy Jesus hit Godspell launched a constellation of comedy stars, all unknown at the time but now known to us as Martin Short, Eugene Levy, Dave Thomas, Victor Garber, et al
Shot in Vancouver: The Changeling, introduced by Sam Wiebe
To mark the publication of Sam Wiebe's new book about BC film, Shot in Vancouver, we're pleased to welcome Sam to introduce Severin Film's new 4K restoration of Peter Medak's 1980 haunted house classic — with Vancity standing in for Seattle.
House of Hope
"House of Hope" is the name of a Waldorf elementary school near Jerusalem in the occupied West Bank, founded by Manar and her husband Milad. This documentary follows their efforts to go about their lives before, during, and after the events of October 7.
Day of Wrath
Anna, the young second wife of a well-respected but much older pastor, falls in love with her stepson when he returns to their small seventeenth-century village. Stepping outside the bounds of the village's harsh moral code has disastrous results.
Atonement
A former Marine suffering from PTSD seeks a meeting with the Iraqi family to which he did great wrong ten years earlier in the Gulf War. Atonement navigates challenging, politically-charged psychological territory with diligence and sensitivity.
Credits
Producer
Sarah Shamash, Sonia Medel
Screenwriter
Sarah Shamash, Sonia Medel
Cinematography
Angie Rico
Editor
Sarah Shamash
Directors
Sonia Medel
Sonia Medel is currently a PhD Candidate in Education at the University of British Columbia and working as a lead on diverse curatorial and publishing projects. She has been promoting decolonial and intersectional feminist engagement with arts, culture, and education across the Americas for over a decade. A visibly racialized Indigenous-Afro-European descendant, Chilean-Peruvian Latina, Medel is grateful to the Coast Salish peoples and lands on which she was born and primarily develops her practices.
Sarah Shamash
Sarah Shamash is an artist, educator, and media scholar living and raising her son on unsurrendered Indigenous lands in Vancouver. Her works have been shown in curated exhibitions and film festivals internationally. She currently teaches film studies and studio-based practices at the University of British Columbia and Emily Carr University of Art + Design.