Canada
2022
In English and Spanish with English subtitles
Violence
Featured in:
VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
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The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.
The Python Hunt
Strange but true: the Florida Everglades are overrun with unwanted visitors. Not tourists, but invasive Burmese pythons decimating the local critters. The state's solution: an annual contest: $10 000 to whomever bags the most snakes in ten days.
Departures
Two lads meet at an airport gate and begin monthly trips to Amsterdam together. Their chemistry is off the charts, but it's Jake who's calls the shots while Benji is the one who's emotionally invested. Comparisons to Pillion and Trainspotting are on mark.
Credits
Producer
Sarah Shamash, Sonia Medel
Screenwriter
Sarah Shamash, Sonia Medel
Cinematography
Angie Rico
Editor
Sarah Shamash
Directors
Sonia Medel
Sonia Medel is currently a PhD Candidate in Education at the University of British Columbia and working as a lead on diverse curatorial and publishing projects. She has been promoting decolonial and intersectional feminist engagement with arts, culture, and education across the Americas for over a decade. A visibly racialized Indigenous-Afro-European descendant, Chilean-Peruvian Latina, Medel is grateful to the Coast Salish peoples and lands on which she was born and primarily develops her practices.
Sarah Shamash
Sarah Shamash is an artist, educator, and media scholar living and raising her son on unsurrendered Indigenous lands in Vancouver. Her works have been shown in curated exhibitions and film festivals internationally. She currently teaches film studies and studio-based practices at the University of British Columbia and Emily Carr University of Art + Design.



