Canada
2022
In English and Spanish with English subtitles
Violence
Featured in:
VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
Missing VIFF? Check out what's playing at the VIFF Centre
Analogue Revolution: How Feminist Media Changed the World
Bonnie Thompson, Bonnie Sherr Klein, Moira Simpson, Zainub Verjee, Judy Rebick are among the Canadian feminist creatives who recount tales from the trenches, the gory glory days of 1970s, 80s and 90s, before the internet changed everything.
Nika & Madison
Two young Indigenous women become fugitives following an act of self-defence and are forced to flee into the wilderness. Inspired by Thelma and Louise, this compelling story of unbreakable friendship sheds light on systemic injustices.
A Magnificent Life
Animator Sylvain Chomet (The Triplets of Belleville; The Illusionist) crafts a loving biopic of the revered French writer, playwright and filmmaker Marcel Pagnol (Jean de Florette; My Father's Glory)
Miroirs No. 3
Following a car crash that kills her boyfriend, piano student Laura is physically unhurt but emotionally distraught. A local woman takes her in, but she gradually realizes she's in the midst of an eerie, mysterious family situation.
Image: © Schramm Film A4 Kopie
Credits
Producer
Sarah Shamash, Sonia Medel
Screenwriter
Sarah Shamash, Sonia Medel
Cinematography
Angie Rico
Editor
Sarah Shamash
Directors
Sonia Medel
Sonia Medel is currently a PhD Candidate in Education at the University of British Columbia and working as a lead on diverse curatorial and publishing projects. She has been promoting decolonial and intersectional feminist engagement with arts, culture, and education across the Americas for over a decade. A visibly racialized Indigenous-Afro-European descendant, Chilean-Peruvian Latina, Medel is grateful to the Coast Salish peoples and lands on which she was born and primarily develops her practices.
Sarah Shamash
Sarah Shamash is an artist, educator, and media scholar living and raising her son on unsurrendered Indigenous lands in Vancouver. Her works have been shown in curated exhibitions and film festivals internationally. She currently teaches film studies and studio-based practices at the University of British Columbia and Emily Carr University of Art + Design.



