Canada
2022
In English and Spanish with English subtitles
Violence
Featured in:
VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
Missing VIFF? Check Out What's Playing at the VIFF Centre
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Producer
Sarah Shamash, Sonia Medel
Screenwriter
Sarah Shamash, Sonia Medel
Cinematography
Angie Rico
Editor
Sarah Shamash
Directors
Sonia Medel
Sonia Medel is currently a PhD Candidate in Education at the University of British Columbia and working as a lead on diverse curatorial and publishing projects. She has been promoting decolonial and intersectional feminist engagement with arts, culture, and education across the Americas for over a decade. A visibly racialized Indigenous-Afro-European descendant, Chilean-Peruvian Latina, Medel is grateful to the Coast Salish peoples and lands on which she was born and primarily develops her practices.
Sarah Shamash
Sarah Shamash is an artist, educator, and media scholar living and raising her son on unsurrendered Indigenous lands in Vancouver. Her works have been shown in curated exhibitions and film festivals internationally. She currently teaches film studies and studio-based practices at the University of British Columbia and Emily Carr University of Art + Design.



