Among the massive concrete block towers of Toronto’s Thorncliffe Park neighborhood, a Syrian doctor struggles to hold on to his cultural identity as his family begins to grow roots in their new community. Working as an unlicensed physician for his neighbors in an attempt to cling to his old identity, tensions rise and begin to threaten his fragile marriage.
Understated cinematography and a patient camera disguise the fraught drama at the heart of Antoine Bourges’ (Fail to Appear) sophomore feature. Bressonian in its approach, employing minimalism, non-professional actors, and a deceptively simple plot, the film blends fact and fiction into a quietly gripping drama with an unshakeable sense of realism. Anchored by the lead performances and a pair of unforgettable scenes in an English as a Second Language class, Bourges crafts a tender portrait that asks if adjusting to a new culture always costs one a piece of their identity.
Q&A Oct 3 & Oct 5
Presented by
Media Partner
Hussam Douhna, Amani Ibrahim, Abdullah Nadaf, Lynn Nantume
Canada
2022
In English and Arabic with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Plague
At a water polo camp, Ben is plunged into the deep end of toxic peer pressure. Terrified of incurring his campmates’ wrath, he joins them in tormenting a kid whose skin rash has been branded “the plague”. But then he experiences a breakout of his own...
Saturn Return
This fascinating, highly acclaimed movie is a thinly disguised history of 90s indie rockers Los Planetas, a Granada grunge outfit who cited the Velvet Underground as inspiration. It's one of the best rock movies in years.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
The Secret Agent
Having run afoul of an influential bureaucrat in Brazil’s military dictatorship circa 1977, Marcelo decamps to Recife to live under an assumed name — but he’ll soon come to understand precisely how rampant the country’s corruption has become.
Credits
Producer
Shehrezade Mian
Screenwriter
Antoine Bourges, Teyama Alkamli
Cinematography
Nikolay Michaylov
Editor
Lindsay Allikas
Production Design
Amir Kiani
Director
Antoine Bourges
Antoine Bourges is a Paris-born filmmaker currently based between Toronto and Vancouver. He is an alumnus of Berlinale Talents, TIFF Filmmaker lab, and the New York Film Festival’s Artist Academy. His shorts, Woman Waiting (2010) and William in White Shirt (2015), along with his mid-length film East Hastings Pharmacy (2012), have screened at the Berlinale, TIFF, Viennale, Ann Arbor Film Festival, and NY Museum of Moving Images. His first feature, Fail to Appear (2017), was presented at Art of the Real, Cinéma du Réel, and BAFICI, among other festivals. It was released theatrically in Canada in 2018.
Filmography: East Hastings Pharmacy (2012); Fail to Appear (2017)