Among the massive concrete block towers of Toronto’s Thorncliffe Park neighborhood, a Syrian doctor struggles to hold on to his cultural identity as his family begins to grow roots in their new community. Working as an unlicensed physician for his neighbors in an attempt to cling to his old identity, tensions rise and begin to threaten his fragile marriage.
Understated cinematography and a patient camera disguise the fraught drama at the heart of Antoine Bourges’ (Fail to Appear) sophomore feature. Bressonian in its approach, employing minimalism, non-professional actors, and a deceptively simple plot, the film blends fact and fiction into a quietly gripping drama with an unshakeable sense of realism. Anchored by the lead performances and a pair of unforgettable scenes in an English as a Second Language class, Bourges crafts a tender portrait that asks if adjusting to a new culture always costs one a piece of their identity.
Q&A Oct 3 & Oct 5
Presented by
Media Partner
Hussam Douhna, Amani Ibrahim, Abdullah Nadaf, Lynn Nantume
Canada
2022
In English and Arabic with English subtitles
Book Tickets
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Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring
Credits
Producer
Shehrezade Mian
Screenwriter
Antoine Bourges, Teyama Alkamli
Cinematography
Nikolay Michaylov
Editor
Lindsay Allikas
Production Design
Amir Kiani
Director
Antoine Bourges
Antoine Bourges is a Paris-born filmmaker currently based between Toronto and Vancouver. He is an alumnus of Berlinale Talents, TIFF Filmmaker lab, and the New York Film Festival’s Artist Academy. His shorts, Woman Waiting (2010) and William in White Shirt (2015), along with his mid-length film East Hastings Pharmacy (2012), have screened at the Berlinale, TIFF, Viennale, Ann Arbor Film Festival, and NY Museum of Moving Images. His first feature, Fail to Appear (2017), was presented at Art of the Real, Cinéma du Réel, and BAFICI, among other festivals. It was released theatrically in Canada in 2018.
Filmography: East Hastings Pharmacy (2012); Fail to Appear (2017)