Among the massive concrete block towers of Toronto’s Thorncliffe Park neighborhood, a Syrian doctor struggles to hold on to his cultural identity as his family begins to grow roots in their new community. Working as an unlicensed physician for his neighbors in an attempt to cling to his old identity, tensions rise and begin to threaten his fragile marriage.
Understated cinematography and a patient camera disguise the fraught drama at the heart of Antoine Bourges’ (Fail to Appear) sophomore feature. Bressonian in its approach, employing minimalism, non-professional actors, and a deceptively simple plot, the film blends fact and fiction into a quietly gripping drama with an unshakeable sense of realism. Anchored by the lead performances and a pair of unforgettable scenes in an English as a Second Language class, Bourges crafts a tender portrait that asks if adjusting to a new culture always costs one a piece of their identity.
Q&A Oct 3 & Oct 5
Presented by
Media Partner
Hussam Douhna, Amani Ibrahim, Abdullah Nadaf, Lynn Nantume
Canada
2022
In English and Arabic with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
Yunan
In this haunting mood piece, Munir is a middle-aged Syrian writer in exile in Germany. In crisis, he takes himself up to one of the Halligan islands in the North Sea, a suitable place to end it all...
The Track
In the middle of a mountain forest above Sarajevo, three boys train for the Olympics in a bullet-ridden luge track abandoned since the 1984 Winter Games. An ambitious, hopeful look at the next generation striving to overcome the sins of their fathers.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
It Was Just an Accident
Having offered some late-night assistance to a stranger in the wake of an auto accident, a mechanic grows convinced that he recognizes the supposed stranger’s voice as that of his torturer during a grueling prison spell.
Breaking the Waves
Kicking off our 2026 Pantheon series of the greatest films ever made, Lars von Trier's 1996 masterpiece is a devastating melodrama featuring an indelible performance from Emily Watson as the woman whose love for her husband knows no bounds.
Credits
Producer
Shehrezade Mian
Screenwriter
Antoine Bourges, Teyama Alkamli
Cinematography
Nikolay Michaylov
Editor
Lindsay Allikas
Production Design
Amir Kiani
Director
Antoine Bourges
Antoine Bourges is a Paris-born filmmaker currently based between Toronto and Vancouver. He is an alumnus of Berlinale Talents, TIFF Filmmaker lab, and the New York Film Festival’s Artist Academy. His shorts, Woman Waiting (2010) and William in White Shirt (2015), along with his mid-length film East Hastings Pharmacy (2012), have screened at the Berlinale, TIFF, Viennale, Ann Arbor Film Festival, and NY Museum of Moving Images. His first feature, Fail to Appear (2017), was presented at Art of the Real, Cinéma du Réel, and BAFICI, among other festivals. It was released theatrically in Canada in 2018.
Filmography: East Hastings Pharmacy (2012); Fail to Appear (2017)