Among the massive concrete block towers of Toronto’s Thorncliffe Park neighborhood, a Syrian doctor struggles to hold on to his cultural identity as his family begins to grow roots in their new community. Working as an unlicensed physician for his neighbors in an attempt to cling to his old identity, tensions rise and begin to threaten his fragile marriage.
Understated cinematography and a patient camera disguise the fraught drama at the heart of Antoine Bourges’ (Fail to Appear) sophomore feature. Bressonian in its approach, employing minimalism, non-professional actors, and a deceptively simple plot, the film blends fact and fiction into a quietly gripping drama with an unshakeable sense of realism. Anchored by the lead performances and a pair of unforgettable scenes in an English as a Second Language class, Bourges crafts a tender portrait that asks if adjusting to a new culture always costs one a piece of their identity.
Q&A Oct 3 & Oct 5
Presented by
Media Partner
Hussam Douhna, Amani Ibrahim, Abdullah Nadaf, Lynn Nantume
Canada
2022
In English and Arabic with English subtitles
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Clarissa
Arie and Chuko Esiri’s Clarissa brings Mrs. Dalloway to present-day Lagos, with Sophie Okonedo playing the titular society hostess opposite David Oyelowo, Ayo Edebiri, and India Amarteifio in a Nigerian vision of class, privilege, and past lives.
Image: © Courtesy of Elevation Pictures
Opening Gala: The Debut
VIFF is honoured to open the festival with this special by-invitation screening of Jesse Eisenberg's The Debut. When meek Mona (Julianne Moore) lands a part in a musical, she fully inhabits her character, but grows increasingly untethered from reality.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
The Beloved
When Esteban Martínez, an acclaimed director with violent tendences, invites his estranged daughter to star in his latest project, the stage is set for a familial reconnection. But as tensions flare, questions about his intentions rise to the surface.
MODES 1
Archive and the land reveal other ways of seeing, ensuring that what is meant to endure cannot be erased.
Credits
Producer
Shehrezade Mian
Screenwriter
Antoine Bourges, Teyama Alkamli
Cinematography
Nikolay Michaylov
Editor
Lindsay Allikas
Production Design
Amir Kiani
Director
Antoine Bourges
Antoine Bourges is a Paris-born filmmaker currently based between Toronto and Vancouver. He is an alumnus of Berlinale Talents, TIFF Filmmaker lab, and the New York Film Festival’s Artist Academy. His shorts, Woman Waiting (2010) and William in White Shirt (2015), along with his mid-length film East Hastings Pharmacy (2012), have screened at the Berlinale, TIFF, Viennale, Ann Arbor Film Festival, and NY Museum of Moving Images. His first feature, Fail to Appear (2017), was presented at Art of the Real, Cinéma du Réel, and BAFICI, among other festivals. It was released theatrically in Canada in 2018.
Filmography: East Hastings Pharmacy (2012); Fail to Appear (2017)