Through formal experimentation based on the artist’s personal struggle with gender identity, a singular self has been split into two.
Supported by
Media Partner
Community Broadcast Partner
Community Partner
Taliesin Mason-McCrea
Canada
2022
English
Flashing/Strobing Lights
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
The Bloodettes
In this early Afro-futurist shlocker from Cameroonian director Jean-Pierre Bekolo (made in 2005 and set in 2025), two sex workers try to dispose of the body of a high profile politician who's died on the job (theirs, not his).
Credits
Producer
Sidney Gordon
Screenwriter
Sidney Gordon
Cinematography
Emil Vargas
Original Music
Aysha Dulong
Director
Sidney Gordon
Sidney Gordon is a queer multimedia emulsion-based artist, born and raised on Treaty 4 territory. They hold a Bachelor of Media Arts in Film + Screen Arts from Emily Carr University of Art + Design in so-called “Vancouver,” where they currently reside. In 2022, they won the Chancellor’s Award, Best Experimental Film, and the VIVO Distribution Award, and were longlisted for The Polygon Gallery’s Lind Prize in 2021. Their film and cameraless-photo works have been shown both locally and internationally.