Taliesin Mason-McCrea
Canada
2022
English
Flashing/Strobing Lights
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
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Victims of Sin
This movie is a hot scramble of piety and passion, sentimentality and sleaze. Ninón Sevilla plays Violeta, a rumba sensation who oversteps when she rescues a newborn from the trash. This gets her fired and wins the enmity of the pimp who fathered the kid.
Calle Málaga
Seventy-nine-year-old María Ángeles lives independently in Tangier's Spanish quarter. When her daughter pressures her into selling her apartment, she refuses to give in, finding in her old age a new resilience and an unexpected romantic connection.
In the Palm of Your Hand
Charming, (over-)confident clairvoyant Professor Karin hits the jackpot when he hears about a beautiful widow whose millionaire husband has just died. But you don't need to be psychic to see that blackmailing a killer may not be his best idea...
The Night Falls
An arrogant, womanizing sports star eventually gets his comeuppance in this jet-black crime drama from director Roberto Gavaldón.
The Blue Trail
77-year-old Tereza makes a break for the Brazilian jungle in this trippy septuagenarian fantasy, the latest from Brazilian director Gabriel Mascaro is a quirky picaresque, lushly photographed and filled with mordant humour.
Credits
Producer
Sidney Gordon
Screenwriter
Sidney Gordon
Cinematography
Emil Vargas
Original Music
Aysha Dulong
Director
Sidney Gordon
Sidney Gordon is a queer multimedia emulsion-based artist, born and raised on Treaty 4 territory. They hold a Bachelor of Media Arts in Film + Screen Arts from Emily Carr University of Art + Design in so-called “Vancouver,” where they currently reside. In 2022, they won the Chancellor’s Award, Best Experimental Film, and the VIVO Distribution Award, and were longlisted for The Polygon Gallery’s Lind Prize in 2021. Their film and cameraless-photo works have been shown both locally and internationally.



