Through formal experimentation based on the artist’s personal struggle with gender identity, a singular self has been split into two.
Supported by
Media Partner
Community Broadcast Partner
Community Partner
Taliesin Mason-McCrea
Canada
2022
English
Flashing/Strobing Lights
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring
Credits
Producer
Sidney Gordon
Screenwriter
Sidney Gordon
Cinematography
Emil Vargas
Original Music
Aysha Dulong
Director
Sidney Gordon
Sidney Gordon is a queer multimedia emulsion-based artist, born and raised on Treaty 4 territory. They hold a Bachelor of Media Arts in Film + Screen Arts from Emily Carr University of Art + Design in so-called “Vancouver,” where they currently reside. In 2022, they won the Chancellor’s Award, Best Experimental Film, and the VIVO Distribution Award, and were longlisted for The Polygon Gallery’s Lind Prize in 2021. Their film and cameraless-photo works have been shown both locally and internationally.