Through formal experimentation based on the artist’s personal struggle with gender identity, a singular self has been split into two.
Supported by
Media Partner
Community Broadcast Partner
Community Partner
Taliesin Mason-McCrea
Canada
2022
English
Flashing/Strobing Lights
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
An American Werewolf in London
Two American students get into a spot of bother with the wildlife in rural England. Then they introduce the virus to the big city... John Landis's goofy horror comedy is a very good night out. So long as it's not a full moon...
Credits
Producer
Sidney Gordon
Screenwriter
Sidney Gordon
Cinematography
Emil Vargas
Original Music
Aysha Dulong
Director
Sidney Gordon
Sidney Gordon is a queer multimedia emulsion-based artist, born and raised on Treaty 4 territory. They hold a Bachelor of Media Arts in Film + Screen Arts from Emily Carr University of Art + Design in so-called “Vancouver,” where they currently reside. In 2022, they won the Chancellor’s Award, Best Experimental Film, and the VIVO Distribution Award, and were longlisted for The Polygon Gallery’s Lind Prize in 2021. Their film and cameraless-photo works have been shown both locally and internationally.