Through formal experimentation based on the artist’s personal struggle with gender identity, a singular self has been split into two.
Supported by
Media Partner
Community Broadcast Partner
Community Partner
Taliesin Mason-McCrea
Canada
2022
English
Flashing/Strobing Lights
Featured in:
VIFF Short Forum: Program 2
Fear, doubt, and loneliness give way to pleasure, empowerment, and reclamation—or, is it the other way around?
Missing VIFF? Check out what's playing at the VIFF Centre
Best Boy
Sibling rivalry is the name of the game in Jesse Noah Klein's pitch black comedy. Eli, Lawrence and Phillip (who's a woman) reunite after the passing of their father and, in accordance with his last wishes, compete for the prized title of "Best Boy".
The End of the Internet + Installation & Talk
Forget the cloud. "The net" is a far more accurate metaphor for the www. Filmmaker Dylan Reibling meets the hacktavists around the world fighting for the independent flow of information free from censorship and exploitation.
Lucid
Art student Mia is struggling with a make-or-break assignment, a self-portrait. It's only when grandma lets slip that her mom used to hypnotize her as a child to blank out the bad bits that she realizes the severity of the challenge...
Two Pianos
Once promising concert pianist Mathias (François Civil) returns to his native Lyon after a long absence. He's here to pay homage to his mentor, Elena (Charlotte Rampling). But a chance encounter with an old flame sends him spiraling.
The Richest Woman in the World
Isabelle Huppert plays cosmetics CEO Marianne in this teasingly ambivalent satire inspired by the Bettancourt Affair, when L'Oreal heir Francoise Bettancourt scandalized France by frittering away her fortune on a notorious celebrity photographer.
Credits
Producer
Sidney Gordon
Screenwriter
Sidney Gordon
Cinematography
Emil Vargas
Original Music
Aysha Dulong
Director
Sidney Gordon
Sidney Gordon is a queer multimedia emulsion-based artist, born and raised on Treaty 4 territory. They hold a Bachelor of Media Arts in Film + Screen Arts from Emily Carr University of Art + Design in so-called “Vancouver,” where they currently reside. In 2022, they won the Chancellor’s Award, Best Experimental Film, and the VIVO Distribution Award, and were longlisted for The Polygon Gallery’s Lind Prize in 2021. Their film and cameraless-photo works have been shown both locally and internationally.