Canadian Premiere
In a ruined city, a wandering Magnifying Glass Human encounters a secret society of Projector Humans with grand plans to reconnect to the past in a surviving mountaintop theatre. An absolutely stunning animated film from beginning to end, with a brilliant concept that gets more imaginative with its storytelling as it progresses. It touches on aspects of filmmaking and film projection, and how the medium is still capable of creating beautiful illusions, imagery representing another time and reality. The story is effectively told without any dialogue, enhanced by impeccable sound design that immerses you in the mechanical and lifeless environment. One of the most original and incredible works of animation to come along in years.
Media Partner
Community Partner
Japan
2022
No Dialogue
Featured in:
International Shorts: Connect/Disconnect/Reconnect
The films in this shorts program are all about connections. People connecting with one another, dealing with change, or rediscovering a part of themselves and their past.
Missing VIFF? Check out what's playing at the VIFF Centre
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
All That's Left of You
Jordan's submission for the Academy Awards, All That's Left of You makes the most of its epic format to chronicle seven decades of Palestinian history while tracking the psychological impact of cycles of exile and oppression on three generations.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb
Our Premium Pick series invites out Premium members to turn their hands to programming. This month's film was suggested by Steven Savitt, who says Dr Strangelove is "as funny as ever, but even more terrifying."
Credits
Producer
Isaku Kaneko
ANIM
Isaku Kaneko
Original Music
Tatsukiamano
Director
Isaku Kaneko
Isaku Kaneko is an independent animator and director. In 2020, Kaneko received a master’s degree from Tama Art University’s Department of Graphic Design.

