Looking closer at archival images and stories from the past, these artists re-examine and re-create to establish history anew. A daring mix of approaches that excavate new ways of seeing old perspectives.
Q&A Oct 1, Oct 4 & Oct 8
This short film program includes the following films:
Prelude Op. 28 No.2
Jenni Toikka, Finland (9 min)
Two distinct interpretations of Chopin’s notable repertory prelude, immortalized in Ingmar Bergman’s Autumn Sonata, now receive an updated treatment, with a shifting focal gaze and staging that implicates the performer as the listener and listener as the performer.
Laika
Deborah Stratman, USA (5 min)
Some forms we can only know by their shadow. Laika is an homage to the spirits of space test dogs, or any being we use in the name of progress.
Parasite Family
Prapat Jiwarangsan, Thailand (6 min)
Re-discovered film negatives represent families of affluence who absorbed Thailand’s wealth, like parasites. The journey from analog to digital, and finally to AI-generated images, gradually evolves these captured faces into a new species of monster.
The Fruit Tree
Isabelle Tollenaere, Belgium (15 min)
For Sharleece, looking out of the window of a house for rent in a desert town where she lives evokes unexpected memories of her childhood home in Los Angeles. The passing of time is ever-present.
Saving Some Random Insignificant Stories
Anna Vasof, Austria/Greece (14 min)
As a point of departure for Anna Vasof, a survey of the damage left by a flood in her parents’ house reveals a simple yet multilayered work about memory, loss, and how we deal with the past.
Neighbour Abdi
Douwe Dijkstra, The Netherlands (29 min)
How can you understand a violent history? Abdi reenacts his life in Somalia, marked by war and criminality, with the help of his neighbour and filmmaker Douwe Dijkstra (Green Screen Gringo, MODES 2016). Through playful reconstructions in a special effects studio, they embark on a candid and investigative journey through Abdi’s painful past, focusing on the creative process.
Various
Various
2021-2022
Various with English subtitles
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.