North American Premiere
Re-discovered film negatives represent families of affluence who absorbed Thailand’s wealth, like parasites. The journey from analog to digital, and finally to AI-generated images, gradually evolves these captured faces into a new species of monster.
Thailand
2022
No Dialogue
Featured in:
MODES 2
Looking closer at archival images and stories from the past, these artists re-examine and re-create to establish history anew. A daring mix of approaches that excavate new ways of seeing old perspectives.
Missing VIFF? Check out what's playing at the VIFF Centre
A Bit of Light
A Bit of Light follows a doctor who plans to end his life following his arrest and the closure of his practice. The film ultimately asks what might reconnect a person to life when faith in institutions, work, and the future have been exhausted.
I See Buildings Fall Like Lightning
Having navigated every rite of passage together, five childhood friends now find themselves drifting apart. Clio Barnard conspires with a stellar ensemble to bring these richly detailed, fascinatingly flawed characters to life.
Image: © Chris Harris
Seventeen
Seventeen takes us through a rough day in the lives of three Indigenous sex workers, shining a light on Vancouver’s Downtown Eastside and telling a story of solidarity and love.
Where the River Begins
This immersive, hypnotic film follows an Indigenous mother and daughter on a journey from the slums of Bogotá to their true home in the jungle, joined by a young gang member with an especially urgent reason to flee.
Short Forum 1: The Scarier One
The return of scary: fear in all its chilling, suspenseful, and unsettling shades.
Credits
Producer
Graiwoot Chulphongsathorn
Cinematography
Prapat Jiwarangsan
ANIM
Prapat Jiwarangsan
Editor
Prapat Jiwarangsan
Director
Prapat Jiwarangsan
Prapat Jiwarangsan is a visual artist and film director from Thailand. In his creative explorations, he incorporates a variety of media, especially photography, slides, and videos, to investigate and represent the relationships between history, memory, and politics in Thailand—particularly in relation to the theme of migration. Jiwarangsan has spent the last six years researching and making artwork that tackles the issues faced by migrant workers in Southeast Asia.