North American Premiere
Re-discovered film negatives represent families of affluence who absorbed Thailand’s wealth, like parasites. The journey from analog to digital, and finally to AI-generated images, gradually evolves these captured faces into a new species of monster.
Thailand
2022
No Dialogue
Featured in:
MODES 2
Looking closer at archival images and stories from the past, these artists re-examine and re-create to establish history anew. A daring mix of approaches that excavate new ways of seeing old perspectives.
Missing VIFF? Check out what's playing at the VIFF Centre
Two Strangers Trying Not to Kill Each Other
This intimate and candid film by a younger husband and wife artist team is a delicate and immensely moving dual portrait of two artists, husband and wife, together and apart, at that point in life when the end casts a shadow over even the sunniest day.
Image: © Manon et Jacob and Final Cut For Real
Do You Love Me
Lana Daher's bravura and defiant non-fiction film is a cultural-historical self-portrait of Beirut, comprised entirely of film clips (many of them from dramatic features, but also from news reports, TV and home video) culled from the last 70 years.
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
Omaha
Cole Webley's road movie about a single dad taking off with his two young kids is really just a fragment of a story, yet it unfolds with such authentic lyricism it lands with a heartbreaking emotional wallop.
Credits
Producer
Graiwoot Chulphongsathorn
Cinematography
Prapat Jiwarangsan
ANIM
Prapat Jiwarangsan
Editor
Prapat Jiwarangsan
Director
Prapat Jiwarangsan
Prapat Jiwarangsan is a visual artist and film director from Thailand. In his creative explorations, he incorporates a variety of media, especially photography, slides, and videos, to investigate and represent the relationships between history, memory, and politics in Thailand—particularly in relation to the theme of migration. Jiwarangsan has spent the last six years researching and making artwork that tackles the issues faced by migrant workers in Southeast Asia.