North American Premiere
Re-discovered film negatives represent families of affluence who absorbed Thailand’s wealth, like parasites. The journey from analog to digital, and finally to AI-generated images, gradually evolves these captured faces into a new species of monster.
Thailand
2022
No Dialogue
Featured in:
MODES 2
Looking closer at archival images and stories from the past, these artists re-examine and re-create to establish history anew. A daring mix of approaches that excavate new ways of seeing old perspectives.
Missing VIFF? Check Out What's Playing at the VIFF Centre
The Secret in Their Eyes
This month's Talking Pictures screening is a multi-layered, poignant thriller interweaving the personal lives of a prosecution investigator (Ricardo Darin) and a judge, with a manhunt spanning twenty-five years. Stay for cookies, coffee and a chat after!
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Credits
Producer
Graiwoot Chulphongsathorn
Cinematography
Prapat Jiwarangsan
ANIM
Prapat Jiwarangsan
Editor
Prapat Jiwarangsan
Director
Prapat Jiwarangsan
Prapat Jiwarangsan is a visual artist and film director from Thailand. In his creative explorations, he incorporates a variety of media, especially photography, slides, and videos, to investigate and represent the relationships between history, memory, and politics in Thailand—particularly in relation to the theme of migration. Jiwarangsan has spent the last six years researching and making artwork that tackles the issues faced by migrant workers in Southeast Asia.