North American Premiere
Re-discovered film negatives represent families of affluence who absorbed Thailand’s wealth, like parasites. The journey from analog to digital, and finally to AI-generated images, gradually evolves these captured faces into a new species of monster.
Thailand
2022
No Dialogue
Featured in:
MODES 2
Looking closer at archival images and stories from the past, these artists re-examine and re-create to establish history anew. A daring mix of approaches that excavate new ways of seeing old perspectives.
Missing VIFF? Check out what's playing at the VIFF Centre
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.
Camp
Reeling from two devastating tragedies, Emily (Zola Grimmer) takes refuge at a summer camp for troubled youth, where she has been offered a position as counsellor. She finds friendship, but also something more unexpected, something truly troubling...
Credits
Producer
Graiwoot Chulphongsathorn
Cinematography
Prapat Jiwarangsan
ANIM
Prapat Jiwarangsan
Editor
Prapat Jiwarangsan
Director
Prapat Jiwarangsan
Prapat Jiwarangsan is a visual artist and film director from Thailand. In his creative explorations, he incorporates a variety of media, especially photography, slides, and videos, to investigate and represent the relationships between history, memory, and politics in Thailand—particularly in relation to the theme of migration. Jiwarangsan has spent the last six years researching and making artwork that tackles the issues faced by migrant workers in Southeast Asia.