North American Premiere
As identification with the self slowly dissolves, the borders between beings evaporate and the environment disintegrates. This mirrored photo performance, which could also be considered a kind of reverse-engineered stop-motion, takes frames away rather than adding them, forming a myriad of sentient beings.
Sweden
2021
No Dialogue
Featured in:
MODES 3
Whimsical, questioning and utterly absorbing, a collection of animated work delving into worlds of wonder, subversion, and Marxist mystery. These works are fun and some re-construct ideas of animation, paying homage to experimentalists who came before.
Missing VIFF? Check out what's playing at the VIFF Centre
Palimpsest: The Story of a Name
Drawing on home movies and diaries from the 1930s, 40s, 50s and 60s, Canadian filmmaker Mary Stephen (Eric Rohmer's editor for many years) investigates the origins of her surname. After all, she was born in Hong Kong to Chinese parents. Or were they... ?
Searching for Satyrus
Award-winning filmmaker and photographer Rena Effendi embarks on a quest to track down the very rare Satyrus Effendi, a butterfly discovered by her father in the mountains of Aberbaijain. But what she finds is altogether more personal, and more upsetting.
Rushmore
Precocious Max Fischer (Jason Schwartzman) is befriended by depressed industrialist Harold Blume (Bill Murray) until they both fall in love with first grade teacher Miss Cross (Olivia Williams). Anderson's second feature is an old favourite.
The Big Lebowski
The Coens' whacky, warped slacker generation riff on Raymond Chandler, a shaggy dog story which delights in going sideways at every turn. Jeff Bridges is the Dude, and what he really wants is to get his rug back...
Credits
Producer
Gustaf Broms
Cinematography
Gustaf Broms
Editor
Gustaf Broms
Production Design
Gustaf Broms
Art Director
Gustaf Broms
Director
Gustaf Broms
Gustaf Broms started off working in photography and installation, but two works led him to the more formless processes of performance. In 1991, Broms burned all of his work, and in doing so realized that the intensity of the action and the remaining ash far outdid anything he had previously made. In 2005, he worked with objects that were physically too heavy for the body to move. These experiences led to the project entitled A Walking Piece, in which he and Trish Littler spent 18 months walking across Eastern Europe. The result is considered a drawing.