North American Premiere
As identification with the self slowly dissolves, the borders between beings evaporate and the environment disintegrates. This mirrored photo performance, which could also be considered a kind of reverse-engineered stop-motion, takes frames away rather than adding them, forming a myriad of sentient beings.
Sweden
2021
No Dialogue
Featured in:
MODES 3
Whimsical, questioning and utterly absorbing, a collection of animated work delving into worlds of wonder, subversion, and Marxist mystery. These works are fun and some re-construct ideas of animation, paying homage to experimentalists who came before.
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Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Ice Tower
In Lucile Hadžihalilović's spellbinding fantasy drama, an orphan (Clara Pacini) becomes enthralled by a movie star (Marion Cotillard) playing the Snow Queen in a fairy tale film adaptation. Winner of the Silver Bear for Outstanding Artistic Contribution.
La Grazia
A contemplative, mournful but richly imagined movie about a retiring Italian President (Toni Servillo from The Great Beauty) facing two thorny ethical decisions that may define his legacy.
Image: © Andrea Pirrello
Innocence
Lucile Hadžihalilović's first feature is a suggestive, subversive fairy tale set in a private school for young girls, the kind of film David Lynch might have made, if he'd been born a French woman in the early 1960s.
Where to Land
Hal Hartley's first new film in a decade is a melancholy farce about mortality and what we'll call "late middle-age". Bill Sage is a semi-retired filmmaker who isn't dying faster than the rest of us but who behaves like he might be.
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
Credits
Producer
Gustaf Broms
Cinematography
Gustaf Broms
Editor
Gustaf Broms
Production Design
Gustaf Broms
Art Director
Gustaf Broms
Director
Gustaf Broms
Gustaf Broms started off working in photography and installation, but two works led him to the more formless processes of performance. In 1991, Broms burned all of his work, and in doing so realized that the intensity of the action and the remaining ash far outdid anything he had previously made. In 2005, he worked with objects that were physically too heavy for the body to move. These experiences led to the project entitled A Walking Piece, in which he and Trish Littler spent 18 months walking across Eastern Europe. The result is considered a drawing.