North American Premiere
As identification with the self slowly dissolves, the borders between beings evaporate and the environment disintegrates. This mirrored photo performance, which could also be considered a kind of reverse-engineered stop-motion, takes frames away rather than adding them, forming a myriad of sentient beings.
Sweden
2021
No Dialogue
Featured in:
MODES 3
Whimsical, questioning and utterly absorbing, a collection of animated work delving into worlds of wonder, subversion, and Marxist mystery. These works are fun and some re-construct ideas of animation, paying homage to experimentalists who came before.
Missing VIFF? Check out what's playing at the VIFF Centre
Hanami
On the volcanic island Cape Verde, young Nana is on the cusp of self-discovery. When her long-absent mother returns, the lyricism and magic of Nana's childhood take a different shape. Winner of the Best Emerging Director Award, Locarno Film Festival.
Total Recall
The master of the subversive blockbuster, Paul Verhoeven concocts a film about corporate mind-control vs. revolutionary uprising by setting it on Mars and allowing for the possibility the whole thing is just an escapist fantasy...
Reservoir Dogs
Quentin Tarantino announced himself to the world with this ingeniously fractured heist movie, carved into character-centric chapters, riffing breezily on pop culture, but counterpointing all this with blood-soaked intensity.
Jacob's Ladder
Ever feel you're losing your mind? Jacob Singer (Tim Robbins) comes back from the Vietnam War with a firefight in his head. Sanity is a losing battle in Adrian Lyne's terrifying psychological thriller.
True Romance
Rockabilly comic book clerk Clarence (Christian Slater) meets dream girl Alabama (Patricia Arquette) with trouble in her wake, in this seminal couple on the run thriller from Quentin Tarantino's excitable mind.
Credits
Producer
Gustaf Broms
Cinematography
Gustaf Broms
Editor
Gustaf Broms
Production Design
Gustaf Broms
Art Director
Gustaf Broms
Director
Gustaf Broms
Gustaf Broms started off working in photography and installation, but two works led him to the more formless processes of performance. In 1991, Broms burned all of his work, and in doing so realized that the intensity of the action and the remaining ash far outdid anything he had previously made. In 2005, he worked with objects that were physically too heavy for the body to move. These experiences led to the project entitled A Walking Piece, in which he and Trish Littler spent 18 months walking across Eastern Europe. The result is considered a drawing.