
Canada
2022
Without dialogue
Featured in:

VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
Missing VIFF? Check out what's playing at the VIFF Centre
Caught by the Tides
Over two decades, across China’s rapidly changing landscape, two lovers meet and part and meet again. In this magisterial film, Jia Zhangke refracts the 21st century through a reflexive, retrospective look at his era-defining filmography.
Sabbath Queen
The dynastic heir of 38 generations of Orthodox rabbis, including the Chief Rabbis of Israel, Amichai Lau-Lavie is what you might call the black sheep of the family. His sexuality led him down a different path, but its destination is surprising...
Tehran: City of Love
Three lovesick individuals struggle to find romance as this tragicomic triptych plays out across the weddings, funerals, beauty parlours, and gyms of Tehran. This is the opening of our Queering Cinema series and will be followed by a DJ set from DJ Afrooz.
Magic Farm
In Amalia Ulman's playful slow burner, a Vice-like camera crew wash up in a sleepy South American village and cook up a story that isn't there with the help of cynical locals eager to take the gringos for every cent.
Credits
ANIM
Ashleigh Vaillancourt
Director

Ashleigh Vaillancourt
Ashleigh Vaillancourt is a multimedia artist and filmmaker working on the unceded and ancestral territories of the xʷməθkʷəyəm (Musqueam)̓ Nation (Vancouver, Canada). She studied art and animation at Emily Carr University, and has shown her films and digital projections in film festivals and galleries internationally. Her work explores themes of personal resilience and social empathy, as well as the interplay of analog painting and generative digital art.