
Canada
2022
Without dialogue
Featured in:

VIFF Short Forum: Program 1
What kind of alchemy occurs to transform hardship into fortune? Here, the extraordinary burn brightly.
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A Streetcar Named Desire
"I don't want realism. I want magic!" declares Blanche du Bois, the tragic heroine who meets her nemesis in her sister's husband, Stanley Kowalski, in Tennessee Williams' great play. Brando's performance as Stanley is a turning point in American acting.
Georgia O'Keeffe: the Brightness of Light
Drawing on her copious correspondence and the world's leading scholars, this is a definitive documentary on the life and work of "the mother of American Modernism."
The Other
Filmed from 2017-2024, including post October 7 and during the subsequent war, Joy Sela's documentary is an inspiring testament to how human beings -- even in the worst circumstances -- can transcend difference to forge connection and understanding.
Familiar Touch
A loving portrait of an octogenarian transitioning into an assisted living facility, this award-winning first feature by choreographer Sarah Friedland has a simplicity and warmth that's exceptionally poignant.
Stories of Our Lives
Stories of Our Lives (62 mins) documents personal stories of lovers, fighters and rebels and the community histories that characterize the queer experience in Kenya. This is preceded by the touching and resonant 38-minute Nigerian love story, Ìfé.
Credits
ANIM
Ashleigh Vaillancourt
Director

Ashleigh Vaillancourt
Ashleigh Vaillancourt is a multimedia artist and filmmaker working on the unceded and ancestral territories of the xʷməθkʷəyəm (Musqueam)̓ Nation (Vancouver, Canada). She studied art and animation at Emily Carr University, and has shown her films and digital projections in film festivals and galleries internationally. Her work explores themes of personal resilience and social empathy, as well as the interplay of analog painting and generative digital art.