Canadian Premiere
A teen girl and her two friends and are off for an afternoon in the largest park in Teheran to photograph a rare total solar eclipse. This is a slice-of-life teen adventure where something as dark as the eclipse is revealed. The film shows us that, perhaps not surprisingly, rebellious teen behaviours and attitudes in Iran and the West share striking similarities, and that some of their actions would be considered morally questionable in both societies. The film is beautifully shot and directed with simplicity and precision, complemented by superb acting. The eclipse becomes a metaphor for something that should have stayed hidden, and that unsettled feeling of something being fundamentally changed forever.
Community Partner
Khorshid Cheraghipour, Paniz Esmaili, Anita Bagheri, Payman Naimi, Faraz Modiri
France/Iran
2021
In Farsi with English subtitles
Featured in:
International Shorts: Morality Plays
Morals are being challenged on many fronts. The protagonists in this program of short films are all faced with difficult moral choices and they don’t always make the right decisions.
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Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.
Credits
Executive Producer
Raha Amirfazli, Aria Ghavamian, Mani Nilchiani
Producer
Hassan Nadjarian Dariani, Alireza Ghasemi, Adrien Barouillet
Screenwriter
Alireza Ghasemi, Raha Amirfazli
Cinematography
Soheil Goharipour
Editor
Pooyan Sholevar
Production Design
Faraz Modiri
Director
Raha Amirfazli
Raha Amirfazli is an Iranian filmmaker who graduated from the Art University of Tehran in Film Directing. She has made several short films that have earned her national and international screenings, including Nausea (2017). In addition to serving as a referee in the Danish journal Short Film Studies, she is also the editor-in-chief of the 24 Frames website. Amirfazli is currently pursuing an MFA in Film Production at New York University.
Alireza Ghasemi
Alireza Ghasemi is an Iranian filmmaker. He received his Master’s degree in Film Directing from the Art University of Tehran. His short Lunch Time (2017) earned him a Palme d’Or nomination in Cannes’ short film category. He is now the international manager of the Iranian Short Film Association. He participated in Cannes’ residency program with his first feature-length film script, The Ceremony.