Stephen Eric McIntyre, Trevor Merasty, Tyler Rogers, Darcy Fehr, Alec Goodall
Canada
2022
English
Graphic Violence, Drug & Alcohol Abuse
Featured in:
VIFF Short Forum: Program 4
Bouncing through nostalgic aesthetics and genre storytelling, a contemporary point of view comes into focus.
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Possible Love
Lee Chang-dong’s first film since Burning (2018) is a sardonic, slow-burning satire about two couples: a documentary filmmaker married to a wealthy businessman, and a working-class family struggling to make ends meet after the husband has been laid off.
Halloween Live! The Crypt Keepers + The Day of the Beast
Amp up your Halloween with a unique live set of holidays cuts from The Crypt Keepers, followed by Alex de la Iglesias's cult comic horror Day of the Beast, a wild ride about a sinful Catholic priest on the warpath against Satan.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Get Out
Guess who's coming to dinner? Daniel Kaluuya is the Black boyfriend justifiably anxious about meeting his white girlfriend's folks for the first time in Jordan Peele's satiric modern horror classic, one of a series curated by our VIFF+ Premium members.
The Haunting
Directed by Robert Wise in 1963, The Haunting is a classic exercise in the suggestive power of cinema, adapted from Shirley Jackson's 1959 best-seller, The Haunting of Hill House, a provocative blend of supernatural and psychological horror.
Credits
Executive Producer
Juliette Hagopian
Producer
Brian Barnhart
Screenwriter
Brian Barnhart
Cinematography
Greg Nicod
Production Design
Madison Dueck
Original Music
Ben Brimacombe, Nick Walker
Director
Brian Barnhart
Originally from Manitoba, Brian Vincent Barnhart got his start in film by working as a production assistant in his early 20s. He went on to study film production at the Mel Hoppenheim School of Cinema in Montreal. His last film, The Manitoba Connection (2020), was a 35-minute documentary about Winnipeg’s hardcore punk underground scene circa the mid-2000s.


