Canadian Premiere
Lokita is trying to satisfy the authorities that yes, she tracked down her eight-year-old younger brother Tori in a West African orphanage and recognized him—despite not having seen him since he was a baby—and her anxiety is palpable. She’s not a convincing witness. And indeed, Tori is not a blood relation; the pair met up on their grueling odyssey across Europe. But their bond runs deeper than mere opportunism. In a hostile and dangerous environment, they offer one another unstinting love and support. Billeted temporarily in a state-run centre, they work nights side-by-side in an Italian restaurant, and then run “errands” (drugs) for the chef.
The Dardenne brothers work with such consistency at the highest level (Two Days, One Night; The Kid with a Bike; L’enfant), there is a temptation to take their films for granted. That would be a mistake. When so much of cinema is dominated by escapist fantasies of power and strength, the Dardennes have grounded their stories in social realism and empathy for the vulnerable and the weak. Their latest ratchets up the tension and pummels the heart.
Media Partner
Jean-Pierre & Luc Dardenne
Pablo Schils, Joely Mbundu, Alban Ukaj, Tijmen Govaerts, Charlotte De Bruyne, Nadège Ouedraogo, Marc Zinga
Belgium
2022
In French with English subtitles
Book Tickets
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Sentimental Value
A once-revered director crashes back into his family’s lives, eager to recruit his daughter for a film role. When she declines, he finds a new muse in an eager but unpolished Hollywood star, sending his botched reconciliation spiraling into chaos.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
The Chronology of Water
Kristen Stewart's fearless directorial debut is based on the best-selling memoir by Lidia Yuknavitch (Imogen Poots), a chronicle of her abusive childhood, traumatized adulthood, and escapes through swimming, drugs, sex, and ultimately writing.
Credits
Producer
Jean-Pierre et Luc Dardenne, Delphine Tomson, Denis Freyd
Screenwriter
Jean-Pierre et Luc Dardenne
Cinematography
Benoit Dervaux
Editor
Marie-Hélène Dozo
Production Design
Igor Gabriel
