Discovering an unusual, potentially invasive insect inside a peach, fruit packer Robin (Grace Glowicki) immediately reports it. When the powers that be refuse to take action, she goes public with her concerns and precipitates a widescale shutdown that threatens to devastate her Okanagan town. Branded a pariah and effectively exiled with her younger sister Laney (Alexandra Roberts), Robin must also deal with the complications of terminating an unwanted pregnancy. Meanwhile, the townsfolk are about to learn that nature won’t be denied.
Parallels and allegories abound as Sophie Jarvis’ psychological drama delves into the ills of this seemingly postcard-perfect community. Boasting a layered narrative and impeccable performances, Until Branches Bend is also suffused with the sensorial elements of an Okanagan summer: from the dusty cinematography to a sweltering atmosphere that leaves everyone on edge. What starts out as an intimate whistleblowing drama ultimately grows apocalyptic in scale, all while preserving the human story at its core.
Q&A Oct 2 & Oct 7
Presented by
Media Partner
Community Partner
Grace Glowicki, Alexandra Roberts, Quelemia Sparrow, Lochlyn Munro, Antoine DesRochers
Canada/Switzerland
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Last One for the Road
Two middle-aged drunkards drive across the Veneto region on a freewheeling bender, taking a young college student along for the ride. A celebration of the spirit of drink and the kinds of stories told around a table of old friends and too much wine.
Blue Heron
In the late 1990s, eight-year-old Sasha and her Hungarian immigrant family relocate to a new home on Vancouver Island. Their fresh start is interrupted by increasingly dangerous behaviour from Jeremy, the family’s oldest child.
How Deep Is Your Love
Filmmaker Eleanor Mortimer tags along with a team of oceanographers and marine biologists as they survey the Clarion-Clipperton fracture, one of the most remote spots on Earth, home to a dazzling array of unknown creatures.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
Credits
Producer
Tyler Hagan, Sara Blake, Magali Gillon-Krizaj, Michela Pini, Olga Lamontanara
Screenwriter
Sophie Jarvis
Cinematography
Jeremy Cox
Editor
Kane Stewart
Production Design
Charlie Hannah
Original Music
Kieran Jarvis
Director
Sophie Jarvis
Sophie Jarvis’ first job in film was reading fan mail for The L Word. Later, she studied at Simon Fraser University and her short film, The Worst Day Ever (2012), had its premiere at the Toronto International Film Festival. Jarvis now works as a director, while living a double life as a production designer on a wide range of projects. Lately, she is immersed in the world of stop motion animation with the upcoming short film Zeb’s Spider, produced by the National Film Board of Canada.