Discovering an unusual, potentially invasive insect inside a peach, fruit packer Robin (Grace Glowicki) immediately reports it. When the powers that be refuse to take action, she goes public with her concerns and precipitates a widescale shutdown that threatens to devastate her Okanagan town. Branded a pariah and effectively exiled with her younger sister Laney (Alexandra Roberts), Robin must also deal with the complications of terminating an unwanted pregnancy. Meanwhile, the townsfolk are about to learn that nature won’t be denied.
Parallels and allegories abound as Sophie Jarvis’ psychological drama delves into the ills of this seemingly postcard-perfect community. Boasting a layered narrative and impeccable performances, Until Branches Bend is also suffused with the sensorial elements of an Okanagan summer: from the dusty cinematography to a sweltering atmosphere that leaves everyone on edge. What starts out as an intimate whistleblowing drama ultimately grows apocalyptic in scale, all while preserving the human story at its core.
Q&A Oct 2 & Oct 7
Presented by
Media Partner
Community Partner
Grace Glowicki, Alexandra Roberts, Quelemia Sparrow, Lochlyn Munro, Antoine DesRochers
Canada/Switzerland
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All That's Left of You
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Laura Crema Sings Lorenz Hart
For this unique show, leading jazz vocalist Laura Crema has put together a set of some of Lorenz Hart's most memorable songs. Afterwards, enjoy Ethan Hawke's portrait of the legendary lyricist in Richard Linklater's new movie, Blue Moon.
Islands
In this sly, engrossing mystery, a dissolute English tennis coach in a Canary Islands holiday resort falls under suspicion when the husband of a beautiful guest disappears after a night of heavy drinking...
One Battle After Another
PT Anderson's breathless satire is the best political action movie of 2025, a defiantly anti-MAGA rallying cry featuring a six pack of crackerjack performances. They'll still be talking about this one 50 years from now.
The Mother and the Bear
Johnny Ma’s film stars Kim Ho-jung as a Korean woman who flies to Winnipeg when her immigrant daughter is hospitalized there. This crowd-pleaser plays up cultural differences to hilarious effect and offers a touching take on mother-daughter tension.
L'Étranger
Recreating 1940s Algeria in vivid, high contrast black and white cinematography, L'Etranger is erotic, enigmatic and brutal in equal measures, a masterful screen version of Albert Camus's insoluble classic of existential alienation.
Credits
Producer
Tyler Hagan, Sara Blake, Magali Gillon-Krizaj, Michela Pini, Olga Lamontanara
Screenwriter
Sophie Jarvis
Cinematography
Jeremy Cox
Editor
Kane Stewart
Production Design
Charlie Hannah
Original Music
Kieran Jarvis
Director
Sophie Jarvis
Sophie Jarvis’ first job in film was reading fan mail for The L Word. Later, she studied at Simon Fraser University and her short film, The Worst Day Ever (2012), had its premiere at the Toronto International Film Festival. Jarvis now works as a director, while living a double life as a production designer on a wide range of projects. Lately, she is immersed in the world of stop motion animation with the upcoming short film Zeb’s Spider, produced by the National Film Board of Canada.





