Discovering an unusual, potentially invasive insect inside a peach, fruit packer Robin (Grace Glowicki) immediately reports it. When the powers that be refuse to take action, she goes public with her concerns and precipitates a widescale shutdown that threatens to devastate her Okanagan town. Branded a pariah and effectively exiled with her younger sister Laney (Alexandra Roberts), Robin must also deal with the complications of terminating an unwanted pregnancy. Meanwhile, the townsfolk are about to learn that nature won’t be denied.
Parallels and allegories abound as Sophie Jarvis’ psychological drama delves into the ills of this seemingly postcard-perfect community. Boasting a layered narrative and impeccable performances, Until Branches Bend is also suffused with the sensorial elements of an Okanagan summer: from the dusty cinematography to a sweltering atmosphere that leaves everyone on edge. What starts out as an intimate whistleblowing drama ultimately grows apocalyptic in scale, all while preserving the human story at its core.
Q&A Oct 2 & Oct 7
Presented by
Media Partner
Community Partner
Grace Glowicki, Alexandra Roberts, Quelemia Sparrow, Lochlyn Munro, Antoine DesRochers
Canada/Switzerland
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
The Gymnasts of Fisherman Colony
The Gymnasts of Fisherman Colony follows a group of young female gymnasts in Pakistan's Machar Colony, a highly conservative fishing settlement. Habiba Nosheen's deeply empathetic documentary is a celebration of girlhood, resilience, and self-expression.
Midnight Momo
Kunga, a waiter at a Queens momo shop, finds himself trapped in a loop of the final minutes of his shift. Midnight Momo is a frenetic, distinctly Tibetan American indie comedy that puts a working-class spin on the Buddhist cycle of suffering and rebirth.
Tangles
Based on the graphic memoir by Vancouver artist Sarah Leavitt, Tangles is a stunning, hand-drawn animated feature about a cartoonist coming to terms with her mom’s early-onset Alzheimer’s diagnosis. Nominated for the Caméra d’Or at Cannes 2026.
Death Has No Master
When Caro returns to Venezuela to sell her late father’s cacao plantation, she finds the family mansion occupied by its former staff, who have no intention of leaving. After legal action proves ineffectual, Caro decides to dispense justice herself.
Once Upon a Time in Harlem
Once Upon a Time in Harlem splices together footage shot by William Greaves in 1972 of a group of Harlem Renaissance luminaries in conversation at Duke Ellington’s townhouse. The film is a living archive of memory, disagreement, style, and Black genius.
Credits
Producer
Tyler Hagan, Sara Blake, Magali Gillon-Krizaj, Michela Pini, Olga Lamontanara
Screenwriter
Sophie Jarvis
Cinematography
Jeremy Cox
Editor
Kane Stewart
Production Design
Charlie Hannah
Original Music
Kieran Jarvis
Director
Sophie Jarvis
Sophie Jarvis’ first job in film was reading fan mail for The L Word. Later, she studied at Simon Fraser University and her short film, The Worst Day Ever (2012), had its premiere at the Toronto International Film Festival. Jarvis now works as a director, while living a double life as a production designer on a wide range of projects. Lately, she is immersed in the world of stop motion animation with the upcoming short film Zeb’s Spider, produced by the National Film Board of Canada.