Discovering an unusual, potentially invasive insect inside a peach, fruit packer Robin (Grace Glowicki) immediately reports it. When the powers that be refuse to take action, she goes public with her concerns and precipitates a widescale shutdown that threatens to devastate her Okanagan town. Branded a pariah and effectively exiled with her younger sister Laney (Alexandra Roberts), Robin must also deal with the complications of terminating an unwanted pregnancy. Meanwhile, the townsfolk are about to learn that nature won’t be denied.
Parallels and allegories abound as Sophie Jarvis’ psychological drama delves into the ills of this seemingly postcard-perfect community. Boasting a layered narrative and impeccable performances, Until Branches Bend is also suffused with the sensorial elements of an Okanagan summer: from the dusty cinematography to a sweltering atmosphere that leaves everyone on edge. What starts out as an intimate whistleblowing drama ultimately grows apocalyptic in scale, all while preserving the human story at its core.
Q&A Oct 2 & Oct 7
Presented by
Media Partner
Community Partner
Grace Glowicki, Alexandra Roberts, Quelemia Sparrow, Lochlyn Munro, Antoine DesRochers
Canada/Switzerland
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check out what's playing at the VIFF Centre
All the Lovers in the Night
A lonely proofreader's isolated world begins to open through an unlikely friendship with a gentle physics teacher. Based on Mieko Kawakami's acclaimed novel, this luminous drama is a delicate meditation on loneliness, intimacy, and self-discovery.
Árru
Set against the mountains and fjords of northern Norway, Árru follows reindeer herder Maia as a proposed copper mine threatens her Sámi community, forcing her to fight to protect both her community and the land that sustains it.
Heysel 85
This harrowing drama recreates the 1985 European Cup Final in Belgium, when rival football fans clashed before a ball had even been kicked. Teodora Mihal's film captures the hubris, incompetence, and politicking that compounded the escalating chaos.
Yellow Letters
Derya and Aziz, a theatre couple based in Ankara, are celebrating the premiere of their latest play when they find themselves targeted by state investigations. Their lives change practically overnight, they find their political convictions put to the test.
Image: © EllaKnorz ifProductions Alamode Film
Into the Jaws of the Ogre
Having left Iran for France, filmmaker Mahsa Karampour now reunites with her musician brother in America. Mixing the structure of a road movie with the brashness of a punk anthem, this intimate documentary is humanist filmmaking of the highest order.
Credits
Producer
Tyler Hagan, Sara Blake, Magali Gillon-Krizaj, Michela Pini, Olga Lamontanara
Screenwriter
Sophie Jarvis
Cinematography
Jeremy Cox
Editor
Kane Stewart
Production Design
Charlie Hannah
Original Music
Kieran Jarvis
Director
Sophie Jarvis
Sophie Jarvis’ first job in film was reading fan mail for The L Word. Later, she studied at Simon Fraser University and her short film, The Worst Day Ever (2012), had its premiere at the Toronto International Film Festival. Jarvis now works as a director, while living a double life as a production designer on a wide range of projects. Lately, she is immersed in the world of stop motion animation with the upcoming short film Zeb’s Spider, produced by the National Film Board of Canada.