Discovering an unusual, potentially invasive insect inside a peach, fruit packer Robin (Grace Glowicki) immediately reports it. When the powers that be refuse to take action, she goes public with her concerns and precipitates a widescale shutdown that threatens to devastate her Okanagan town. Branded a pariah and effectively exiled with her younger sister Laney (Alexandra Roberts), Robin must also deal with the complications of terminating an unwanted pregnancy. Meanwhile, the townsfolk are about to learn that nature won’t be denied.
Parallels and allegories abound as Sophie Jarvis’ psychological drama delves into the ills of this seemingly postcard-perfect community. Boasting a layered narrative and impeccable performances, Until Branches Bend is also suffused with the sensorial elements of an Okanagan summer: from the dusty cinematography to a sweltering atmosphere that leaves everyone on edge. What starts out as an intimate whistleblowing drama ultimately grows apocalyptic in scale, all while preserving the human story at its core.
Q&A Oct 2 & Oct 7
Presented by
Media Partner
Community Partner
Grace Glowicki, Alexandra Roberts, Quelemia Sparrow, Lochlyn Munro, Antoine DesRochers
Canada/Switzerland
2022
English
At Vancouver Playhouse
At The Rio
Book Tickets
Missing VIFF? Check Out What's Playing at the VIFF Centre
Shadow of a Doubt
In our latest film studies series, FRAMEWORK, Michael van den Bos explores the work of Alfred Hitchcock across four monochrome masterworks. This week: smalltown US thriller Shadow of a Doubt (1943), one of the director's personal favourites.
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Best Years of Our Lives
One of the finest films to come out of WWII, The Best Years of Our Lives sympathetically conveys the difficulties returning veterans faced in readjusting to life at home. It won 7 of the top Academy Awards including Best Picture, Director and Actor.
Ray Gunn (Special Advance Screening with Brad Bird)
In an alternate future as seen from 1939, a private eye (Sam Rockwell) is drawn into a case involving aliens, murder, and a multimedia star (Scarlett Johansson). Followed by a moderated discussion with director Brad Bird (The Incredibles, Ratatouille).
Credits
Producer
Tyler Hagan, Sara Blake, Magali Gillon-Krizaj, Michela Pini, Olga Lamontanara
Screenwriter
Sophie Jarvis
Cinematography
Jeremy Cox
Editor
Kane Stewart
Production Design
Charlie Hannah
Original Music
Kieran Jarvis
Director
Sophie Jarvis
Sophie Jarvis’ first job in film was reading fan mail for The L Word. Later, she studied at Simon Fraser University and her short film, The Worst Day Ever (2012), had its premiere at the Toronto International Film Festival. Jarvis now works as a director, while living a double life as a production designer on a wide range of projects. Lately, she is immersed in the world of stop motion animation with the upcoming short film Zeb’s Spider, produced by the National Film Board of Canada.





