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Red Rooms film image

Red Rooms

Les Chambres Rouges

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North American Premiere

Every morning before dawn, Kelly-Anne (Juliette Gariépy) descends on a Montréal courthouse, eager to secure front row seats for the harrowing trial of Ludwig Chevalier (Maxwell McCabe-Lokos), a loner accused of the torture and murder of three teenage girls. Even more disturbingly, these atrocities were streamed online in the Dark Web’s “red rooms” to depraved audiences who could ante up the ungodly cryptocurrency admission. As Kelly-Anne’s obsession grows, her personal life and career unravel as she plunges into the seediest recesses of the Dark Web to secure a key piece of evidence.

With its exquisitely choreographed long takes, entrancing zooms, and surgical editing, there’s certainly the temptation to say this sees Pascal Plante (Nadia, Butterfly) going “full Fincher”. In actual fact, it finds him continuing his intrepid examinations of subcultures while employing even more exacting direction. A cautionary tale about evil’s allure, Red Rooms is unsettling and enthralling in equal measure.

A disturbingly brilliant psychological horror
Deadline

 

October 2 & 4: Q&A with director Pascal Plante & crew

Director
Cast

Juliette Gariépy, Laurie Babin, Elisabeth Locas, Natalie Tannous, Pierre Chagnon

Credits
Country of Origin

Canada

Year

2023

Series

Panorama

Language

In French with English subtitles

Content Warning

Violence, Sexual Violence

18+

At International Village

19+

At The Rio

118 min
Action & Suspense Drama

Book Tickets

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Credits

Executive Producer

Tim Ringuette

Producer

Dominique Dussault

Screenwriter

Pascal Plante

Cinematography

Vincent Biron

Editor

Jonah Malak

Production Design

Laura Nhem

Original Music

Dominique Plante

Director

Pascal Plante headshot

Pascal Plante

Pascal Plante is a Montreal-based filmmaker. His narrative feature Nadia, Butterfly (2020) has been included in the official selection of the 73rd edition of Cannes Film Festival. After his graduation from Concordia University’s Mel Hoppenheim School of Cinema, Pascal co-founded the production company Nemesis Films, with which he directed numerous short films including Blast Beat (Slamdance 2019), Blue-Eyed Blonde (Best Canadian Short Film, VIFF 2015), and Nonna (Slamdance 2017). His first narrative feature, a punk romance entitled Fake Tattoos, competed at the Berlinale, in Generation 14plus, in 2018. Pascal considers himself like a cinephile that became a narrative filmmaker with documentarian tendencies. Red Rooms is his third narrative feature.

Filmography: Nadia, Butterfly (2020); Fake Tattoos (2017)

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