
Hanna (Julia Garner) is backpacking across Australia with her best friend Liv (Jessica Henwick). Running low on funds, they decide that a job tending bar in an Outback mining town might be a lark — the job comes with free lodging, after all, and not a little booze. The owner, Billy (Hugo Weaving) does his best to keep the rowdy regulars in order, but then again he’s always drunk himself. Beer culture in a place like this is always going to be a wild ride, but the young women have no idea just how quickly the bottom can drop out of their world. This deeply unsettling film is inspired by a true story — or, more accurately, many true stories. Director and co-writer Kitty Green comes from a documentary background and just as she did with her acclaimed 2019 #MeToo drama The Assistant (also with Julia Garner), Green exactingly grounds the material in the real world. But that’s not to say this cautionary tale is anything less than gripping. Expect a vertiginous decline in Australian tourism.
A masterfully constructed pressure cooker about the perils of being a woman… Few movies have ever so palpably or intricately conveyed the violent pall of male attention.
David Ehrlich, Indiewire
Kitty Green
Jessica Henwick, Julia Garner, Hugo Weaving, Bree Bain, Toby Wallace
Australia/UK
2023
English
Sexual Violence
At The Park
At The Rio
Indigenous & Community Access
Credits
Executive Producer
Simon Gillis
Producer
Emile Sherman, Liz Watts, Iain Canning, Kath Shelper
Screenwriter
Kitty Green, Oscar Redding
Cinematography
Michael Latham
Editor
Kasra Rassoulzadegan
Production Design
Leah Popple
Original Music
Jed Palmer
Director

Kitty Green
Kitty Green was born in Melbourne. Her works include the documentaries Ukraine is Not a Brothel (2013) and Casting JonBenet (2017), as well as the narrative feature The Assistant (2019).
Filmography: Ukraine is Not a Brothel (2013); Casting JonBenet (2017); The Assistant (2019)
Showcase
See more films in this series:
Creature
In an Arctic research facility, a mysterious creature is found and captured, finding unexpected love with a woman working under the organization. Portrayed through polished ballet, Creature tells the story of unfettered emotion through kinetic movement.
The Royal Hotel
In Kitty Green's harrowing follow up to The Assistant, Hanna (Julia Garner) and Liv (Jessica Henwick) are backpacking across Australia. Running low on funds, they decide tending bar in an Outback mining town could be a lark. This proves a mistake.
Green Border
In her seventies Agnieszka Holland has made a ferocious, emotionally charged film about the brutal treatment of refugees arriving over the Polish land border from Belarus. This is a vehement denunciation of resurgent fascism and utterly compelling cinema.
They Shot the Piano Player
The fate of a prodigious Brazilian samba pianist murdered in Argentina in 1976 fuels this animated docu-fiction from the team who gave us the Academy Award-nominee Chico & Rita. Jeff Goldblum voices the writer who digs into Francisco Tenório Jr's story.
I Am Sirat
I Am Sirat is a personal documentary about Sirat, a transwoman in India, who lives a dual life. While supported by a queer network of friends in Delhi, Sirat reverts to the closet at home as she’s forced to maintain a son’s familial and cultural responsibilities.
The Teachers' Lounge
When a grade 6 student is accused of theft, idealistic young math teacher Ms Nowak decides to set up a sting to find the true culprit... with disastrous results. This buzzy Berlin film festival title is an ethics master class.
Evil Does Not Exist
After the international success of Drive My Car, Ryusuke Hamaguchi quietly made this small-scale independent film, a work of simplicity and grace about a rural community and the developers who want to built a "glamping" retreat in the woods.
Four Little Adults
Upon learning of her husband's year long affair, Juulia proposes an open marriage free of secrets. As a polyamory guide becomes their bible, Juulia falls in love with someone new, filling their journey in polyamory with love, compassion, and compromise.
Just the Two of Us
Beginning as a sunny romance, this film slowly, subtly becomes a defiant feminist drama. When Blanche meets Greg at a seaside party, she’s quickly won over by his confidence and charm, but once they’re married, he reveals a much darker side.
Close to You
In his first feature film role since 2017, Elliot Page delivers a deeply felt and nuanced performance as a young man reuniting with his family for the first time since his transition, four years earlier.
Tótem
During the chaotic preparations for the birthday of her terminally ill father, a seven-year-old girl finds herself caught amid a complex adult world interspersed with a sense of change. A Buñuelian class study keyed to the interior life of a child.
Four Daughters
A stimulating and cathartic docu-drama from Academy-Award nominee, Tunisian filmmaker Kaouther Ben Hania, about a mother who lost two teenage daughters when they fled to Libya to fight for ISIS.
How to Have Sex
Sixteen-year-old Tara and her two best friends arrive to a Greek party town ready to let their hair down. But while Tara is indeed down for some summer fun, her boundaries keep getting trampled on by those closest to her.
Do Not Expect Too Much From the End of the World
Radu Jude takes two days in the life of a stressed Romanian p.a. and gives us an urgent, pissed off, sourly funny polemic on the state of late capitalism. Exploitation, discrimination and hypocrisy are his targets; dialectics are his dynamite.