Framed around a string of unsolved tuba thefts in Los Angeles from 2011 to 2013, the film cuts against the grain: instead of investigating the crimes like a conventional documentary, it reframes them as a metaphysical experiment — how does the absence of sound affect our experience? The film reimagines closed captions, expressing stories and ways of hearing through text placement, font size, colour, and punctuation that’s equally playful and profound. The result is a vibrant new cinematic experience — part historical documentary, part poetic video essay, with interwoven narrative vignettes — that immerses you in a rich parallel world, where you “hear” the humming of plants, the vibrations in the air from Californian forest fires, a 70s punk rock deaf concert, a performance of John Cage’s infamous 4′33″… It forces you to reevaluate your relationship with the quotidian sounds of your life. Drawing on her lived experience as a d/Deaf/Hard of Hearing person, director Alison O’Daniel transcends assumptions of sound, silence, and language in this groundbreaking hybrid documentary.
The Tuba Thieves, by Alison O’Daniel, is a groundbreaking work of art, a wonderfully different, beautiful film that showcases creative captioning and visual and audio poetry.
Chicago Reader
Q&A on September 30 & October 2
Community Partner
Nyeisha “Nyke” Prince, Russell Harvard, Geovanny Marroquin, Warren “WAWA” Snipe, Ajia Jones
USA
2023
Spectrum
In American Sign Language and English with open captions
Coarse & Sexual Language
Book Tickets
Indigenous & Community Access
Credits
Executive Producer
Wendy Ettinger, Maida Lynn, Sally Jo Fifer, Lois Vossen
Producer
Rachel Nederveld, Alison O’Daniel, Su Kim, Maya E. Rudolph
Cinematography
Derek Howard
Editor
Alison O’Daniel, Zach Khalil
Production Design
Mboni Maumba, Clover Singsen, Heather Quesada
Original Music
Christine Sun Kim, Ethan Frederick Greene, Steve Roden
Director
Alison O'Daniel
Alison O’Daniel is a filmmaker and visual artist. She has screened and exhibited in galleries and museums internationally, including the Centre Pompidou, Paris, FR; Centro Centro, Madrid, Spain; Renaissance Society, Chicago; Art in General, New York; and many more. O’Daniel is a United States Artist 2022 Disability Futures Fellow and a 2022 Guggenheim Fellow. She was included in Filmmaker magazine’s 25 New Faces of Independent Film and writing. She is an Assistant Professor of Film at California College of the Arts in San Francisco.
Missing VIFF? Check out what's playing at the VIFF Centre
They Shot the Piano Player
The fate of a prodigious Brazilian samba pianist murdered in Argentina in 1976 fuels this animated docu-fiction from the team who gave us the Academy Award-nominee Chico & Rita. Jeff Goldblum voices the writer who digs into Francisco Tenório Jr's story.
July Rhapsody
Ann Hui's newly restored 2002 film is a moving and sympathetic portrait of a 40-year-old school teacher (Jacky Cheung) going through a rocky patch with his wife (Anita Mui) while fending off a flirtatious student (Vancouver-born Karena Lam).
Evil Does Not Exist
After the international success of Drive My Car, Ryûsuke Hamaguchi quietly made this small-scale independent film, a work of simplicity and grace about a rural community and the developers who want to built a "glamping" retreat in the woods.
Wilfred Buck
Affectionately known as "the star guy", Wilfred Buck is our guide to the ancient astrology of the First Nations. Lisa Jackson's film brings his teachings to life, while also exploring how Buck transcended his troubled youth to become a beloved teacher.
La Chimera
Rohrwacher's first feature since Happy As Lazzaro is an exhilaratingly wild, mysterious, rough and tumble tale of a disheveled English tomb raider (Josh O'Connor) living with a roisterous group of Italian bohemians: singers, smugglers and petty thieves.
Sweetland
The government is ready to resettle the far-flung fishing community of Sweetland, Newfoundland with a healthy pay-out -- but only if the entire community signs up for the move. Retired fisherman Moses is one of the last hold-outs. He's lived here his entire life, and he's not ready to put his ghosts behind him.