Across Generations with Alanis Obomsawin & Amanda Strong

One of the most acclaimed Indigenous directors in the world, Alanis Obomsawin came to cinema from performance and storytelling. Hired by the NFB as a consultant in 1967, she has created an extraordinary body of work—50 films and counting—including landmark documentaries like Incident at Restigouche (1984) and Kanehsatake: 270 Years of Resistance (1993). The Abenaki director has received numerous international honours and her work was showcased in a 2008 retrospective at New York’s Museum of Modern Art. “My main interest all my life has been education,” says Obomsawin, “because that’s where you develop yourself, where you learn to hate, or to love.”

Bush Lady is the only recording ever made by Alanis Obomsawin, who began her artistic career as a singer-songwriter in the 1960s. Amidst her burgeoning film career, Bush Lady was born of sessions sponsored by CBC Radio in 1984. Unsatisfied with these recordings, Obomsawin reclaimed the master tapes, remade the album, and issued it on her own private press in 1988. This unique and profound record had been out of print and gaining cult status ever since, until Constellation Records reissued a newly remastered version of the album in 2018.

Amanda Strong is a Michif/Métis artist, writer, producer, director, filmmaker and mother. As the owner and executive producer of Spotted Fawn Productions Inc., her collaborative creations serve to amplify Indigenous storytelling and ideologies. Strong’s work has received Canadian Screen Award and Emmy nominations, and her films—which include Biidaaban (2018) and Four Faces of the Moon (2016) —have been shown worldwide at venues such as TIFF, the Cannes film market, the Academy Museum of Motion Pictures and the American Museum of Natural History.