Join us for an intimate dialogue between legendary Abenaki filmmaker Alanis Obomsawin and Michif/Métis Artist Amanda Strong, rising star in film and animation, as they discuss their artistic practices, the importance of intergenerational connection, and story telling. Centered around the screening of their latest works, the conversation between these two powerful cinematic voices will discuss the joys and challenges of making film for youth.
This Talk will feature a sneak peek of Alanis Obomsawin’s latest short film My Friend the Green Horse. Often feeling lost and alone, the young Alanis found solace and companionship in the Animal World. Told with joyfulness and imbued with the spirit of happy childhood memories, My Friend the Green Horse offers rare insight into the early life of one of the world’s great documentary directors through a beautiful blend of live-action footage and stop-motion animation.
Amanda Strong’s animated short Inkwo: For When the Starving Return is the story of Dove, a young, enigmatic, gender-shifting warrior, who discovers the gifts and burdens of their Inkwo (medicine) to defend against an army of hungry, ferocious monsters. Dove’s courage, resilience and alliance with the Earth culminates in a battle against these flesh-consuming creatures, who become stronger with each body and soul they devour.
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Oct 5
2:00 pm
VIFF Centre, Vancity Theatre
Open to youth!
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Guests
Alanis Obomsawin
One of the most acclaimed Indigenous directors in the world, Alanis Obomsawin came to cinema from performance and storytelling. Hired by the NFB as a consultant in 1967, she has created an extraordinary body of work—50 films and counting—including landmark documentaries like Incident at Restigouche (1984) and Kanehsatake: 270 Years of Resistance (1993). The Abenaki director has received numerous international honours and her work was showcased in a 2008 retrospective at New York’s Museum of Modern Art. “My main interest all my life has been education,” says Obomsawin, “because that’s where you develop yourself, where you learn to hate, or to love.”
Bush Lady is the only recording ever made by Alanis Obomsawin, who began her artistic career as a singer-songwriter in the 1960s. Amidst her burgeoning film career, Bush Lady was born of sessions sponsored by CBC Radio in 1984. Unsatisfied with these recordings, Obomsawin reclaimed the master tapes, remade the album, and issued it on her own private press in 1988. This unique and profound record had been out of print and gaining cult status ever since, until Constellation Records reissued a newly remastered version of the album in 2018.
Amanda Strong
Amanda Strong is a Michif/Métis artist, writer, producer, director, filmmaker and mother. As the owner and executive producer of Spotted Fawn Productions Inc., her collaborative creations serve to amplify Indigenous storytelling and ideologies. Strong’s work has received Canadian Screen Award and Emmy nominations, and her films—which include Biidaaban (2018) and Four Faces of the Moon (2016) —have been shown worldwide at venues such as TIFF, the Cannes film market, the Academy Museum of Motion Pictures and the American Museum of Natural History.
Missing VIFF? Check out what's playing at the VIFF Centre
Short Cuts
Altman's adaptation of Raymond Carver short stories, Short Cuts weaves between 8 or 9 overlapping storylines and 22 characters. it's a teeming, caustic and compassionate human comedy; a singularly astringent, often cynical view of America and Americana.
Thirty Two Short Films About Glenn Gould
A bona fide classic and arguably the greatest Canadian film of the 90s, Girard's dazzling deconstruction of the biopic gives us the mercurial pianist Glenn Gould as Picasso might have rendered him, a cubist portrait combining multimedia vignettes.
Schindler's List
One of the most acclaimed films of the 90s, Steven Spielberg's adaptation of Thomas Keneally's Schindler's Ark is the story of a German industrialist whose conscience is stirred to save his Jewish workers from the camps.
Free event.
Dazed and Confused
The last day of high school in May, 1976: seniors debate party politics while next term's freshmen run the gauntlet of brutal initiation rites, barely comforted by the knowledge that they'll wield the stick one day.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.

