North American Premiere
Irrepressible Touda (Nisrin Erradi) only dreams of being a Sheikha, a respected traditional Moroccan performer empowered by the lyrics of the fierce female poets who came before her. Inspired by their songs of resistance and emancipation, she performs every evening in provincial bars under the lustful gaze of men. All the while, she sets her sights on the bright lights of Casablanca where she hopes to be recognized as a true artist while also securing a better future for both her son and herself.
Nisrin Erradi, Joud Chamihy, Jalila Tlemsi, El Moustafa Boutankite, Lahcen Razzougui
France/Morocco/Belgium/
Denmark/Netherlands
2024
In Arabic with English subtitles
At International Village
At Fifth Avenue
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Nabil Ayouch, Amine Benjelloun, Sebastian Schelenz, Katrin Pors, Mikkel Jersin, Eva Jakobsen, Marleen Slot, Elisa Fernanda Pirir
Screenwriter
Nabil Ayouch
Cinematography
Virginie Surdej
Editor
Nicolas Rumpl
Production Design
Eve Martin
Original Music
Flemming Nordkrog
Nabil Ayouch
Nabil Ayouch, a member of the Academy of Motion Pictures and the Cesar Academy, co-founded the Arab Film Academy. His debut short film, Les Pierres Bleues du Desert (1992), introduced Jamel Debouzze. Ayouch’s feature films, including Mektoub (1997) and Ali Zaoua: Prince of the Streets (2000), represented Morocco at the Oscars. Notable works include Much Loved (2015), banned in Morocco but acclaimed internationally, and The Blue Caftan (2023), which garnered over 50 awards and was shortlisted for the Oscars. He also founded Ali n’ Productions, promoting Moroccan cinema and supporting young talents.
Filmography: Mektoub (1997); Ali Zaoua: Prince of the Streets (2000); Much Loved (2015); The Blue Caftan (2023)
Missing VIFF? Check Out What's Playing at the VIFF Centre
La Bola Negra
A big, old-school historical melodrama gets a thrillingly modern, queer makeover from Spanish duo Javier Calvo and Javier Ambrossi, who artfully juggle three gay protagonists across stories set in 1932, 1937, and 2017. Winner: Best Director, Cannes. Screening on 35mm.
The Mad Dog of Europe
The story of an unmade screenplay from the writer of Citizen Kane. In 1932, Herman Mankiewicz wrote a film that foretold the persecution of the Jews and the war in Europe. But Hollywood wouldn't take the risk and The Mad Dog of Europe was never made.
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
The Mortal Storm
In this explicitly anti-Nazi melodrama directed by Frank Borzage (Three Comrades) a year before the US entered the war, Margaret Sullavan and James Stewart fall in love as their friends and family fall prey to the rise of Hitler's Nazi party in Germany.
Three Comrades
Scripted by F Scott Fitzgerald, Three Comrades (1938) was the first US studio film to chronicle the rise of European fascism in the 30s. Three German veterans open up a repair shop and try to regain a normal life, but political extremists have other ideas.