1918. When Edward (Gonçalo Waddington), a British civil servant stationed in Burma, gets cold feet about his upcoming wedding to Molly (Crista Alfaiate), he promptly hops on a boat to Singapore—just the first stop in an unforgettable Asian “grand tour” that takes him to Bangkok, Manila, Tokyo, and Shanghai, among other locales. More bemused than angry, Molly resolves to follow him, a decision that gives rise to a remarkable journey of her own.
Winner of the Best Director prize at Cannes, Miguel Gomes (Tabu, Arabian Nights) mixes whimsical fiction and documentary in Grand Tour. It’s at once a magisterial continental travelogue, a probing examination of colonialism, and a time-warping journey into the history of cinema itself. Featuring luminous black-and-white 16mm cinematography—interspersed with dazzling colour passages—and a considered engagement with silent-era techniques, it is a film that revels in the storytelling pleasures that only cinema can offer.
Best Director: Official Competition, Cannes 2024
Miguel Gomes delivers a film in which the most complex sophistication coexists with innocence and charm.
Peter Bradshaw, The Guardian
Community Partner
Crista Alfaiate, Gonçalo Waddington, Cláudio da Silva, Lang Khê Tran
Portugal/Italy/France
2024
In Portuguese, Chinese, Thai, French, Burmese, Vietnamese, Filipino and Japanese with English subtitles
Book Tickets
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
João Miller Guerra
Producer
Filipa Reis
Screenwriter
Mariana Ricardo, Telmo Churro, Maureen Fazendeiro, Miguel Gomes
Cinematography
Rui Poças, Sayombhu Mukdeeprom, Guo Liang
Editor
Telmo Churro, Pedro Filipe Marques
Production Design
Thales Junqueira, Marcos Pedroso
Miguel Gomes
Miguel Gomes (Lisbon, 1972) is a Portuguese film director whose sixth feature, Grand Tour, won Best Director at the 2024 Cannes Film Festival. Since the early 2000s, Gomes has directed several films that have been presented and awarded at international film festivals including Cannes’ Director’s Fortnight and Berlinale. He is currently adapting the written works Savagery and Cantiga for the screen. Gomes has had retrospectives of his work in several countries and lives in Lisbon.
Filmography: The Face You Deserve (2004); Our Beloved Month of August (2008); Tabu (2012); Arabian Nights (2015); The Tsugua Diaries (2021)
Photo by Patricia Neves Gomes
Missing VIFF? Check out what's playing at the VIFF Centre
Rear Window
James Stewart is the man who sees too much. "Jeff" Jeffries is a sports photographer waylaid by a broken leg, doomed to spend the summer in a wheelchair in his New York apartment. That's how he comes to witness a murder in the dead of night (or does he?).
Vivaldi and Me
Venice, 1716. Composer Antonio Vivaldi teaches at an orphanage for abandoned girls, and establishes a deep rapport with violinist Cecelia — but their collaboration is threatened by her impending arranged marriage.
Whispers in the Woods
A luxuriant, healing immersion in nature with ravishing wildlife photography, this is the cinematic equivalent of "forest bathing," a trip deep into the Vosges, France, with photographer Vincent Munier (The Velvet Queen), his father and his son.
Three Colours: Red
Irène Jacob plays Valentine, a runway model living in Geneva, who crosses paths with a retired judge (Jean-Louis Trintignant) who's a bit of an eavesdropper. Initially repelled, she becomes intrigued by this man, as do we... Kieslowski's sublime adieu.
Four Weddings and a Funeral
Four Weddings begins with an onslaught of fucks. It's the first signal that this rom-com will break from tradition, despite the ritualized structural conceit described in the title. The witty screenplay is by Richard Curtis — it's still his best.