Canadian Premiere
A dazzling array of materials compiled from the educational archive in Łódź, reveals the often sexist images that were first used as a didactic means of power in Communist era Poland. The footage is repurposed to form a new portrait of the female condition through the lens of a fictional non-binary child.
Community Partner
Poland
2024
In Polish with English subtitles
This short is featured in:
MODES 2
Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.
Indigenous & Community Access
Credits & Director
Producer
Zuza Banasińska
Screenwriter
Zuza Banasińska
Editor
Zuza Banasińska
Original Music
Martyna Basta, Julek Tarasuik
Zuza Banasinska
Zuza Banasińska is an artist and filmmaker from Warsaw, currently based in Amsterdam. In their essay films and installations, they use archives to examine how the reproduction of images enables the reproduction of systems, subjects and bodies. They studied at the Academy of Fine Arts in Kraków, at the University of the Arts in Berlin, and at the Sandberg Instituut in Amsterdam. Their works have been shown in spaces such as the U-Jazdowski CCA in Warsaw, Dům Umění Mesta Brna in Brno, and Het Nieuwe Instituut in Rotterdam, among others. Their work is currently supported by the Mondriaan Fund, Netherlands Film Fund, and Stimuleringsfonds, and is distributed by Video Power and EYE Filmmuseum. Their newest film premiered at International Film Festival Rotterdam 2024 and the 74th Berlinale, where it received the Teddy Award for best short film.
MODES
See more shorts in this series
MODES 1
The veracity of history is made visible, audible, and tangible. Embodying the principle of “Art as modes of truth production,” strap in for a sensory examination of the varying forms of aggression enacted by those with power as a means of dominance.
MODES 2
Freedom and control, or chaos and systematization. With indelible nuance and care, these works defy categorization, break binaries, and tempt us to adopt a gaze of love, or resistance; defiantly, also an act of love.