
Canadian Premiere
A dazzling array of materials compiled from the educational archive in Łódź, reveals the often sexist images that were first used as a didactic means of power in Communist era Poland. The footage is repurposed to form a new portrait of the female condition through the lens of a fictional non-binary child.
Community Partner
Poland
2024
In Polish with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Producer
Zuza Banasińska
Screenwriter
Zuza Banasińska
Editor
Zuza Banasińska
Original Music
Martyna Basta, Julek Tarasuik

Zuza Banasinska
Zuza Banasińska is an artist and filmmaker from Warsaw, currently based in Amsterdam. In their essay films and installations, they use archives to examine how the reproduction of images enables the reproduction of systems, subjects and bodies. They studied at the Academy of Fine Arts in Kraków, at the University of the Arts in Berlin, and at the Sandberg Instituut in Amsterdam. Their works have been shown in spaces such as the U-Jazdowski CCA in Warsaw, Dům Umění Mesta Brna in Brno, and Het Nieuwe Instituut in Rotterdam, among others. Their work is currently supported by the Mondriaan Fund, Netherlands Film Fund, and Stimuleringsfonds, and is distributed by Video Power and EYE Filmmuseum. Their newest film premiered at International Film Festival Rotterdam 2024 and the 74th Berlinale, where it received the Teddy Award for best short film.
Missing VIFF? Check out what's playing at the VIFF Centre
Love
This warm, thoughtful piece offers shrewd comic observations on modern dating as it trains a quizzical eye on the trysts of a female doctor, Marianne (Andrea Bræin Hovig), and her colleague, a gay male nurse, Tor (Tayo Cittadella Jacobsen).
Nechako: It Will Be a Big River Again
In the face of environmental destruction, two Nations fight to restore their river and a way of life.
Fairy Creek
Considered the largest act of civil disobedience in Canadian history, the Fairy Creek blockade led to more than 1200 arrests. What Jen Muranetz's film gives us is the story from the front line from the activists' point of view (often, from the treetops).
The True Story of Tamara De Lempicka & The Art of Survival
If Art Deco had a face, it was surely Tamara De Lempicka, giving us the side-eye at the wheel of a green Bugati in her famous self-portrait. Rubio's invaluable doc teases out the truths behind the myths, shedding light on De Lempicka's still underrated art.
Image: © 2024 TAMARA DE LEMPICKA ESTATE, LLC ADAGP, PARIS ARS, NY