World Premiere
A group of Afghan refugees hide inside a water tanker as they attempt to cross the border to safety.
Supported by
Media Partner
Community Partner
Ali Eldurssi, Aixa Kay, Helena Marie, Craig March, Araz Yaghoubi, Daniella Eldurssi
Canada
2024
In English and Arabic with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Panta Mosleh
Producer
Sina Nazarian, Panta Mosleh, Alireza Kazemipour
Screenwriter
Alireza Kazemipour
Cinematography
Mikah Sharkey
Editor
Saeed Vahidi
Production Design
Gwendolyn Margetson
Original Music
Mehrdad Jafari Raad
Alireza Kazemipour
Alireza Kazemipour, Iranian-Canadian filmmaker, with 2-decades of experience as a screenwriter in Iran. He holds a master’s in Cinema studies and has directed award-winning shorts including The Gold Teeth (2022) and Split Ends (2022), recognized in over 150 film festivals worldwide, championing social justice, women’s rights, and immigrant issues.
Panta Mosleh
Panta Mosleh is a Queer Middle Eastern-West Asian-Canadian Director, Writer, Producer who splits her time between Vancouver and LA. Currently working as a TV movie director, she has directed for A&E, Lifetime, TF1, NBC Peacock and Hallmark. Panta currently has two tv series in development; one scripted and one unscripted. Panta hopes to make her own theatrical feature film someday.
Missing VIFF? Check out what's playing at the VIFF Centre
La venue de l'avenir
Four cousins are tapped to investigate an abandoned house that is their joint inheritance. As they explore, they learn their story of their ancestor Adele (Suzanne Lindon) and her foray into Paris in the age of Impressionism.
The Librarians
Dispatches from the front line of America's culture wars (and ours too): librarians speak out about the war against ideas, history, freedom of expression and sexual identity, a campaign in which an open mind is the ultimate enemy.
Nouvelle Vague
Linklater's love letter to Paris, 1959, and the difficult birth of Jean-Luc Godard's first feature, Breathless, channels the auteur's blithe self confidence and an era of all-encompassing cinephilia. It's the next best thing to being there.