Ali Eldurssi, Aixa Kay, Helena Marie, Craig March, Araz Yaghoubi, Daniella Eldurssi
Canada
2024
In English and Arabic with English subtitles
Indigenous & Community Access
Indigenous Access Tickets Community Access Tickets Ticket Donation Requests
Credits & Director
Executive Producer
Panta Mosleh
Producer
Sina Nazarian, Panta Mosleh, Alireza Kazemipour
Screenwriter
Alireza Kazemipour
Cinematography
Mikah Sharkey
Editor
Saeed Vahidi
Production Design
Gwendolyn Margetson
Original Music
Mehrdad Jafari Raad
Alireza Kazemipour
Alireza Kazemipour, Iranian-Canadian filmmaker, with 2-decades of experience as a screenwriter in Iran. He holds a master’s in Cinema studies and has directed award-winning shorts including The Gold Teeth (2022) and Split Ends (2022), recognized in over 150 film festivals worldwide, championing social justice, women’s rights, and immigrant issues.
Panta Mosleh
Panta Mosleh is a Queer Middle Eastern-West Asian-Canadian Director, Writer, Producer who splits her time between Vancouver and LA. Currently working as a TV movie director, she has directed for A&E, Lifetime, TF1, NBC Peacock and Hallmark. Panta currently has two tv series in development; one scripted and one unscripted. Panta hopes to make her own theatrical feature film someday.
Missing VIFF? Check Out What's Playing at the VIFF Centre
The History of Concrete
After attending a workshop on pitching saccharine Hallmark movies, John Wilson tries to apply all the same best practices to his documentary about concrete. Frequently absurd and endlessly entertaining detours, asides, and digressions ensue.
NAZA
NAZA is a codeword euphemistically used by Israeli intelligence to indicate the number of civilians it expects will be killed in an airstrike. This chilling documentary exposes the policy and process of state-sanctioned mass killings.
I Am Not a Witch
Rungano Nyoni's acclaimed debut feature is a visually striking satire about a 9-year-old orphan accused of witchcraft in contemporary Zambia. Screening in the latest African Cinema Now! series, The Witch at the Edge of the Screen.
Akashi
In Mayumi Yoshida’s tender drama, struggling artist Kana journeys to Tokyo to attend her grandmother’s funeral. While there, she reconnects with her childhood love and stumbles across a family secret that prompts her to reconsider her place in the world.
Queen at Sea
An academic is pitted against her stepfather in a moral crisis over the care of her mother, who lives with dementia. Winner of the Silver Bear Jury Prize and Silver Bear for Best Supporting Performance at the 2026 Berlinale.
Image: © Seafaring


