Canadian Premiere
From the 1990s, the Live-In Caregiver Program attracted thousands of Filipino women to Canada as migrant workers, enabling them to send money back home and gain permanent residency. In Inay (Tagalog for “Mama”), director Thea Loo and cinematographer Jeremiah Reyes (a husband and wife duo) turn the camera on themselves to explore the cultural and psychological impact on the children who were abandoned by their mothers out of economic necessity. With remarkable frankness, Jeremiah and their friend Shirley testify to similar narratives of secrets, anger, a lack of belonging, and the depression that results from intergenerational trauma, revealing that childhood wounds linger even into adulthood.
The documentary examines the repercussions of systemic policies and government legislation which are only now being felt and spoken about by generations of Filipino Canadians. Deeply personal and self-reflective, Inay reveals the hidden pain behind the lives of women who sacrificed themselves to take care of Canada’s children and elderly, and the loved ones they had to leave behind.
Presented by
Supported by
Media Partner
Thea Loo, Jeremiah Reyes, Shirley Lagman, Rowena Loo, Patrick Loo, Elvira Gangte
Canada/Philippines
2024
In English and Kapampangan with English subtitles
Indigenous & Community Access
Credits & Director
Executive Producer
Patrice Ramsay, Priscilla Galvez, Chelsea Birks
Producer
Thea Loo, Natalie Murao
Cinematography
Jeremiah Reyes, Christian Yves Jones
Editor
Anna Chiyeko Shannon
Original Music
Moses Caliboso, Jeremiah Reyes
Thea Loo
Thea Loo is a producer and director from Vancouver, BC. Her work has played at Sundance, Palm Springs ShortFest, CAAMFest and distributed on the digital TIFF Bell Lightbox. She is an alum of the Reelworld Producers Program and TIFF Series Accelerator. Her debut TV 1-hour documentary, Inay (Mama), will premiere in 2024.
Northern Lights
See more films in this series
Inedia
Liz Cairns makes a mesmerizing feature debut that sees a young woman suffering from mysterious food allergies join a remote island community practicing alternative healing methods. She soon realizes that not everything is as it seems.
Village Keeper
In Karen Chapman’s sensitive debut feature, a widowed mother desperate to shelter her teenage daughter and son from a surge of gun violence in Toronto takes it upon herself to cleanse the blood from crime scenes in her Lawrence Heights neighbourhood.
The Heirloom
A struggling filmmaker and his girlfriend (real-life couple Ben Petrie and Grace Glowicki) adopt a traumatized rescue dog during the COVID lockdown. Petrie’s hilarious debut is a perfect mix of quarantine comedy, dog movie, and boldly meta autofiction.
Bonjour Tristesse
With the utmost grace and aplomb, debut director Durga Chew-Bose adapts Françoise Sagan’s classic French novel. Our heroine is teenager Cécile (Lily McInerney), and the film conveys her coming of age in terms of sexual awakening and spiritual corruption.
There, There
An elderly Nova Scotian woman struggling with dementia and her lonely, pregnant caretaker leave an indelible impression on each other in Heather Young’s sophomore feature drama, an endearing and bittersweet portrait of two women overlooked by society.
Seeds
In this wild home invasion comedy thriller, Ziggy is a young Mohawk social media influencer who runs into danger when she returns to her family’s place on the rez and comes under attack by a mysterious stranger trying to steal her family’s heirloom seeds.
Shook
This moving, relatable film follows MFA grad Ash (a charismatic Sameer Usmani) through a tough, transitional period in his life, offering a loving depiction of Scarborough, Ontario and the pleasures of drama without sentimentality.
Living Together
Halima Elkhatabi’s delightful debut documentary feature takes us to 15 apartments in Montreal, where a diverse assortment of potential roommates interview each other as they search for compatibility, authentic connections, and a place to call home.
Cat's Cry
A deeply touching family drama about a grandfather fighting for the custody of his newborn granddaughter, who is rejected by her mother after she learns that the child has a rare genetic disorder known as Cat’s Cry syndrome.
7 Beats per Minute
While attempting a world record freedive in 2018, Jessea Lu lost consciousness and stopped breathing for four minutes. Years later, Jessea returns to the site of her near-death experience, ready to dive again and become reborn.
Inay (Mama)
Bold and deeply personal, Inay investigates the emotional and psychological repercussions of Canada's Live-In Caregiver Program, which attracted Filipino women migrant workers who left their children to care for strangers out of economic necessity.
Lucky Star
Former gambler Lucky has settled down with a mortgage, a wife and daughters. After falling for a tax scam, he goes all in at the card table. Gillian McKercher helms a tense and gripping narrative about Asian-Canadian familial bonds, deceit and sacrifice.
Preface to a History
This short experimental feature applies minimalist dramatic techniques to a fraying millennial relationship with rich, fulsome cinematography and a sophisticated sound mix to explore the destabilising dichotomy between our interior and external selves.
The Stand
This rousing doc explores a 1985 dispute over clearcut logging on Haida Gwaii. Taking us from canny retrospective commentary to the thick of the action, director Chris Auchter employs animation and a wealth of archival footage to riveting effect.